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Artificial Intelligence (AI) in Film Script Writing Riski, Wahyu Nova; Abidin, Zainal
Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v15i1.5621

Abstract

Artificial intelligence has influenced various aspects of human life in recent years. The film industry is no exception to be affected by the expansion of artificial intelligence. Focusing on the process of short movie scenario development, this research aims to explore the extent to which artificial intelligence or AI can play a role in the creative process of filmmaking. This research uses an innovative exploration method using action research methods with a special focus on the art-based action research approach. Using three experimental cycles, this research found that artificial intelligence has a series of limitations in its function to assist the film script creation process, therefore, it is unlikely that artificial intelligence can replace humans completely soon. However, this research found that despite all its limitations, artificial intelligence has a significant role in helping film creators simplify the initial steps of the film script development process, if it is utilized in the right way. This research makes a substantial contribution to the discussion regarding the use of artificial intelligence in the filmmaking creative process. Keywords: film, screenplay, artificial intelligence, AI
Integrasi Kearifan Lokal Dalam Naskah Film Untuk Promosi Pariwisata Budaya Lokal Riski, Wahyu Nova; Karyadi, FX Yatno
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 5 (2026): Maret - April
Publisher : CV. ITTC INDONESIA

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Abstract

The integration of local cultural values into film narratives holds significant potential to promote cultural tourism and strengthen creative industries in regional contexts. This study aims to explore and develop strategies for integrating local wisdom into film scriptwriting as a means of promoting culture-based tourism. Using the Art-Based Action Research (ABAR) approach, this research seeks to formulate a creative, participatory, and reflective model of script development that represents local cultural identity while supporting sustainable tourism and the growth of the creative industry.The findings indicate that the integration of local wisdom into film scripts requires an in-depth participatory research approach to ensure that culture functions not merely as a background element but as an active component shaping characters, conflicts, and dramatic structures. Furthermore, the study confirms that the use of artificial intelligence (AI) in scriptwriting remains complementary due to the limited availability of digital data on local cultural content. In this context, AI serves as a tool for idea exploration and narrative mapping rather than a substitute for human creativity.This research also proposes an action research model specifically developed for the needs of film scriptwriting based on local wisdom. The findings contribute to strengthening film studies methodology and offer a new approach to scriptwriting practices that are collaborative, contextual, and culturally grounded.
Mise-En-Scene Sebagai Pendukung Unsur Dramatik Film Penyalin Cahaya Fajri, Husnil; Fitri, Dynia; Riski, Wahyu Nova
Cinelook: Journal of Film, Television, and New Media Vol 1, No 01 (2023): Cinelook: Journal of Film, Television, and New Media
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/cl.v1i01.3453

Abstract

This research aims to reveal and explore the role of mise-en-scene contained in each of the dramatic elements of the film. Supporting dramatic elements (conflict, suspense, curiosity and surprise) contained in the film, seen from the aspects of mise-en-scene, namely setting, make up & costume, lighting and staging: movement & performance.This research employs a qualitative research method with a descriptive approach. The research object chosen is the Photocopier (2021) directed by Wregas Bhanuteja. The data in this study were obtained from observations, interviews and documentation of the film. The theory used in analyzing mise-en-scene is the mise-en-scene theory by David Bordwell, Kristin Thompson & Jeff Smith based on the theory of dramatic elements by Elizabeth Lutters.The results of this study indicate that there are 25 scenes containing dramatic elements based on the level of significance of the presence of mise-en-scene in supporting dramatic elements. In this film, mise-en-scene plays a role in supporting dramatic element (conflict, suspense, curiosity, and surprise) so that the audience can feel it through settings, costumes, lighting and staging arrangements : movement & performance. While the make-up applied to the film does not have a major influence on each of the film's dramatic elements.