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DECONSTRUCTION OF CHINA’S ANTHROPOCENTRIC VIEWS IN JIANG RONG’S WOLF TOTEM NOVEL Woro Januarti
LITERA Vol 19, No 3: LITERA NOVEMBER 2020
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v19i3.35111

The Industrial Revolution in the mid-nineteenth century had transformed the relationship between man and nature into one that was confused: man and nature were either balanced or mutually antagonistic. In China itself, since the “Great Leap Forward Movement,” “Cultural Revolution,” “Deng Xiaoping’s Open Politics” to date, has caused severe damage to nature. These have caused various kinds of public reactions, both from the public, academia, society, and writers. Deconstruction Wolf Totem anthropocentric view from an ecological perspective can show China’s culture, environmental conditions, government policies, the relation of human and natural, ecofeminism, eco-spiritualism, and anti-ecological thought. The method used in this study is descriptive interpretive in ecocritical studies. Ecocritical perspective on literary works is essential means to speaking out against anthropocentric domination and environmental damage. The analysis results show that the ecological damage narrative in Wolf Totem is used as a reinforcing motive to deconstruct the anthropocentric view of the people of China and Chinese government policy. Through the deconstruction of an anthropocentric perspective, efforts to repair environmental damage carried out. By changing the anthropocentric culture to become ecocentric, will achieve a green China, especially in the Xi Jinping era whose policies oriented towards Ecological Civilization (生态文明). Keywords: ecocritic, Chinese ecological literature, ecofeminism, eco-spiritualism, anti-ecology DEKONSTRUKSI PANDANGAN ANTROPOSENTERIK CHINA DALAM NOVEL WOLF TOTEM KARYA JIANG RONGSAbstrakRevolusi Industri pada pertengahan abad sembilanbelas telah merubah hubungan manusia dengan alam menjadi sebuah hubungan yang membingungkan: manusia dan alam menjadi baik dan seimbang atau saling bermusuhan. Di Tiongkok sendiri, sejak “Gerakan Lompatan Jauh ke Depan", “Revolusi Kebudayaan", “Politik Terbuka Deng Xiaoping" hingga saat ini, telah menyebabkan kerusakan alam yang parah. Hal ini menimbulkan berbagai macam reaksi publik, baik dari kalangan masyarakat, akademisi, hingga sastrawan. Mendekonstruksi pandangan entroposentris novel Wolf Totem dari perspektif ekologi dapat memperlihatkan budaya masyarakat, keadaan lingkungan, kebijakan pemerintah, hubungan manusia dan alam, serta pandangan ekofeminisme, ekospiritualisme dan pemikiran anti-ekologi di Tiongkok. Metode yang digunakan dalam studi ini adalah deskriptif interpretatif dalam perspektif studi ekokritik. Berdasarkan perspektif ekokritik, karya sastra menjadi sarana penting untuk bersuara terhadap dominasi entroposentris dan kerusakan lingkungan. Hasil analisis menunjukkan bahwa narasi kerusakaan lingkungan dalam Wolf Totem digunakan sebagai motif penegas untuk mendekonstruksi kembali pandangan antroposentris budaya masyarakat Tiongkok dan kebijakan pemerintah Tiongkok. Melalui dekonstruksi pandangan antroposentris, upaya perbaikan kerusakan lingkungan dilakukan. Dengan merubah budaya antroposentris menjadi ekosentris, maka akan tercapai Tiongkok yang hijau apalagi di era Xi Jinping yang kebijakannya berorientasi pada Peradaban Ekologi (生态文明). Kata Kunci: ekokritik, sastra ekologi China, ekofeminsisme, eko-spiritualisme, anti-ekologi

Symbols of Heroes in the Indonesian and Chinese Movies Woro Januarti
Lingua Cultura Vol. 15 No. 1 (2021): Lingua Cultura
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/lc.v15i1.6969

The research aimed to compare a movie with the theme of heroes from Indonesia and China concerning message related to heroes, hero images, ideology, and even heroic culture of the two countries. It explored 20 Indonesian and Chinese films with comparative literary perspectives related to the theme of heroism. The focuses of the research were (1) how could the image of the hero created by the film provide a view of each country’s people’s culture, (2) could the movies provided more detailed information on the policies of each country, and (3) how could films strengthen the relationship between Indonesia and China. The research applied a qualitative methods with a comparative literature perspective. The data source were from the dialogues in the film “Merah Putih”, “Gie”, “Susi Susanti”, “Soekarno”, “Tanah Surga Katanya”, “3 Srikandi”, “Laskar Pemimpi”, “Guru Bangsa”, “Soegija”, “Jenderal Soedirman”, 攀登者 (The Climbers), 中国机长 (The Captain), 红海行动 (Operation Red Sea), 烈火英雄 (The Bravest),战狼 1 (Wolf Warrior 1), 战狼 2 (Wolf Warrior 2), 建国大业 (The Founding of A Republic), 建党大业 (Beginning of The Great Revival), 建军大业 (The Founding of An Army), and 叶问 (IP Man). Data analysis technique were conducted by (1) determining variables, (2) classification, (3) analysis, and (4) conclusions. The results show that the symbols of heroism in Indonesian and Chinese films have similarities to the fight against colonialism, injustice, and class. The theme of heroism in the two countries’ films has a striking differences, such as Chinese films are more concerned with collective characters’ obligations and interests, the film does not have an element of humor, and the theme emphasizes conflicts with other countries. While Indonesia films highlight individual characters’ views and movies still include comedy and emphasize domestic problems.

NANING PRANOTO IN THE SOUL OF INDONESIA’S LITERATURE Woro Januarti
Prosiding Seminar Nasional Sasindo Vol 1, No 1 (2020): Prosiding Seminar Nasional Sasindo Unpam Vol.1 No.1 November 2020
Publisher : fakultas sastra

In modern Indonesian literature, it can be said that female writers are still less prestigious than male writers. The problems raised in literature touch a lot with the relationship between men and women, patriarchal culture, and colonialism, accompanied by women's object as a male commodity. Call it a writer in the New Pujangga era like Selasih, then in the independence era Ida Nasutin, Walujati, St. Nuraini, Suwarsih Djojopuspito, to S. Rukiandi. Also N.H. Dini, Hanna Rambe, until in the 2000s, women writers such as Dee Lestari, Ayu Utami, Djenar Maesa Ayu, and others emerged. This research focuses on examining the literary works of Naning Pranoto, who are post-reform and pre-reform writers. The writer Naning Pranoto has produced twenty novels and more than a hundred short stories. Also, to this day, Naning Pranoto is still active in "Creative Writing," which has made the world of Indonesian literature healthy: preparing for new writers' birth. If, during the colonial era, the house of Tjokroaminoto was the sprouting area for the nation's leader's birth, the term "Mbok Naning's hut" was the home for the birth of new literary shoots. So this research is considered very important to explore the soul of Naning Pranoto in the world of Indonesian literature. This research uses a qualitative descriptive method, collects Naning Pranoto's literary works and journals that discuss Naning Pranoto's work then provides a red line of its constituent elements from feminism, politics, ecology, colonialism, culture, and religion. Therefore, studying Naning Pranoto's literary works is equivalent to adding more attention to important figures' gold ink in Indonesian literature's history in the future and her phenomenal works

A Brief Analysis of The Intertextuality of Mao Zedong's Strategic Issues in Anti-Japanese Guerrilla War in Fundamentals of Guerrilla Warfare: 毛泽东《抗日游击战争的战略问题》在A H. Nasution将军《游击战争基本原则》记载的互文性浅析 Woro Januarti
Mandarinable: Journal of Chinese Studies Vol. 4 No. 1 (2025): MANDARINABLE: Journal of Chinese Studies
Publisher : Published by Confucius Institute UNS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/mandarinable.v4i1.2159

This study applies Kristeva's intertextual theory to compare two monumental works written by great Indonesian politicians: Mao Zedong's “Strategic Problems in The Anti-Japanese Guerrilla War” and A H. Nasution's “Fundamentals of Guerrilla Warfare”. Based on Kristiva's theory, this study explores how the book “Strategic Problems in The Anti-Japanese Guerrilla War” influenced A H. Nasution's by analyzing the cultural, geographical, and political differences between China and Indonesia. A H. Nasution wrote “Fundamentals of Guerrilla Warfare” and how General Soedirman led the masses in the guerrilla war against the Netherlands in 1948 under the influence of the book. These two books have had a great influence in the world military field so far, such as “Fundamentals of Guerrilla Warfare” which is still a must read in American military studies. Through the study of these two great works, not only can we understand Mao Zedong and A H. Nasution's profound thoughts have broadened his horizons, and he can also understand the spirit of empathy and the pain of being colonized at that time, as well as how they developed mature political systems and military theories under various controls and conditions of colonialis.

Lanskap Linguistik di Kawasan Wisata Perkotaan Pecinan Pantai Indah Kapuk 2, Tangerang Syandhini Siti Fadlikha; Ravenza Maverick Aji; Fatimah Azzahra Nur Annisa Soleha; Dwi Pita Sari; Dewi Yanti; Woro Januarti; Feri Ansori
Indonesian Language Education and Literature Vol. 11 No. 2 (2026)
Publisher : Jurusan Tadris Bahasa Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24235/9eqz2x12

Penelitian ini menganalisis lanskap linguistik di kawasan Pantai Indah Kapuk 2 (PIK 2), khususnya di area Chinatown Pantjoran. Fokus penelitian meliputi praktik monolingualisme, bilingualisme, dan multilingualisme. Penelitian menggunakan pendekatan kualitatif deskriptif melalui observasi lapangan dan dokumentasi visual. Sebanyak 38 tanda publik dikumpulkan dan diklasifikasikan berdasarkan kategori bahasa. Hasil penelitian menunjukkan bahwa kategori bilingual mendominasi dengan persentase 65,79%. Kategori ini diikuti oleh monolingual sebesar 18,42% dan multilingual sebesar 15,79%. Kombinasi bahasa Inggris–Mandarin menjadi pasangan paling dominan, diikuti oleh Indonesia–Mandarin. Temuan ini menunjukkan bahwa bahasa tidak hanya berfungsi sebagai sarana komunikasi. Bahasa juga berperan sebagai instrumen simbolik dan komodifikasi yang memperkuat identitas etnis, integrasi nasional, dan daya tarik komersial kawasan. Bahasa Mandarin merepresentasikan etnisitas Tionghoa, bahasa Inggris mencerminkan citra global, dan bahasa Indonesia berfungsi sebagai regulatif sekaligus integratif. Dengan demikian, lanskap linguistik di PIK 2 mencerminkan interaksi kompleks antara kepentingan lokal, etnis, nasional, dan global. Secara teoretis, penelitian ini memperkaya kajian linguistik, khususnya lanskap linguistik di kawasan wisata urban multikultural. Secara praktis, hasil penelitian dapat menjadi rujukan bagi pengelola kawasan dan pembuat kebijakan dalam menata ruang publik yang sensitif terhadap keberagaman bahasa. Linguistic Landscape in the Urban Tourism District of PIK 2 Chinatown, Tangerang This study analyzes the linguistic landscape in Pantai Indah Kapuk 2 (PIK 2), particularly in the Chinatown Pantjoran area. It focuses on the practices of monolingualism, bilingualism, and multilingualism. This research employed a descriptive qualitative approach through field observations and visual documentation. A total of 38 public signs were collected and classified. The findings indicate that bilingual signs dominate at 65.79%, followed by monolingual signs at 18.42% and multilingual signs at 15.79%. The English–Mandarin combination is the most dominant, followed by Indonesian–Mandarin. The results highlight that language functions not only as a communication tool but also as a symbolic and commodified instrument. It reinforces ethnic identity, national integration, and the commercial appeal of the area. Mandarin represents Chinese ethnicity, English reflects global modernity, and Indonesian serves both regulatory and integrative roles. Thus, the linguistic landscape of PIK 2 reflects a complex interaction among local, ethnic, national, and global interests. Theoretically, this study contributes to linguistic landscape studies in multicultural urban tourism areas. Practically, it provides insights for urban planners and policymakers in managing public spaces that consider linguistic diversity.

Metode 字帖 “Zìtiě” dalam Meningkatkan Ketepatan Penulisan Aksara Han pada Pembelajar Bahasa Mandarin sebagai Pembelajar Bahasa ke Dua 《字帖法在提高汉语学习者汉字书写准确性的应用》 Woro Januarti; Sri Hartati; Naurah Hafizhah Firdaus
Prosiding Seminar Nasional Pemberdayaan Masyarakat (SENDAMAS) Vol 5, No 1 (2025): Desember 2025
Publisher : UniversitasAl Azhar Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36722/psn.v5i1.4926

Pembelajaran Bahasa Mandarin di Indonesia dianggap memasuki gelombang ke dua semenjak masa pemerintahan Presiden Abdurrahman Wahid, dan jika dirunut hingga hari ini, maka pembelajaran sudah memasuki masa lebih dari duapuluh tahun. Sayangnya, berdasarkan penelitian Bahasa Mandarin di Indonesia, khususnya pengajaran penulisan aksara Han (汉字教学) hingga hari ini belum dapat mengatasi kesulitan pembelajar dalam menulis aksara Han dengan tepat. Oleh karena itu, dalam penelitian ini penulis menggunakan metode penyalinan“字帖” (Zìtiě) yaitu metode penyalinan seperti yang diajarkan pembelajar dasar penulisan Hanzi di Tiongkok bagi masyarakat Tiongkok yang diaplikasikan bagi pembelajar Bahasa Mandarin sebagai bahasa ke dua di Indonesia untuk menghasilkan tingkat penulisan Hanzi yang lebih akurat. Metode yang dipakai adalah metode penelitian kuantitatif dan kualitatif. Pertama, mengumpulkan data penulisan aksara Han mahasiswa prodi BMKT UAI sebanyak 20 orang, lalu menelaahnya melalui metode kualitatif dan memberikan pelatihan penulisan aksara Han dengan metode penyalinan (Zìtiě) . Didapatkan bahwa, kesalahan-kesalahan yang muncul dari penulisan aksara Han, seperti kesalahan jarak antar aksara, kesalahan penulisan guratan dasar, arah, ketidak akuratan, kurang dan berlebihannya jumlah guratan dasar, gabungan jumlah guratan dasar salah. Melalui latihan menggunakan buku metode penyalinan “Zìtiě”, meghasilkan keakuratan penulisan aksara dan tingkat kesalahan menurun.Kata Kunci - Aksara Han; Bahasa Asing; Bahasa Mandarin; Hanzi;

Linguistic landscape in the Glodok Chinatown area Jihan Luthfun Nisa; Badri Salam; Dewi Yanti; Woro Januarti; Sri Hartati
Journal of Research on English and Language Learning (J-REaLL) Vol. 7 No. 1 (2026): Journal of Research on English and Language Learning (J-REaLL)
Publisher : Universitas Islam Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33474/j-reall.v7i1.24249

Language functions not only as a means of communication but also as a cultural marker that is visibly manifested in public spaces through the linguistic landscape (LL). Previous LL studies in Indonesia have focused on locations such as airports, train stations, and cemeteries, while Glodok Chinatown, the oldest Chinese settlement in Jakarta, has received limited scholarly attention. This study aims to (1) identify the dominant languages used on public signage in Glodok and (2) analyze how language choices reflect socio-cultural identity in the area. Employing a qualitative descriptive approach, 67 public signs were documented and analyzed using a linguistic landscape categorization framework. The findings indicate that bilingual signage dominates the area (47.76%), particularly Indonesian–Mandarin combinations, followed by monolingual signs (44.78%) and multilingual signs (7.46%). Indonesian functions as a unifying national language, while Mandarin symbolizes the preservation of the Chinese ethnic heritage. The presence of English and other languages such as Japanese, Korean, Arabic, and Minangkabau reflects Glodok’s multicultural character and its engagement with globalization and economic activities. These patterns demonstrate that Glodok’s linguistic landscape operates not only as a communicative tool but also as a symbolic space where cultural identity negotiation, identity maintenance, and economic considerations intersect. By examining a historically multicultural district, this study contributes empirical evidence to linguistic landscape research and situates Glodok within broader discussions of identity, language policy, and globalization.

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