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All Journal SOSIOHUMANIORA: Jurnal Ilmiah Ilmu Sosial dan Humaniora International Journal of Visual and Performing Arts
Syamsul Barry
Institut Seni Budaya Indonesia Bandung
Arts Humanities Education

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Continuity of resistance: indigenous participatory concepts in Purbalingga rural cinema culture Syamsul Barry; Pande Made Sukerta; Martinus Dwi Marianto; T Slamet Suparno
International Journal of Visual and Performing Arts Vol 4, No 1 (2022)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v4i1.658

Abstract

Purbalingga Regency, Central Java, is one area that has a unique and unique way of developing film-making. This article aims to find the concept of a participatory community approach in developing rural cinema through training/discussion programs, film production, and film screenings/Festivals from 2006 to the present. This study uses qualitative methods that include participatory, direct observation, and interviews with a data processing interactive analysis model. The results show that rural cinema encourages the empowerment of rural communities. Rural communities' high interest and participation in film activities are because the concept of cinema development comes from local cultural values (Banyumasan/Ngapak). This concept has succeeded in forming a unique, independent, and dynamic film ecosystem that can be a model for film development elsewhere
Uncovering post-traditional practices and thought in Yogyakarta video mapping Syamsul Barry; Tohari Tohari; Shauma Silmi Faza; Dwi Oktala; Insanul Qisti Barriyah
SOSIOHUMANIORA: Jurnal Ilmiah Ilmu Sosial dan Humaniora Vol 12 No 2 (2026): In Progress
Publisher : LP2M Universitas Sarjanawiyata Tamansiswa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30738/sosio.v12i2.22711

Abstract

This study examines how Yogyakarta's video mapping practices reinterpret Javanese cultural traditions through digital media. Using a qualitative approach based on observation, interviews, and documentation, the research analyzes the visual, narrative, and conceptual strategies employed by the Jogjakarta Video Mapping Project (JVMP). The findings demonstrate that video mapping functions as a post-traditional cultural practice in which traditional symbols are not merely digitized but reflexively reconstructed as dynamic expressions of local identity. Rather than preserving tradition in its original form, these works reinterpret cultural heritage through contemporary visual languages while maintaining its symbolic and philosophical significance. The study's main theoretical contribution is the conceptualization of "revisualization of local identity," which explains how digital media transforms cultural symbols into sites of negotiation between tradition and modernity. This framework extends post-traditional theory by showing that new media art serves not only as a medium of cultural representation but also as a mechanism for cultural revitalization, enabling local identities to remain meaningful within global digital culture.
Co-Authors Dwi Oktala Insanul Qisti Barriyah M. Dwi Marianto Pande Made Sukerta Shauma Silmi Faza T Slamet Suparno Tohari Tohari