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All Journal Dialektika Jurnal Bahasa dan Sastra Buletin Al-Turas JURNAL KONFIKS Jurnal Ilmiah Lingua Idea Parafrase: Jurnal Kajian Kebahasaan dan Kesastraan Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Jurnal Pendidikan dan Konseling Aksara: Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia
Suma Riella Rusdiarti
Fakultas Ilmu Pengetahuan Budaya, Universitas Indonesia
Religion Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

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Kapitalisme dan Retaknya Ekologi Lokal: Analisis Ekokritik Cerpen ‘Nada-Nada Yang Rebah’ Karya Armin Bell Rahmah Auliya Syifa Az-zahra; Suma Riella Rusdiarti
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 11 No. 3 (2025)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/onoma.v11i3.6540

Abstract

Penelitian ini bertujuan untuk menelaah dampak dominasi kapitalisme dan modernitas pada relasi manusia dan alam. Kondisi ini berkaitan dengan kehidupan masyarakat Manggarai dan alam yang hidup berdampingan secara harmonis. Mereka bahkan memiliki kepercayaan-kepercayaan terhadap alam, seperti burung Ngkiong yang dapat memberitahukan nasib manusia berdasarkan nada-nada kicauannya. Kondisi tersebut terlihat dalam cerpen “Nada-Nada yang Rebah” (2024) karya Armin Bell. Penelitian ini akan mengkaji transformasi hubungan antara masyarakat Manggarai dan burung Ngkiong karena adanya kapitalisme dan modernitas dalam cerpen tersebut. Metode penelitian yang digunakan adalah metode kualitatif kajian tekstual dengan pendalaman menggunakan teori ekokritik pribumi Anne Heith dan konsep metabolic rift dari J.B. Foster. Hasil dari penelitian ini menunjukkan bahwa burung Ngkiong, yang semula menjadi simbol identitas kultural dan ekologis masyarakat Manggarai, kehilangan maknanya seiring dengan ekspansi kapitalisme dan modernitas. Temuan ini menegaskan adanya kompleksitas hubungan manusia dan alam karena kondisi sosial-ekonomi, bukan hanya karena hubungan relasional antara keduanya.
Code-Switching as A Strategy of Diasporic Identity Articulation in American as Paneer Pie Purnawati, Ariza; Manneke Budiman; Suma Riella Rusdiarti
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 11 No. 4 (2025): Penulis dari 3 negara (Indonesia, Jerman dan Turki)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/onoma.v11i4.7144

Abstract

This study examines the phenomenon of code-switching as a strategy for articulating diasporic identity in the children's novel entitled American as Paneer Pie. Using a qualitative method, this analysis applies Gumperz' concept of code-switching and Stuart Hall's articulation of identity to examine how code-switching in the narrative not only represents language switching but also articulates cultural identity in the context of diaspora. The results show that out of 38 data points 34 use metaphorical code-switching in the form of Indian food, tradition, and cultural terms to emphasize Lekha's attachment to her cultural roots and show her identity negotiation process in the American multicultural environment. The other four data use situational code-switching to indicate specific social interactions, such as when Lekha spoke with her family or when she responded to Hindi with English. The articulation of diaspora identity in this novel is realized through the practice of code-switching, which is used as a form of diaspora negotiation between language and culture.
DINAMIKA HEGEMONI BUDAYA DALAM FILM HUMBA DREAMS KARYA RIRI RIZA Nurmilah Fadilah; Suma Riella Rusdiarti
Aksara: Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia Vol 9, No 1 (2025): April
Publisher : Universitas Batanghari

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33087/aksara.v9i1.1019

Abstract

The film Humba Dreams directed by Riri Riza in 2019 is a drama genre with a duration of 75 minutes raising cultural wealth, natural beauty, and social conflicts found in Sumba society. The film shows the cultural instability caused by Martin returning from the city and the social problems faced by Sumbanese people regarding human trafficking. The existence of cultural instability shows the dynamics of cultural hegemony. This study aims to reveal the level of integral, degenerate, and minimum cultural hegemony contained in the film Humba Dreams (2019). By using qualitative methods to reveal cinematographic elements as signs that indicate the dynamics of cultural hegemony with Pierce's semiotic theory. The researcher divided the sequence of events of the film into 63 sequences to assist in analyzing the data which was then calcified based on the level of hegemony of Gramsci, with the following results: ideal hegemony in Waingapu society, Sumba there were 9 sequences, degenerate hegemony which showed social criticism there were 5 sequences, and Martin character's awareness of ideal hegemony there were 2 sequences. The practice of cultural hegemony contained in Riri Riza's Humba Dreams (2019) is shown in the form of power that applies values and customs based on ancestral heritage, so that it can be interpreted as signs and symbols. The practice of cultural hegemony experiences dynamics, especially in Martin's character
Co-Authors Ahmad Syafa'at Junaidi Ajeng Restiyani Arif Rochman Hakim Farah Dibaj Farobi Fatkhurridho Heri Samtani Irish Hening Manneke Budiman Nurmilah Fadilah Purnawati, Ariza Rahmah Auliya Syifa Az-zahra