Article Per Year (5 Year)
p-Index From 2021 - 2026
4.354
P-Index
This Author published in this journals
All Journal Dialektika Jurnal Bahasa dan Sastra Buletin Al-Turas JURNAL KONFIKS JURNAL ILMU BUDAYA Jurnal Ilmiah Lingua Idea Parafrase: Jurnal Kajian Kebahasaan dan Kesastraan Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Jurnal Pendidikan dan Konseling The Journal of Society and Media Aksara: Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia ATHENA: Journal of Social Culture and Society Paradigma: Jurnal Kajian Budaya Bhakti
Rusdiarti, Suma Riella
Department Of Literature, Faculty Of Humanities, Universitas Indonesia, Depok, Indonesia
Religion Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Mathematics Social Sciences Other

Published : 24 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 24 Documents
Search

 1   2   3 
RECONTEXTUALIZATION OF SUN WUKONG’S HEROISM IN THE MONKEY KING FILM TRILOGY 2014–2018 Wulandari, Adi Kristina; Budiman, Manneke; Wuryandari, Nurni Wahyu; Rusdiarti, Suma Riella
Paradigma: Jurnal Kajian Budaya Vol. 13, No. 3
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The classic Chinese novel, Journey to the West, written by Wú Chéng’ēn in the 16th century of the Ming Dynasty, is an influential work in Chinese culture. The main character of the novel, the Monkey King Sun Wukong, has become a highly popular character and been adapted into various cultural products. Sun Wukong’s popularity was adapted into three films directed by Cheang Pou-soi, namely Monkey King 1 (2014), Monkey King 2 (2016), and Monkey King 3 (2018). This article analyzes the reconfiguration of Sun Wukong in the films based on the monomyth schemes by Joseph Campbell, focusing on the construction of Sun Wukong’s heroic journey and his hybridity visualization that is closely related to his transformation from an archetypal hero who represents the principle of the “Three Teachings in One” to a modern superhero who represents social and individual values in the “Twelve Core Values of Chinese Socialism”. Through the archetypal theme of the journey, hybridity visualization, and a set of values associated with Sun Wukong, this article tries to analyze the transformation of his heroism from a classic hero into a modern superhero. The re-contextualization of this transformation to the contemporary China’s situation reflects the spirit of China today and its long journey from traditionalism to modernity.
PEMBENTUKAN RASA BERUMAH DAN CULTURAL BELONGING TOKOH IMIGRAN PADA NOVEL TANAH SEBERANG (2018) Farah Dibaj; Suma Riella Rusdiarti
Dialektika: Jurnal Bahasa, Sastra, dan Pendidikan Bahasa dan Sastra Indonesia Vol 9, No 1 (2022)
Publisher : Department of Indonesia Language and Literature Teaching, UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/dialektika.v8i1.23804

Abstract

In literary works, how immigrants build a sense of home and culture can be seen in the novel titled Tanah Seberang (2018) by Kurnia Gusti Sawiji. This research using qualitative-descriptive method aims to show how the process of feeling at home and cultural belonging is built by immigrant characters in the novel Tanah Seberang (2018). This study will use the concept of narratology proposed by Gérard Genette (1983) and the theory of Home and Belonging and “in-between” Identity proposed by John McLeod (2000). The results showed (1) one novel contains variable focalization that represents the children's point of view, (2) in the process of the characters in building a sense of home and cultural belonging, there is contestation between Malaysia, other countries, and Indonesia, other countries. origin of the immigrants. The contestation of the country of origin, namely Indonesia, and the migrant country, namely Malaysia, shows that Malaysia can provide a good life from a financial perspective, however, the cultural belonging and sense of home of the migrant population in the novel are still embedded in their country of origin, Indonesia.
Criticism of Javacentrism from the Historical Parody of the Film Nagabonar (1986) Satrio, Satrio Pamungkas; Kurnia, Lilawati; Tjahyandari, Lily; Rusdiarti, Suma Riella
The Journal of Society and Media Vol. 8 No. 1 (2024): Perspective on Digital Transformation in Public Service
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jsm.v8n1.p82-103

Abstract

This paper examines the construction of a dominant discourse criticized by parody in film. The construction of Javanese cultural discourse has been the dominant discourse since the beginning of the Indonesian state; even the meanings born from the construction of the discourse remain to this day. Javanese cultural discourse refers to all forms of discussion related to cultural aspects in Java, including values, norms, traditions, art, language, and local wisdom of the Javanese people. Nagabonar's film deconstructs Javanese discourse with historical parody in its story. This research is expected to open up another way of thinking from the dominance of Javacentric thinking. Two approaches are used to recite and criticize Nagabonar's film as text: cinematographic theory and deconstruction. First is the mise-en-scene approach and staging in cinematographic theory, while the second is the theory of deconstruction to see what history hides or forbids and recasts a discourse construction of thinking that was previously marginalized or even alienated. This study aims to show the meaning of criticism in Nagabonar films against Javacentric dominant discourse through the deconstruction of film texts. Critics of this film tend to open questions about the concept of Indonesian nationalism
DAPUR, MAKANAN, DAN RESISTENSI PEREMPUAN DALAM CERITA PENDEK KUTUKAN DAPUR KARYA EKA KURNIAWAN Rusdiarti, Suma Riella
JURNAL ILMU BUDAYA Vol. 7 No. 2 (2019): Jurnal Ilmu Budaya
Publisher : Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/jib.v7i2.7958

Abstract

Food and culinary has become a subject that has recently been discussed in the study of literature and popular culture. Food and culinary is not just about the fulfillment of primary needs of human, satisfy hunger and thirst, but also deals with social practices, lifestyle, identity, and even ideology. This paper will discuss food and culinary in relation to women's resistance in Eka Kurniawan’s short story entitled Kutukan Dapur (Curse of the Kitchen).  This short story tells the character Maharani who learned a lot about food, culinary, and power relations after visiting a museum. The method used is a structural study of narratology that is deepened with Pierre Bourdieu's concepts of field, power struggle, and capital. the reading of the structure of the text shows that there are two parallel narratives representing the present time and the past. The present time tells the story of Maharani who is trapped in the marriage life that is holding her back, while the past  presents the story of Diah Ayu who is intelligent and admired for her cooking skills and rebellion. The results of the analysis show that through focalisation of Maharani, the kitchen as a domestic space that is identical to the limitations of the women’s world, can turn into a field for women's resistance to reach power.
Kapitalisme dan Retaknya Ekologi Lokal: Analisis Ekokritik Cerpen ‘Nada-Nada Yang Rebah’ Karya Armin Bell Rahmah Auliya Syifa Az-zahra; Suma Riella Rusdiarti
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 11 No. 3 (2025)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/onoma.v11i3.6540

Abstract

Penelitian ini bertujuan untuk menelaah dampak dominasi kapitalisme dan modernitas pada relasi manusia dan alam. Kondisi ini berkaitan dengan kehidupan masyarakat Manggarai dan alam yang hidup berdampingan secara harmonis. Mereka bahkan memiliki kepercayaan-kepercayaan terhadap alam, seperti burung Ngkiong yang dapat memberitahukan nasib manusia berdasarkan nada-nada kicauannya. Kondisi tersebut terlihat dalam cerpen “Nada-Nada yang Rebah” (2024) karya Armin Bell. Penelitian ini akan mengkaji transformasi hubungan antara masyarakat Manggarai dan burung Ngkiong karena adanya kapitalisme dan modernitas dalam cerpen tersebut. Metode penelitian yang digunakan adalah metode kualitatif kajian tekstual dengan pendalaman menggunakan teori ekokritik pribumi Anne Heith dan konsep metabolic rift dari J.B. Foster. Hasil dari penelitian ini menunjukkan bahwa burung Ngkiong, yang semula menjadi simbol identitas kultural dan ekologis masyarakat Manggarai, kehilangan maknanya seiring dengan ekspansi kapitalisme dan modernitas. Temuan ini menegaskan adanya kompleksitas hubungan manusia dan alam karena kondisi sosial-ekonomi, bukan hanya karena hubungan relasional antara keduanya.
Konstruksi women empowerment dalam film Memoria Sari, Nita Puspita; Rusdiarti , Suma Riella
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 7 No 2 (2024)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v7i2.923

Abstract

Women empowerment is a form of women's resistance to the domination of power and gender-based violence. This research aims to reveal the construction of women empowerment in the film Memoria (2016) by Kamila Andini through analysis of the film's narrative structure and cinematographic elements. The identification of the film's narrative structure uses Gérard Genette's narratology theory through the concept of focalization and the identification of cinematographic aspects using Metz semiotics. The method used in the research is the descriptive qualitative method. Data collection techniques were carried out by reviewing film sequences, literature studies, and identifying cinematographic aspects. The results show that Maria's focalization dominates the story, moves the story, and there are six grand syntagmas, namely descriptive syntagma, parallel syntagma, bracket syntagma, scene, episodic sequence, and insert subjective. Analyzing the narrative structure and the cinematographic aspects of the film through a series of syntagms, both represent the construction of women empowerment continuously. Maria is a woman who survives various life challenges and can heal the trauma within herself. The healing process starts from within oneself (self-healing) and then sharing stories (sharing) with family or trusted people. These things are steps toward freedom, justice, and women empowerment.
Diskriminasi Ekologis dalam Film Pendek Migrants (2020) Melalui Kajian Ecocinema Iqmala, Menur Puspita; Rusdiarti, Suma Riella
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 11 No. 4 (2025): Penulis dari 3 negara (Indonesia, Jerman dan Turki)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/onoma.v11i4.7131

Abstract

Penelitian ini bertujuan mengidentifikasi bentuk representasi diskriminasi ekologis antar spesies yang muncul melalui unsur visual, simbolik, dan naratif dalam film pendek Migrants (2020) karya Hugo Caby, Antoine Dupriez, Aubin Kubiak, Lucas Lermytte, dan Zoé Devise, serta menjelaskan bagaimana representasi tersebut membangun kesadaran ekologis penonton. Penelitian ini menggunakan pendekatan ecocinema (Lavin & Kaplan, 2017) dan ekokritik (Harsono, 2008) dengan metode analisis tekstual film (Bordwell & Thompson, 2008) yang berfokus pada mise-en-scène, sinematografi, warna, dan simbol animasi. Hasil penelitian menunjukkan bahwa Migrants merepresentasikan diskriminasi ekologis melalui oposisi visual antara beruang kutub dan beruang coklat yang menandai relasi kuasa dan ketimpangan ekologis. Warna dingin dan hangat, gestur tubuh, serta framing digunakan untuk menegaskan penolakan ekologis terhadap pendatang dan keterasingan ruang hidup. Melalui metafora migrasi, jebakan, dan penggiringan, film ini menghadirkan kritik implisit terhadap perilaku antroposentris manusia. Sebagai fabel ekologis, Migrants membangun empati ekologis dan mendorong pembacaan mengenai krisis lingkungan di era antroposen.
Code-Switching as A Strategy of Diasporic Identity Articulation in American as Paneer Pie Purnawati, Ariza; Manneke Budiman; Suma Riella Rusdiarti
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 11 No. 4 (2025): Penulis dari 3 negara (Indonesia, Jerman dan Turki)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/onoma.v11i4.7144

Abstract

This study examines the phenomenon of code-switching as a strategy for articulating diasporic identity in the children's novel entitled American as Paneer Pie. Using a qualitative method, this analysis applies Gumperz' concept of code-switching and Stuart Hall's articulation of identity to examine how code-switching in the narrative not only represents language switching but also articulates cultural identity in the context of diaspora. The results show that out of 38 data points 34 use metaphorical code-switching in the form of Indian food, tradition, and cultural terms to emphasize Lekha's attachment to her cultural roots and show her identity negotiation process in the American multicultural environment. The other four data use situational code-switching to indicate specific social interactions, such as when Lekha spoke with her family or when she responded to Hindi with English. The articulation of diaspora identity in this novel is realized through the practice of code-switching, which is used as a form of diaspora negotiation between language and culture.
Peningkatan Kemampuan Bercerita Masyarakat Kepulauan Selayar melalui Storytelling Workshop dengan Tema Kebencanaan Rusdiarti, Suma Riella
Bhakti: Jurnal Pengabdian Masyarakat Vol. 1, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Kepulauan Selayar, yang terletak di Sulawesi Selatan, Indonesia, mengalami gempa bumi besar pada 14 Desember 2021 dengan magnitudo 7,4. Hal tersebut menyebabkan kerusakan signifikan dan pengungsian masyarakat. Faktanya, Kepulauan Selayar merupakan daerah yang berada di atas sesar Kalotoa yang aktif dan menjadikan wilayah di sekitarnya rawan bencana gempa bumi dan tsunami. Dalam konteks mitigasi bencana, kemampuan bercerita atau storytelling menjadi alat penting untuk menyampaikan informasi dan membangun empati di masyarakat. Melalui kegiatan workshop yang diselenggarakan oleh Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia dan institusi lainnya, peserta diajak untuk menggali dan memanfaatkan cerita rakyat sebagai medium edukatif dalam menghadapi risiko bencana. Workshop ini bertujuan untuk meningkatkan pemahaman tentang penyampaian informasi yang menarik sehingga dapat meningkatkan kesadaran dan ketahanan emosional masyarakat. Pendekatan ini juga diharapkan dapat memperkuat ikatan sosial dan memfasilitasi proses penyembuhan dari trauma yang dialami akibat bencana. Selain itu, kegiatan ini merupakan kelanjutan dari program pengabdian masyarakat sebelumnya yang menghasilkan prototipe buku pop-up tentang kesiap siagaan gempa. Dengan demikian, storytelling berperan krusial dalam edukasi kebencanaan, khususnya di daerah rawan bencana, seperti Kepulauan Selayar.
DINAMIKA HEGEMONI BUDAYA DALAM FILM HUMBA DREAMS KARYA RIRI RIZA Nurmilah Fadilah; Suma Riella Rusdiarti
Aksara: Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia Vol 9, No 1 (2025): April
Publisher : Universitas Batanghari

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33087/aksara.v9i1.1019

Abstract

The film Humba Dreams directed by Riri Riza in 2019 is a drama genre with a duration of 75 minutes raising cultural wealth, natural beauty, and social conflicts found in Sumba society. The film shows the cultural instability caused by Martin returning from the city and the social problems faced by Sumbanese people regarding human trafficking. The existence of cultural instability shows the dynamics of cultural hegemony. This study aims to reveal the level of integral, degenerate, and minimum cultural hegemony contained in the film Humba Dreams (2019). By using qualitative methods to reveal cinematographic elements as signs that indicate the dynamics of cultural hegemony with Pierce's semiotic theory. The researcher divided the sequence of events of the film into 63 sequences to assist in analyzing the data which was then calcified based on the level of hegemony of Gramsci, with the following results: ideal hegemony in Waingapu society, Sumba there were 9 sequences, degenerate hegemony which showed social criticism there were 5 sequences, and Martin character's awareness of ideal hegemony there were 2 sequences. The practice of cultural hegemony contained in Riri Riza's Humba Dreams (2019) is shown in the form of power that applies values and customs based on ancestral heritage, so that it can be interpreted as signs and symbols. The practice of cultural hegemony experiences dynamics, especially in Martin's character
Co-Authors Ahmad Syafa'at Junaidi Ajeng Restiyani Arif Rochman Hakim Delistavia Indiaza Putri Farah Dibaj Farobi Fatkhurridho Fatkhurridho, Farobi Hasby, Fadhila Heri Samtani Iqmala, Menur Puspita Irish Hening Lilawati Kurnia M Ryan Firmansyah Manneke Budiman Minanto Minanto nita puspita sari Nurmilah Fadilah Purnawati, Ariza Rahmah Auliya Syifa Az-zahra Satrio, Satrio Pamungkas Tjahyandari, Lily Wulandari, Adi Kristina Wuryandari, Nurni Wahyu