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All Journal REKA KARSA Journal of Architecture and Human Experience International Journal of Technology and Education Research
Nia Yunia Lestari
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KAJIAN PERKEMBANGAN TATANAN MASSA BANGUNAN PADA KAMPUNG VERNAKULAR “KAMPUNG MAHMUD” Adriansyah, Pebby; Lestari, Nia Yunia; Herdi, Herdi; Akbara, Emiral; Soewarno, Nurtati
REKA KARSA Vol 2, No 4
Publisher : Institut Teknologi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (354.045 KB) | DOI: 10.26760/rekakarsa.v2i4.604

Abstract

Abstrak Indonesia merupakan negara yang memiliki berbagai macam suku. Masing-masing suku mempunyai adat budaya yang berbeda, salah satunya tercermin dari bentuk sebuah kampung. Kampung  yang dimaksud dalam makalah ini adalah kampung vernakular, yaitu sebuah kampung yang didirikan berdasarkan keadaan alam, tradisi, memiliki citra arsitektur tradisional dan orientasi massa bangunannya disusun berdasarkan hubungan antara manusia dengan lingkungan dan budaya berdasarkan kemampuan dan kecerdasan masyarakat setempat . Kemajuan teknologi meningkatnya kondisi ekonomi mempunyai peran dalam mendorong terjadinya suatu perubahan, demikian pula yang terjadi pada sebuah kampung vernakular. Dengan metoda kualitatif, penelitian ini akan melihat langsung ke lokasi mengenai perubahan tatanan massa bangunan yang terjadi di kampung Mahmud, sebuah kampung vernakular yang terletak di Desa Mekar Rahayu, Kecamatan Marga Asih, Kabupaten Bandung. Dengan mempelajari latar belakang sejarah berdirinya kampung, kemudahan aksesibilitas saat ini cenderung memicu terjadinya perubahan di kampung tersebut. Oleh karenanya diperlukan campur tangan pemerintah dan masyarakat setempat untuk dapat melestarikan keaslian kampung vermakular tersebut. Kata Kunci : Kampung vernakular, orientasi massa bangunan, aksesibilitas. Abstract Indonesia is a country that has a wide variety of parts. Each tribe has a different cultural customs, one of which is reflected in the form of a village. Villages referred to in this paper is the vernacular village, a village that was established based on the state of nature, tradition, traditional architecture has the image and the orientation of the building masses are arranged based on the relationship between humans and the environment and the culture based on ability and intelligence communities. Advances in technology have increased the economic conditions led to a role in the changes, so it is with a village vernacular. With qualitative methods, this study will look directly to the location of the mass of the building structure changes that occurred in the village Mahmud, a vernacular village located in Mekar Rahayu village, Kecamatan Marga Asih, Bandung regency. By studying the historical background of the founding of the village, easy accessibility currently tend to trigger the changes the village. Therefore, government intervention is required and the local community to be able to preserve the authenticity of the vermakular village. Keywords: vernacular village, building mass orientation, accessibility.
KAJIAN PERKEMBANGAN TATANAN MASSA BANGUNAN PADA KAMPUNG VERNAKULAR “KAMPUNG MAHMUD” Pebby Adriansyah; Nia Yunia Lestari; Herdi Herdi; Emiral Akbara; Nurtati Soewarno
REKA KARSA Vol 2, No 4
Publisher : Institut Teknologi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26760/rekakarsa.v2i4.604

Abstract

Abstrak Indonesia merupakan negara yang memiliki berbagai macam suku. Masing-masing suku mempunyai adat budaya yang berbeda, salah satunya tercermin dari bentuk sebuah kampung. Kampung  yang dimaksud dalam makalah ini adalah kampung vernakular, yaitu sebuah kampung yang didirikan berdasarkan keadaan alam, tradisi, memiliki citra arsitektur tradisional dan orientasi massa bangunannya disusun berdasarkan hubungan antara manusia dengan lingkungan dan budaya berdasarkan kemampuan dan kecerdasan masyarakat setempat . Kemajuan teknologi meningkatnya kondisi ekonomi mempunyai peran dalam mendorong terjadinya suatu perubahan, demikian pula yang terjadi pada sebuah kampung vernakular. Dengan metoda kualitatif, penelitian ini akan melihat langsung ke lokasi mengenai perubahan tatanan massa bangunan yang terjadi di kampung Mahmud, sebuah kampung vernakular yang terletak di Desa Mekar Rahayu, Kecamatan Marga Asih, Kabupaten Bandung. Dengan mempelajari latar belakang sejarah berdirinya kampung, kemudahan aksesibilitas saat ini cenderung memicu terjadinya perubahan di kampung tersebut. Oleh karenanya diperlukan campur tangan pemerintah dan masyarakat setempat untuk dapat melestarikan keaslian kampung vermakular tersebut. Kata Kunci : Kampung vernakular, orientasi massa bangunan, aksesibilitas. Abstract Indonesia is a country that has a wide variety of parts. Each tribe has a different cultural customs, one of which is reflected in the form of a village. Villages referred to in this paper is the vernacular village, a village that was established based on the state of nature, tradition, traditional architecture has the image and the orientation of the building masses are arranged based on the relationship between humans and the environment and the culture based on ability and intelligence communities. Advances in technology have increased the economic conditions led to a role in the changes, so it is with a village vernacular. With qualitative methods, this study will look directly to the location of the mass of the building structure changes that occurred in the village Mahmud, a vernacular village located in Mekar Rahayu village, Kecamatan Marga Asih, Bandung regency. By studying the historical background of the founding of the village, easy accessibility currently tend to trigger the changes the village. Therefore, government intervention is required and the local community to be able to preserve the authenticity of the vermakular village. Keywords: vernacular village, building mass orientation, accessibility.
The Concept Of Bale Kambang In The Architecture Of Kanoman Palace Cirebon Nia Yunia Lestari; Shirli Putri Asri; Rachmat Kurnia
International Journal of Technology and Education Research Vol. 2 No. 03 (2024): July - September, International Journal of Technology and Education Research (
Publisher : International journal of technology and education research

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63922/ijeter.v2i03.1052

Abstract

Bale kambang is one of the traditional architectural spatial concepts that is always present at the core of a palace or kraton. The concept of bale kambang is generally known as a water garden and is closely related to the influence of Hindu-Buddhist culture that developed in the Archipelago from the 4th to the 15th century. This research aims to examine the philosophical concept and the concept of Bale Kambang in the architecture of the Kanoman Palace, which is influenced by the remnants of Hindu-Buddhist, Chinese, and Islamic cultures. There are four processes of study in this research: first, a review of the philosophy of the water element in Hindu, Buddhist, and Islamic beliefs; second, a review of the architecture of water gardens and floating pavilions based on their history and development; third, a comparative review of several spatial patterns of floating pavilions in Javanese and Balinese palaces; fourth, an interpretation of the symbols and meanings of floating pavilions.The methodology used is a qualitative approach with a descriptive-analytical method, including literature study, field research, and interviews with experts in Cirebon history and culture. The research results show that the concept of Bale Kambang in the architecture of the Kanoman Palace is represented through two types of palace buildings, namely Witana and Bangsal Jinem. Each of these buildings has the symbol of Meru and a small pond adorned with coral stones as symbols of the sacred water element. Based on its history and development, the Bale Kambang of the Kanoman palace in Witana has a shape similar to the Bale Kambang of the Kasepuhan palace, while in the Bangsal Jinem, the Bale Kambang is represented on the sultan's throne as a place to receive honored guests. Based on symbols and meanings, the concept of the floating pavilion in the Kanoman palace reflects purity, harmony between humans and nature, and spirituality that connects the material and transcendental worlds. This symbolism enriches the identity that the floating pavilion is not always in the form of a building on a pond, but can be reflected by sacred objects considered as Mount Meru and the presence of water elements as a sacred medium, which altogether express the spiritual and cultural values in the Kanoman palace. This research is expected to contribute to enhancing understanding of the symbolism of the bale kambang concept, which reflects the historical and cultural dynamics of the Kanoman palace.
Teori Production of Space Henri Lefebvere dalam Konteks untuk Membaca Ruang di Indonesia Ibadi, Raden Mohamad Wisnu; Roosandriantini, Josephine; Hidayat, Anas; Lestari, Nia Yunia
ARCHIHUMANUM Vol 3 No 2 (2025): October
Publisher : CV. Gio Architect

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59810/archimane.v3i2.175

Abstract

Konsep ruang kota menurut Lefebvre dalam The Production of Space, ada kontradiksi antara ruang abstrak dan ruang sosial. Ruang abstrak diproduksi oleh kapitalis yang memiliki kuasa mengatur dan mengarahkan perencanaan ruang kota, sementara ruang sosial diproduksi oleh masyarakat dari kehidupan keseharian mereka. Di dalam buku The Production of Space, ada beberapa konsep terlihat berbeda, tetapi sebenarnya memiliki prinsip yang sama, atau bisa disebut sebagai: paralel. Misalnya perceived space paralel dengan ruang abstrak, sementara lived space paralel dengan ruang sosial, hanya sudut pandangnya yang sedikit berbeda. Juga ada konsep spatial practice yang paralel dengan perceived space, lalu space of representation yang parallel dengan conceived space, dan juga ada representational space yang paralel dengan lived space. Ketiganya bisa dipakai untuk membaca fenomena empirik di Indonesia. Namun kota-kota di Indonesia memiliki keunikan seperti pertentangan antara abstract space dan social space yang cukup kompromis, dengan batas-batas territorial cukup jelas, membentuk hubungan simbiosis yang saling menguntungkan. Hal ini memberi peluang membaca teori Lefebvere lebih mendalam, lebih reflektif dan lebih kritis, dengan contoh kasus yang empirik, bisa dari rumah yang biasa kita tempati, bisa juga dari kampong atau pasar yang tidak asing di kehidupan sehari-hari. Hal ini menunjukkan bahwa realitas empirik selalu memiliki keunikan diluar teori
Co-Authors Anas Hidayat, Anas Emiral Akbara Herdi Herdi Ibadi, Raden Mohamad Wisnu Josephine Roosandriantini M.Pd S.T. S.Pd. I Gde Wawan Sudatha . Nurtati Soewarno Pebby Adriansyah Rachmat Kurnia Shirli Putri Asri