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PERBEDAAN ANTARA MEDIA KONVENSIONAL DAN VIDEO TUTORIAL DALAM MENGGAMBAR BENTUK DI SMA NEGERI 1 KUTALIMBARU Rika Sulngam Litduitna; Nelson Tarigan; Khaerul Saleh; Muslim Muslim
Gorga : Jurnal Seni Rupa Vol 9, No 1 (2020): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v9i1.18781

AbstrakPenelitian ini bertujuan untuk mengetahui perbedaan hasil menggambar bentuk siswa dengan menggunakan media pembelajaran Konvensional dan media pembelajaran Video Tutorial. Populasi dalam penelitian ini adalah seluruh karya siswa kelas X SMA Negeri 1 Kutalimbaru berjumlah 261 karya. Pengambilan sampel menggunakan teknik cluster random sampling, diperoleh sampel penelitian yaitu kelas X MIA-1 sebanyak 36 siswa. Pada Kelas X MIA-1 ini diberi dua tahap tindakan yaitu pengambilan sampel awal dengan proses belajar-mengajar menggunakan media pembelajaran konvensional. Kemudian setelah itu dilakukan pengambilan sampel yang kedua dengan proses belajar mengajar menggunakan media video tutorial. Metode pengumpulan data yang digunakan antara lain metode dokumentasi, observasi dan tes. Penelitian ini termasuk jenis penelitian kuantitatif dengan desain penelitian eksperimen semu (Quasi-Eksperimen Design). Berdasarkan hasil penelitian diperoleh rata-rata nilai tes pertama sebesar 71,43 dan nilai tes kedua 82,74. Hasil uji perbedaan rata-rata menunjukkan bahwa rata-rata nilai kedua lebih baik dari pada nilai pertama. Berdasarkan hasil uji hipotesis dengan signifikansi α = 0,5 dengan dk 70 didapat ttabel = 1,6669. Jadi hasil uji hipotesis diperoleh thitung 5,52 > ttabel 1,66669. Jadi Ha diterima sekaligus ditolak H0 kemudian kesimpulannya adalah terdapat perbedaan yang signifikan pada hasil karya menggambar bentuk dengan media pembelajaran Video Tutorial siswa SMA Negeri 1 Kutalimbaru.Kata Kunci: perbedaan,konvensional, video tutorial, Kutalimbaru.AbstractThis research is to determine the differences of student’t drawing results using conventional learning media and video tutorial learning media. The population of this research were all students of class X of SMA Negeri 1 Kutalimbaru totaling 261 works. The Sampling using cluster random sampling technique, obtained research samples namely class X MIA-1 as many as 36 students. For Class X MIA-1 was giving two stages of action, namely initial sampling with the teaching-learning process using conventional learning media. Then after that the second sample was taken with the teaching and learning process using video tutorial media. Data collection methods used include documentation, observation and test methods. This research is a quantitative research with quasi-experimental design. Based on the results of the study, the average value of the first test was 71.43 and the second test score was 82.74. The results of the average difference test show that the average of the second value is better than the first value. Based on the results of hypothesis testing with significance α = 0.5 with 70 dk obtained t table = 1.6669. So the hypothesis test results obtained t count 5.52> t table 1.66669. So Ha was accepted and rejected by H0 then the conclusion was that there was a significant difference in the work of drawing shapes with the learning media for Video Tutorials at SMA Negeri 1 Kutalimbaru. . Keywords: difference, konventional, tutorial video, Kutalimbaru.

MENGGAMBAR BENTUK MELALUI MEDIA VIDEO TUTORIAL DI SMP NEGERI 12 PEMATANGSIANTAR Dinda Maulida; Khaerul Saleh
Gorga : Jurnal Seni Rupa Vol 9, No 1 (2020): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v9i1.18879

AbstrakPenelitian ini bertujuan untuk mengetahui hasil karya siswa yaitu dalam menggambar bentuk siswa kelas VIII SMP Negeri 12 Pematangsiantar berdasarkan prinsip-prinsip seni rupa. Objek yang digambar adalah guci. Adapun populasi dalam penelitian ini yaitu siswa kelas VIII SMP Negeri 12 Pematangsiantar sampelnya yaitu kelas VIII-I yang berjumlah 3 siswa atau 3 karya gambar bentuk melalu pembelajaran konvensional dan 3 karya gambar bentuk melalui pembelajaran media video tutorial, keseluruhan berjumlah 6 karya gambar bentuk. Menggunakan teknik Random Sampling. Penelitian ini menggunakan metode deskriptif kualitatif dengan mengetahui bagaimana hasil karya gambar bentuk siswa kelas VIII di SMP Negeri 12 Pematangsiantar terlebih dahulu, mendeskripsikan gambaran yang diteliti dan dinilai berdasarkan prinsip-prinsip seni rupa yang telah ditentukan. Pengaruh yang terdapat dari kedua metode ini banyaknya siswa yang mendapatkan nilai baik dengan mengunakan metode pembelajaran melalui media video tutorial.Kata Kunci: menggambar bentuk, video tutorial.AbstractThis study aims to determine the resulis work in drawing the shape of the grade VIII students of smp negeri 12 Pematangsiantar based on the principles of fine art. The object drawn is urn. The population in this research is all students of class VIII SMP Negeri 12 Pematangsiantar sampel is a class VIII-I which amounted to 3 studdents or 3 of the image form through convensional learning and 22 of the image medium of video tutorials, the overall amounted to 6 the work of the image shape. Using the technique of Random Sampling. This research uses qualitative descriptive method to find out how the image works from the students of class VIII in SMP Negeri 12 Pematangsiantar first, describe the image under study and assessed based on the principles of fine art that has been set. The influence of the contained of of both of these methods the number of students who get good grades with the use of method of learning through video tutorial.Keywords: drawing shapes, tutorial video.

Analisis Komposisi Fotografi Pre-Wedding Karya Jimmy Lukas Ditinjau dari Rule of Thirds Ratih Angelia Silaban; Khaerul Saleh
Journal of Education, Humaniora and Social Sciences (JEHSS) Vol 4, No 4 (2022): Journal of Education, Humaniora and Social Sciences (JEHSS), May
Publisher : Mahesa Research Center

The rule of thirds is a compositional guide whose purpose is to create quality photos. This study aims to determine the composition of the Rule of thirds contained in Pre-wedding photos by Jimmy Lukas. This research was conducted from November to December 2021. This study uses a qualitative descriptive method with a sample size of 10 works. In taking the research sample using the purposivetechnique sampling, namely Sampling is adjusted according to predetermined criteria and is considered to be in accordance with the needs of photo research. The results of this study indicate that pre-wedding photos by Jimmy Lukas reached a good category by achieving an average score of 81. Data assessment instrument. This research uses assessment parameter data. The analysis has complied with the composition of the Rule of Thirds and the elements of composition. In the discussion or analysis, it can be described that Jimmy Luke's work has complied with the composition of the Rule of thirds and the compositional elements also create beautiful chemistry for the bride and groomphoto work inpre-wedding Jimmy Lukas.

Eksperimen Penggunaan Video Pembelajaran Untuk Meningkatkan Kemampuan Menggambar Ilustrasi Siswa Kelas VIII Sekolah Menengah Pertama Evelyn M. T. Ambarita; Khaerul Saleh
Journal of Education, Humaniora and Social Sciences (JEHSS) Vol 5, No 1 (2022): Journal of Education, Humaniora and Social Sciences (JEHSS), August
Publisher : Mahesa Research Center

This study aims to improve the illustration drawing skills of class VIII students by using learning videos during online learning. Providing learning videos in the learning process is used as a medium that helps students improve their abilities in learning to draw illustrations. The learning video will explain the theory and the process of drawing illustrations. This research is quantitative by using experimental research using the One-Group Pretest – Posttest Design. In this design, data collection will be carried out with only one group without using a comparison, which will be given a pretest, treatment (behavior) and posttest to determine the improvement that occurs after being given a learning video. The research population is class VIII SMP Negeri 40 Medan with a sample of 62 students. The data obtained will be processed with SPSS 20. The results showed that there was an increase in the ability to draw illustrations in the experimental class using learning videos, with an average pretest score of 75.55 and posttest 85.97. The results show that Ha is accepted which can be seen from the value of tcount 13.621 > ttable 2.042, so that it is obtained that there is an effect of learning videos in the experimental class in improving the ability to draw illustrations.

KEHIDUPAN KAMPUNG NELAYAN SEBAGAI OBJEK PENCIPTAAN FOTOGRAFI Alifah Husna; Khaerul Saleh
Melayu Arts and Performance Journal Vol 5, No 2 (2022): Melayu Arts and Performance Journal
Publisher : Pascasarjana Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/mapj.v5i2.2582

Membuat karya fotografi bukan hanya sekedar menangkap atau merekam suatu kejadian saja tetapi juga harus memperhatikan dan menerapkan unsur-unsur estetika dari subjek yang akan dipotret. Pada intinya menampilkan sesuatu yang menarik dan unik untuk diapresiasi. Kampung nelayan Belawan merupakan tempat para nelayan hidup diantara kehidupan perkotaan dan ini membuat kampung nelayan Belawan kurang dipandang. Kurangnya perhartian dan kepedulian dari masyarakat dan pemerintah membuat kampung ini kurang diapresiasi. Letak tatanan struktur bangunan, kegiatan manusia, serta lingkungan alam yang masih dikategorikan sangat sederhana membuat kampung nelayan Belawan ini memiliki keestetikannya sendiri dalam lensa fotografi. Dengan lensa fotografi mampu mengungkapkan sisi kehidupan sosial, bentuk visual tatanan objek, setting alam, serta lingkungan kampung nelayan Belawan. Hal-hal ini tentu menarik untuk divisualkan sebagai karya yang berestetika dan mengandung banyak makna dalam karya seni fotografi.

KARAKTERISTIK PATUNG MONUMEN DAN TUGU DI KOTA MEDAN Tetty Mirwa; Sugito Sugito; Khaerul Saleh; Nelson Tarigan
Gorga : Jurnal Seni Rupa Vol 12, No 1 (2023): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v12i1.38907

This research was conducted to explore the works of monuments in the city of Medan. This study aims to reveal, explain and document the works of monuments and monuments. Related to this, this research is also: (1) to find out in real terms the techniques, materials of manufacture, visualization of ideas, shape characteristics, and layout arrangements in terms of the observer's perspective on the art of sculpture, monuments, and monuments, (2) to produce teaching materials for Sculpture. with local content in the Department of Fine Arts at the State University of Medan. The study was conducted on a population and a sample of 3 works. Data were collected by using the methods of observation, documentation, and questionnaires. Data analysis was used descriptively and qualitatively with the type of taxonomic analysis. The results of the analysis and discussion conclude that the meaning of monumental sculpture in the city of Medan expresses the value of state ideology, history, and culture. The meaning is contained in the shape, color, size of the material, and the location of the work which is based on the philosophy of Pancasila, the history of struggle, and the culture of the Indonesian nation. While the techniques used were the grain technique and cast iron reinforced concrete, the techniques were also modeling (printing), then the materials used were cement, concrete, and bronze. The average visualization of the work displayed human figures, while the monument displayed rectangular concrete objects towering upwards.Keywords:Â statues, monuments, teaching materials.Â AbstrakPenelitian ini dilakukan untuk mendalami tentang karya patung monumen dan tugu yang terdapat di Kota Medan. Penelitian ini bertujuan untuk mengungkapkan, menjelaskan, dan mendokumentasikan karya patung monumen dan tugu. Terkait hal ini, penelitian ini juga adalah: (1) mengetahui secara nyata teknik, bahan pembuatan, visualisasi ide, karakteristik bentuk, pengaturan tata letak ditinjau dari perspektif pengamat pada seni patung monumen dan tugu, (2) menghasilkan bahan ajar Seni Patung yang bermuatan lokal pada Jurusan Seni Rupa di Universitas Negeri Medan. Penelitian dilakukan terhadap populasi dan 3 sampel karya. Pengumpulan data dilakukan dengan menggunakan metode observasi, dokumentasi dan kuesioner. Analisis data digunakan secara deskriptif kualitatif dengan jenis analisis taksonomi.Â Hasil analisis dan pembahasan menyimpulkan bahwa makna karya seni patung monumen di Kota Medan mengungkapkan nilai pada ideologi negara, sejarah dan budaya. Makna tersebut terkandung pada bentuk, warna, ukuran, bahan dan lokasi karya yang berlandaskan pada falsafah Pancasila, sejarah perjuangan dan budaya bangsa Indonesia. Sedangkan teknik yang digunakan adalah teknik butsir, cor beton bertulang besi, juga teknik modelling (cetak), selanjutnya bahan yang digunakan rata-rata semen beton dan ada perunggu. Rata-rata visualisasi karya menampilkan sosok/figur manusia, sedangkan tugu menampilkan benda bentuk beton persegi panjang menjulang ke atas.Kata Kunci:Â patung, tugu pengayaan, bahan ajar.Authors:Tetty Mirwa : Universitas Negeri MedanSugito : Universitas Negeri MedanKhaerul Saleh : Universitas Negeri MedanNelson Tarigan : Universitas Negeri MedanReferences:Gie, L. (1976). Garis Besar Estetik. Yogyakarta: UGM.Hoeve, V. W. (1950). Ensiklopedia Indonesia. Bandung: Hoeve Press.Muchtar, B. (1992). Seni Patung Indonesia. Yogyakarta: ISI Yogyakarta.Primadi, P. (1978). Proses Kreasi dan Apresiasi Seni. Jakarta: Ghalia Indonesia.Saylor, H. H. (1952). Dictionary of Architecture. New York: John Wilcy and Son Inc.Sirait, B. (1985). Komposisi Seni Rupa. Medan: IKIP Medan.Soedarso, S.P. (1976). Tinjauan Seni. Yogyakarta: ASRI.Soekadarman, M. S. (1977). Filsafat Seni dan Fenomenologi Karya Seni. Malang. Malang: IKIP Malang.Suryabrata, S. (2012). Metodologi Penelitian. Jakarta: Raja Grafindo Persada.Webster, M. (1971). Webster Seven New Dictionary. New York: G & C Merriam Company.Â

Strains of the Song 19 Hours: Music as a Keeper of Awareness for Jakarta-Palembang AKAP Drivers Mukhlis Mukhlis; Ifwanul Hakim; Khaerul Saleh
Gondang: Jurnal Seni dan Budaya Vol 6, No 2 (2022): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2022
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v6i2.48532

AKAP bus is cross-city and provincial transportation in Indonesia. This research aims to observate the songs playlist on AKAP bus by looking at three aspects; form, function, and meaning. The purpose of this study consists of: 1) knowing the form of the song that is presented; 2) find out the function of the songs along the bus trips; 3) find out the meaning of the song. The method used in this research is a qualitative approach. The process of searching for data and information is carried out using interviews and field observations by recording audio and video. This study found the results that the type of music used on the Jakarta-Palembang AKAP Bus for the duration of the 19-hour journey is dominated by Dangdut, Indonesian Pop, and Regional Pop songs. The driver plays a playlist of songs randomly and repeatedly.

Increasing Branding Awareness of Alfath Mart as UMKM in Medan City Through Video Advertising Creative Media Fuad Erdansyah; Mukhlis Mukhlis; Khaerul Saleh
Gondang: Jurnal Seni dan Budaya Vol 7, No 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i1.50501

This research was conducted to produce an advertising video concept that is attractive, creative and economically valuable. This research is based on the desire to produce a creative and innovative product that can be applied as a promotional medium that can be useful for building the economic activities of the Medan City UMKM group. This research aims to produce a method for producing video advertisements for UMKM products as branding media for Medan City UMKM. The method used in this research is a qualitative approach. The process of searching for data and information was carried out using in-depth interviews with videography experts, Medan city UMKM, and Medan city UMKM product consumers as informants. Apart from that, literacy studies were also carried out such as journals, newspapers, magazines and other materials containing information about branding and UMKM. The research results concluded that in introducing and promoting a product or brand, the use of promotional videos could be an option. Publication of Medan City UMKM products through advertising video media can be done as an effort to increase brand awareness. Promotional videos are able to convey messages well so that they get the desired response.

SUMATRAN HORNBILL AS AN IDEA FOR CREATING PAINTINGS Lalang Cakra Buana; Muslim Muslim; Azmi Azmi; Khaerul Saleh; Nelson Tarigan; Tifan Muhammad Amirulloh; Sugito Sugito
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar

The creation of this work is driven by the author’s profound interest in hornbills, particularly given the alarming rate of their extinction. The author’s objective is to convey the aesthetic significance of this animal to the broader community. The Sumatran hornbill, with its distinctive and striking characteristics, including its large beak, robust claws, and vibrant plumage, serves as the subject matter for this study. Through the meticulous application of acrylic paint on canvas, the author has crafted twelve paintings that meticulously capture the physical attributes of the bird and its natural habitat. Furthermore, these paintings depict the hornbill’s omnivorous lifestyle. The author employs a combination of three distinct techniques: plaque, chiaroscuro, and bravura. These techniques work synergistically to create a dynamic, contrasting, and vivacious portrayal of the hornbill within the paintings. The resulting twelve paintings, each bearing a unique title that reflects the author’s interpretation of the hornbill, provide an in-depth understanding of its physical characteristics, habitat, and behavior. Additionally, these works contribute to the advancement of the art form through the author’s unique perspective and creative expression.

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