Article Per Year (5 Year)
p-Index From 2021 - 2026
1.325
P-Index
This Author published in this journals
All Journal Grenek: Jurnal Seni Musik Panggung Dinamisia: Jurnal Pengabdian Kepada Masyarakat Logista: Jurnal Ilmiah Pengabdian Kepada Masyarakat Criksetra: Jurnal Pendidikan Sejarah Abdi Dosen : Jurnal Pengabdian Pada Masyarakat Jurnal Pendidikan dan Penciptaan Seni Jurnal ABDIMAS Budi Darma Panggung
Heristina Dewi, Heristina
Faculty Of Cultural Sciences, Universitas Sumatera Utara, Medan, Indonesia.
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Automotive Engineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Earth & Planetary Sciences Education Electrical & Electronics Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Mathematics Mechanical Engineering Public Health Social Sciences Other

Published : 14 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 14 Documents
Search

 1   2 
PENGUATAN KESENIAN LOKAL MELALUI SANGGAR TARI TOR-TOR ELAK-ELAK DI KABUPATEN SIMALUNGUN SUMATERA UTARA DI MASA PANDEMI Agustono, Budi; Pujiono, Mhd.; Dewi, Heristina
Abdi Dosen : Jurnal Pengabdian Pada Masyarakat Vol. 6 No. 1 (2022): MARET
Publisher : LPPM Univ. Ibn Khaldun Bogor

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (620.594 KB) | DOI: 10.32832/abdidos.v6i1.1058

Abstract

The COVID-19 pandemic has changed many aspects of people's lives. In the field of culture, most of the younger generation ignores the nation's culture, such as traditional dances, and prefers modern dances due to globalization and growing social media. This makes the strategy of strengthening the traditional art group/studio (sanggar) important as a forum for developing creativity in traditional culture in Indonesia, especially North Sumatra. Therefore, in this community service activity, efforts have been made to strengthen sanggar to strengthen the local culture of North Sumatra. This activity was in the form of a Focus Group Discussion (FGD) and dance training for 30 youth members of the sanggar Tortor Elak-Elak in Simalungun Regency, which was carried out for three months. In addition to providing training, the community service team has facilitated supporting equipment in traditional dance performances for sanggar members in the form of clothing, accessories, and other training media. The lecture, Q&A, demonstration, and drill method approaches are used in its implementation. This Community Service has produced outcomes in the form of services to raise public awareness of the local dance culture of North Sumatra with training assistance to increase creativity, innovation, and the ability of sanggar members in the field of culture, a namely traditional dance.
Pelestarian Seni Jaran Kepang oleh Sanggar Wahyu Satrio Putro di Kota Binjai Tarigan, Yohana Amerisa Br; Dewi, Heristina; Gulo, Hubari
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.938

Abstract

This study examines the preservation of the Jaran Kepang art form by Sanggar Wahyu Satrio Putro in Binjai City using a qualitative approach. The objectives of the research include: (1) adaptation and innovation without compromising traditional values, and (2) passing down Jaran Kepang to younger generations. Jaran Kepang is a traditional Javanese art that portrays the skills of horseback warriors through dynamic and captivating dance movements, accompanied by gamelan music. Although this art form has existed since the Majapahit Kingdom, its development outside Java, including in Binjai City, North Sumatra, reflects a cultural transformation. The study applies a qualitative method through non-participant observation, interviews, video recordings, and audio documentation. The findings reveal that the preservation of Jaran Kepang by Sanggar Wahyu Satrio Putro is not merely an act of safeguarding cultural heritage, but also a strategic effort to maintain the relevance of traditional arts in the era of globalization.
Peran Lagu Populer Simalungun dalam Upacara Adat Perkawinan: Analis Tekstual dan Musikal di Kelurahan Pematang Raya, Kecamatan Raya, Kabupaten Simalungun Purba, Zulkifli; Dewi, Heristina; Sitopu, Sapna
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.1015

Abstract

This study analyzes the role of Simalungun popular songs in traditional wedding ceremonies in Pematang Raya Village through textual and musical approaches. The research focuses on three main songs: Sitalasari, Etah Mangalop Boru, and Horas Sayur Matua. A qualitative descriptive method was applied using observation, interviews, and documentation techniques. The findings reveal that Simalungun popular songs function as a medium of cultural communication, a form of prayer and blessing, and a symbol of respect toward social structures and customary values. Musically, the songs use diatonic major scales, moderate tempos (85–100 bpm), and simple rhythmic patterns that reflect the sacred and harmonious atmosphere of the ceremony. The transformation from traditional instruments such as gondrang bolon to modern ones like keyboards and guitars does not diminish their cultural meaning. Instead, these songs embody a creative adaptation that preserves traditional values while embracing modern influences. They play a vital role in maintaining Simalungun cultural identity, strengthening social cohesion, and ensuring the continuity of local traditions amid modernization.
Organologi dan Teknik Permainan Taratoa oleh Mardi Boangmanalu di Pakpak Bharat Pasaribu, Kevin Leonardo; Dewi, Heristina; Sebayang, Vanesia Amelia
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.940

Abstract

Taratoa is one of the traditional wind instruments owned by the Pakpak people in North Sumatra. This instrument has high cultural value and is classified as an aerophone, precisely the type of end-blown flute. Its existence reflects the rich musical tradition of the Pakpak people that needs to be studied and preserved. This research aims to examine the organological aspects of Taratoa, including the manufacturing process, materials, construction, and playing techniques. The main focus is on the practice of Mardi Boangmanalu, a traditional craft and performance art form practiced by Taratoa craftsman and player from Aornakan II Village, Pargetteng-Getteng Sengkut District, Pakpak Bharat Regency. The approach used in this research is a descriptive qualitative one, employing data collection techniques that include observation, interviews, and documentation. To identify the process of making and playing techniques, this research refers to the structural and functional theory of Susumu Khasima (1978: 174). In classifying Taratoa, the Hornbostel-Sachs (1961) theory was used.
Co-Authors Budi Agustono Fadlin, Muh Gulo, Hubari Mhd. Pujiono Muh Fadlin Pasaribu, Kevin Leonardo Purba, Zulkifli Sebayang, Vanesia Amelia Sitopu, Sapna Tarigan, Yohana Amerisa Br