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All Journal IZUMI Jurnal Ilmiah Mahasiswa FIB Journal of Scientech Research and Development Chi`e: Jurnal Pendidikan Bahasa Jepang
ALPINA PAMUGARI
Darma Persada University
Humanities Computer Science & IT Education Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Social Sciences Other

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FUKUGOUDOUSHI ~KOMU DALAM MAJALAH NIKKEI BUSINESS TAHUN 2009 PAMUGARI, ALPINA
Jurnal Ilmiah Mahasiswa FIB Vol 5, No 5 (2014)
Publisher : Fakultas Ilmu Budaya Universitas Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (258.041 KB)

Abstract

Kata Kunci: Fukugoudoushi, Majalah Bahasa merupakan alat komunikasi verbal dan digunakan sebagai alat untuk saling berkomunikasi antarindividu atau kelompok. Dalam linguistik bahasa Jepang terdapat verba majemuk atau fukugoudoushi, salah satunya adalahfukugoudoushi ~komu. Penelitian ini menjawab dua rumusan masalah yaitu (1)Jenis verba apakah yang dapat bergabung dengan verba ~komu sehinggamembentuk fukugoudoushi ~komu? (2) Bagaimana makna verba yangdimunculkan dari fukugoudoushi setelah dikonjugasikan dengan verba ~komu?Penelitian ini adalah penelitian deskriptif kualitatif. Sumber data yangdigunakan adalah kalimat yang mengandung fukugoudoushi ~komu yang terdapat dalam majalah Nikkei Business tahun 2009. Analisis yang digunakan adalah dengan melakukan klasifikasi berdasarkan makna yang dimunculkan, tabulasi dan analisis data.Dari hasil analisis pada penelitian ini ditemukan 50 fukugoudoushi ~komu dengan rincian 49 kata berupa verba +komu dan 1 kata berupa nomina +komu. Fukugoudoushi ~komu dengan susunan morfem kosong +komu tidak ditemukan. Kemudian pada makna perpindahan ke dalam, 32 kata bermakna masuk ke dalam ruang tertutup, 4 kata bermakna masuk ke dalam benda padat, 3 kata bermakna masuk ke dalam benda cair, 3 kata bermakna masuk ke dalam benda bercelah, 3 kata bermakna mengelilingi suatu benda, 2 kata bermakna menyusut sendiri, 2 kata bermakna lainnya yang tidak termasuk dalam 6 makna yang telah disebutkan sebelumnya. Lalu pada makna tingkat perkembangan, 1 kata bermakna tingkatan tetap, 1 kata bermakna tingkatan penyangatan, dan 4 kata bermakna perbuatan yang dilakukan secara berulang-ulang.Penelitian selanjutnya dapat dilakukan dengan meneliti makna gramatikalmaupun pola hubungan makna komponen pembentuk menggunakanfukugoudoushi lain seperti fukugoudoushi ~dasu, ~agaru, ~au, ~iru dan lainsebagainya dengan sumber data berupa wacana bahasa Jepang seperti majalah, koran, novel, maupun dorama.
The Development of Japanese History Teaching Materials With ADDIE Method Alpina Pamugari; Yosefa Putri Tanjungsari; Ari Artadi; Hari Setiawan
IZUMI Vol 9, No 2 (2020)
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.9.2.200-208

Abstract

Japanese history course is one of the primary supporting knowledge for Japanese language and culture learners to understand Japan as a whole. Therefore, the Japanese Language and Culture department at Darma Persada University, providing a Nihon no Rekishi (Japan History) lecture using Japanese language textbooks of Japan History. However, based on the results of the evaluation using a questionnaire, Japanese language modules that our campus had now does not give a positive impact on student understanding. Based on this, our goal is to make Japanese History module with developing lecture materials. The development of teaching materials in the form of this module is a Research and Development (R&D) research, based on the ADDIE (Analyse, Design, Development, Implementation, Evaluation) method. First, the results of the analyse phase is improvement needed in order to be able to present knowledge that is not only useful and actual but also encourages students to think critically about Japan history. Second, the results at the design stage, a teaching module is prepared, which contains balanced explanations with pictures or mini videos. They can question about pictures or figures or events that have multiple perspectives for discussed with teacher in lectures. Third, in the development stage, based on the results of analysing and design stages with consultations from leading universities in Japan experts found that at the development stage, have the results that the implementation and evaluation contents of the module are a simplification of reference literature materials, and provide several perspectives on figures and events in Japanese history.
Semantic Approach on Toshihiko Izutsu’s Translation of Surah Al-Alaq (96:1-19): Comparison of 3 Qur'an in Japanese Translation Alpina Pamugari
IZUMI Vol 10, No 2 (2021)
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.10.2.389-397

Abstract

Toshihiko Izutsu is a japanese non-Muslim Islamic thinker. He translated the Qur'an into Japanese in a distinctive and striking style compared to any other Japanese translator ever. The study took one example of a letter in the Qur'an, Alaq (96:1-19), and compared Izutsu's Japanese translation with a translation by the Japan Muslim Association (JMA) and Makoto Mizutani. It can be said that the Izutsu version attempts to convey not only the complex layered meaning of each chapter and each section of the Quran, but also the atmosphere of the Quran and the Arabian Peninsula at that time to Japanese readers at the same time. On the other hand, the other two Japanese translations seem to be attempting verbatim translations that are more faithful to the Arabic original. However, it might be able to be said that the JMA  version emphasizes providing an accurate meaning based on the Sunnah classics annotation by putting a detailed note even at the expense of readability while the Mizutani version is same level with JMA but the Arabic text is not attached and it’s the easiest to read among three version.Keyword: Semantics, Toshihiko Izutsu, Qur’an
BUDDHISM THOUGHT IN DAILY JAPANESE VOCABULARY Pamugari, Alpina; Sunarti, Herlina; Sari, Rima Novita; Tanjungsari, Yosefa P.
Journal of Scientech Research and Development Vol 7 No 1 (2025): JSRD, June 2025
Publisher : Ikatan Dosen Menulis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56670/jsrd.v7i1.794

Abstract

Buddhism has had a profound and lasting impact on Japanese daily life, influencing everything from social structures and personal values to rituals and aesthetics. The spread of Buddhism to Japan, beginning around the 6th century, introduced various philosophies, practices, and customs that continue to shape Japanese culture today. One of the most popular Buddhist sects among the Japanese is Nichiren, which has been quite active in spreading its teachings, even internationally. According to the official Nichiren website, 185 daily Japanese vocabulary terms are found to have been unconsciously shaped by Buddhist thought. Foreign learners of Japanese, particularly those who are not adherents of Buddhism, may face challenges in accurately translating these terms into their native languages. Based on this, vocabulary derived from Buddhist thought is analyzed.
The Beauty of Japanese Ceramics in Indonesia: from VOC to Edo Shogunate's Falconry (Takagari) Pamugari, Alpina
IZUMI Vol 14, No 1 (2025): June
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.14.1.1-10

Abstract

The Dutch East India Company (VOC), founded in 1602 (Keicho 7), exported Chinese porcelain to Europe and Southeast Asia. However, a civil war broke out in China with the transition from the Ming Dynasty to the Qing Dynasty, making it impossible to export porcelain. In trouble, VOC turned its attention to Arita, where production was increasing at the time, and concluded an export contract with Japan. At that time, Japan was closed off to the rest of the world, and its only point of contact with other countries was Dejima in Nagasaki. In 1659 (Manji 2), pottery was shipped from Imari Port and headed for Dejima, where it was transferred to a Dutch ship and set off overseas. After this, Imari ware continued to be exported for about 100 years, attracting European royalty and aristocrats. Looking at the Imari Road, a sea route for the ceramic trade that took place in the 17th century, it be found that Old Imari was distributed as far as Indonesia, and when I look at the characteristics of the Japanese ceramics that remain in Indonesia, I can see the 83 example was thought to be Old Imari, and the other porcelain was also thought to be Japanese ceramics. Among them, I picked up the Imari Large Dish with Colored Sakura and Eagle Paintings in Kinrande Style and inferred that this work was intended for export. In the Edo shogunate, the falconry system (takagari) was practiced frequently, and it is thought that the patterns were selected for Edo art works, especially Ko-Imari, which were exported overseas. 
Portrayed of Nature Philosophy Through Japanese Cinema: Representation of Nihonjin no Shizenkan in Sweet Bean Movie Sari, Rima Novita; Pamugari, Alpina
Chi e Journal of Japanese Learning and Teaching Vol. 12 No. 1 (2024): March 2024
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/tvqers49

Abstract

This study analyzes how Japanese people love nature, as presented in the movie Sweet Bean. Nihonjin no shizenkan is considered one of the Japanese ideal philosophies for valuing nature. The artwork sometimes portrays the abstract concept and how people adore their environment. This study examines the depiction of nihonjin no shizenkan philosophy in contemporary Japanese society, exemplified by the 2015 movie Sweet Bean. The data were gathered using a qualitative approach and the content analysis technique. The theory employed is the shizenkan no kyouiku concept, demonstrated by Sugai Hiroyuki, which refers to the people's way of life to seeing and value nature by heart, represented by back to nature, being one with and an act to respect nature. The film demonstrates that individuals in Japan, limited to their age, continue to practice nihonjin no shizenkan, which is presented by viewing nature as friends or a living thing. Based on the data, we split into two categories: (1) a person can communicate or interact with nature, and (2) see nature material as a living thing. The movie concludes that the interaction between people and nature significantly impacts someone's life and gives influence on businesses. This study can show how the Japanese value nature and any further cultural understanding.
Co-Authors Ari Artadi Hari Setiawan Rima Novita Sari Sunarti, Herlina Tanjungsari, Yosefa P. Yosefa Putri Tanjungsari