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All Journal Jurnal Bahasa dan Sastra FIKRI : Jurnal Kajian Agama, Sosial dan Budaya Aqlam: Journal of Islam and Plurality INDONESIA: Jurnal Pembelajaran Bahasa dan Sastra Indonesia Jurnal Disastri: Pendidikan Bahasa dan Sastra Indonesia Journal of Contemporary Gender and Child Studies ASMARALOKA : Jurnal Pendidikan, Linguistik dan Sastra Indonesia
Haris Shofiyuddin
Universitas Islam Negeri Sunan Ampel Surabaya
Arts Humanities Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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KONSTRUKSI IDEOLOGIS ISLAM MODERAT DI LINGKUNGAN KAMPUS: STUDI KASUS MA’HAD AL-JAMI’AH UIN SUNAN AMPEL SURABAYA DAN UIN MAULANA MALIK IBRAHIM MALANG Haris Shofiyuddin
Fikri : Jurnal Kajian Agama, Sosial dan Budaya Vol 4 No 1 (2019): Fikri : Jurnal Kajian Agama, Sosial dan Budaya
Publisher : Institut Agama Islam Ma'arif NU (IAIMNU) Metro Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25217/jf.v4i1.441

Abstract

The purpose of this article is to find out the position and role of Ma’had al-Ja>mi’ah at The State Islamic University of Sunan Ampel Surabaya and The State Islamic University of Maulana Malik Ibrahim Malang in strengthening the importance of Moderate Islam. In the context of this goal, this paper is expected to contribute to formulating a philosophical frame of mind and its application of Ma'had al-Ja>mi’ah's strategic position as an institution that takes part in strengthening the ideology of Moderate Islam. Practically, this research can be a basis and guideline for all campus stakeholders, both at the State Islamic University of Sunan Ampel Surabaya and the State Islamic University of Maulana Malik Ibrahim Malang, or other campuses regarding the importance of Ma'had al-Ja>mi’ah as a guarded front in supporting the mainstreaming of moderate Islam in the campus environment. In reviewing this matter, researchers used a type of qualitative research with a phenomenological approach. The results of this study are Ma'had al-Ja>mi’ah has played a role in strengthening the ideology of Moderate Islam on campus reflected in daily activities. These activities aim as habituation and also as a strategy, exemplary, and also fosters discipline and build a tolerant character. Besides that there are several activities to realize moderate Muslim attitudes in Ma'had al-Ja>mi'ah, cultural tolerance through fostering tolerant student life, understanding cultural diversity and moreover gaining human nature regardless of social or economic status. Abstrak Tujuan dari artikel ini adalah untuk mengetahui posisi dan peran Ma'had al-Ja>mi’ah UIN Sunan Ampel Surabaya dan UIN Maulana Malik Ibrahim Malang dalam memperkuat pentingnya Islam Moderat. Dalam konteks tujuan ini, tulisan ini diharapkan dapat berkontribusi dalam merumuskan kerangka berpikir filosofis dan penerapannya tentang posisi strategis Ma'had al-Ja>mi’ah sebagai lembaga yang mengambil bagian dalam memperkuat ideologi Islam Moderat. Secara Praktis, penelitian ini dapat menjadi pijakan dan pedoman bagi semua pemangku kepentingan kampus, baik di Universitas Islam Negeri Sunan Ampel Surabaya dan Universitas Islam Negeri Maulana Malik Ibrahim Malang, atau kampus lain mengenai pentingnya Ma'had al-Ja>mi’ah sebagai penjaga depan dalam mendukung pengarusutamaan Islam moderat di lingkungan kampus. Dalam mengkaji hal tersebut peneliti menggunakan jenis penelitian kualitatif dengan pendekatan fenomenologi. Adapun hasil dari penelitian ini adalah Ma'had al-Ja>mi’ah berperan dalam memperkuat ideologi Islam Moderat di kampus yang tercermin dalam kegiatan sehari-hari. Kegiatan ini bertujuan sebagai pembiasaan dan juga sebagai strategi, keteladanan, dan juga menumbuhkan disiplin dan membangun karakter yang toleran. Selain itu ada beberapa kegiatan untuk mewujudkan sikap Muslim moderat di Ma'had al-Ja>mi’ah toleransi budaya melalui menumbuhkan kehidupan mahasiswa yang toleran, memahami keragaman budaya dan juga memahami sifat manusia terlepas dari status sosial atau ekonomi.
The Manifest Content dan Al-Ru'ya: Kondensasi Mimpi dalam Cerpen “Perempuan Patah Hati Yang Kembali Menemukan Cinta Melalui Mimpi” Novia Adibatus Shofah; Haris Shofiyuddin; Diah Pitaloka
Jurnal Bahasa dan Sastra Vol 11, No 1 (2023)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jbs.v11i1.121947

Abstract

This study focuses on the same events that repeatedly appear in the main character's dreams. The contents of the dream are interpreted as instructions, so the main character carries out the instructions according to the contents of her dream and hopes it will come true. This study aims to discover how the manifest content and Al-Ru'ya appear as condensation of dreams in the short story Perempuan Patah Hati Yang Kembali Menemukan Cinta Melalui Mimpi by Eka Kurniawan. The method used in this study is qualitative, utilizing Sigmund Freud's dream interpretation theory. The data used are sentences that show the dream events experienced by the main character. The data analysis technique describes the condensation of dreams experienced by the main character. The study results show the condensation of dreams that first includes the manifest content, namely the repetition of dreams that appear clearly and are easy to remember due to the influence of physical products. The dream recurrence occurs due to a mental disorder characterized by hard feelings of trauma and sadness. Second, Al-Ru'ya, namely the belief in dreams that come true, such as finding a beach location on Pangandaran beach, meeting a handsome man and loving her, then becoming her future love, and the last is meeting the man's dog. Dreams come true because dreams are believed to be a realization of wishes, fulfil desires, perceptions and beliefs, and magical instructions.
Digital-Based Religious Moderation: Analyszing Ustadz/Kyai’s Dakwah Content on Youtube Shofiyuddin, Haris; Alindah, Lutfiyah; Juma’, Juma’
Aqlam: Journal of Islam and Plurality Vol 9, No 2 (2024)
Publisher : IAIN Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30984/ajip.v9i2.3273

Abstract

Abstract: YouTube serves as a media platform that offers not only knowledge and education but also a means for sharing religious content. However, not all religious content on YouTube conveys messages of religious moderation. There is a substantial amount of content that promotes rigidity and violence in understanding religion, potentially influencing individuals' religious attitudes. This study aims to explore religious moderation within the da'wah content of ustadz or kyai on Youtube. This qualitative research employs Van Dijk's discourse analysis approach. The study reveals that the da'wah content by Hanan Attaki, Adi Hidayat, Khalid Basamalah, and Gus Miftah predominantly incorporates pillars of thought by connecting the meanings of verses, hadiths, or historical contexts. The pillars of action are exemplified through acts of tolerance and wisdom in dealing with differences. The implementation of these pillars of religious moderation in their da'wah content is primarily confined to national commitment and the strengthening of tolerance.Keyword: moderation, Youtube, ustadz/kyai Abstrak: Youtube merupakan sebuah media platform yang tidak hanya menyuguhkan seputar pengetahuan atau pendidikan, tetapi juga sebagai sarana sharing agama. Namun, tentu tidak semua konten YouTube agama mengandung pesan-pesan moderasi beragama. Ada banyak konten YouTube yang justru menyuguhkan kekakuan dan kekerasan dalam memahami agama. Sehingga, akan berpengaruh terhadap sikap beragama seseorang. Dalam hal ini, penelitian ini berusaha memotret moderasi beragama dalam konten dakwah ustadz atau kyai di YouTube. Penelitian ini adalah penelitian kualitatif dengan pendekatan analisis wacana Van Dijk. Hasil penelitian menunjukkan bahwa konten dakwah yang disampaikan oleh Hanan Attaki, Adi Hidayat Khalid Basamalah, dan Gus Miftah lebih banyak menerapkan pilar pemikiran, yaitu dengan mengkaitkan makna ayat, hadist, atau bahkan sejarah. Sedangkan pilar perbuatan lebih pada percontohan hablum minannas, baik bersikap toleransi maupun bijak dalam perbedaan. Adapun implementasi dari pilar-pilar moderasi agama dalam konten dakwah ini adalah pada batas komitmen bernegara dan penguatan toleransi semata.Kata Kunci: Moderasi, Youtube, ustadz/kiai
RUU MINOL DAN KRITIK ELITISME: TELAAH LIRIK LAGU DAN MUSIK VIDEO ORANG MISKIN DILARANG MABOK Rochmah, Nuzurul; Wijaya, Guntur Sekti; Shofiyuddin, Haris
INDONESIA: Jurnal Pembelajaran Bahasa dan Sastra Indonesia Volume 5 Number 1 February 2024
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/indonesia.v5i1.58288

Abstract

This research aims to describe the bill on alcoholic beverages and the criticism of elitism in the song lyrics and music video of Orang Miskin Dilarang Mabok. The approach used in this research is a qualitative approach that is interpretative in nature to describe data analysis related to the main points of discussion in the research. The material object in this research is the song lyrics and visuals of Orang Miskin Dilarang Mabok by Libertaria in collaboration with Sirin Farid Stevy, vocalist of rock music group FSTVLST. The research data was analysed using the qualitative data analysis method of Miles and Huberman. The results of the research show that through a qualitative approach that is descriptive-interpretative as a research method, the meaning of the song lyrics and music video of Orang Miskin Dilarang Mabok has a connection with the discourse of criticism of elitism and irregularities in the issuance of the Alcoholic Beverage Prohibition Bill.
Representation of Surrounding Communities in Iwan Simatupang's RT-Nol/RW-Nol Drama Script (Sociology of Literature Theory) Shofiyuddin, Haris; Wijaya, Guntur Sekti
Jurnal Disastri (Jurnal Pendidikan Bahasa dan Sastra Indonesia) Vol 6 No 2 (2024): Jurnal Disastri: Pendidikan Bahasa dan Sastra Indonesia
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33752/disastri.v6i2.4711

Abstract

This research examines the play script by Iwan Simatupang entitled RT-Nol / RW-Nol using the sociology of literature theory by Alan Swingewood and Diana Laurenson and the literary research method by Moleong. The problems are the forms of injustice that some people accept and the social criticism that the playwright tries to construct through words. This drama script reflects the real life of the lower or suburban community in big cities in Indonesia. The main focus revolves around the problem of homeless and beggars who do not have a home and do not have a steady income. The playwright does not merely write a literary work for audiences to read. Still, the writer of RT-Nol / RW-Nol has a hidden intention to make the readers aware that some parts of lives need to be improved to not further create globalization residues in human beings. The playwright also tries to criticize several systems operating in a society where the system is not or has not been under the norms of society. This discussion resulted in several conclusions, one of which is that a rule can be played. Furthermore, there is criticism regarding the injustice of the social system, which has led to the emergence of homeless people and beggars in especially big cities. Then there is the problem of income resulting from unrighteous and unethical ways. Even from that income, a human can buy a social title so the surrounding community increasingly sees it. The last conclusion is regarding words and actions that should be harmonious. Sometimes words are needed, but more than words are required to convince someone. A woman needs certainty, and a man needs to work to build self-esteem. Keywords: surrounding communities, social criticism, sociology of literature
TRAUMA, PELARIAN, DAN MARGINALITAS: STUDI WACANA KRITIS NORMAN FAIRCLOUGH ATAS LAGU DIARY DEPRESIKU LAST CHILD Wahyudi, Teges; Shofiyuddin, Haris
ASMARALOKA: Jurnal Bidang Pendidikan, Linguistik, dan Sastra Indonesia Vol. 3 No. 2 (2025): Volume 3 nomer 2 Juli 2025
Publisher : Universitas Islam Zainul Hasan Genggong

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55210/asmaraloka.v3i2.610

Abstract

This article aims to analyze the song's lyrics using the critical discourse approach developed by Norman Fairclough. This analysis focuses on three main dimensions: text dimensions, discursive practices, and social practices. In the text dimension, the lyrics of this song use strong and emotional diction, such as "liquor" and "scratching the glass on my arm", which describe a form of destructive escape from trauma. In the dimension of discursive practice, this song aims to build social awareness and connect the subject's personal experiences with the audience, creating space for empathy towards those who experience similar problems. Socially, these lyrics also reflect the inequality in a social system that ignores the need for emotional support, so that individuals feel forced to seek self-destructive escape.
Islamic Discourse and Gender Inequality in Colonial Java: A Feminist Reading of Pramoedya Ananta Toer’s Gadis Pantai Mahamid, Mochammad Nginwanun Likullil; Arianti, Amelda; Putri, Evi Kurnia; Shofiyuddin, Haris; Masuwd, Mowafg Abrahem
Journal of Contemporary Gender and Child Studies Vol 4 No 3 (2025): December: Women and Children Welfare in Indonesian Context
Publisher : Yayasan Zia Salsabila

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61253/jcgcs.v4i3.439

Abstract

Penelitian ini membahas representasi gender, kekuasaan, dan nilai-nilai Islam Jawa dalam novel Gadis Pantai karya Pramoedya Ananta Toer (1987). Permasalahan utama penelitian ini terletak pada bagaimana agama, khususnya Islam, digunakan bukan hanya sebagai latar spiritual, tetapi juga sebagai perangkat ideologis yang menopang struktur sosial dan patriarki dalam masyarakat Jawa pesisir awal abad ke-20. Tujuan penelitian ini untuk menguraikan relasi antara agama, kelas sosial, dan gender melalui analisis tokoh-tokoh utama, terutama Bendoro sebagai priyayi dan guru agama serta Gadis Pantai sebagai representasi perempuan wong cilik. Penelitian ini menggunakan metode kualitatif analisis dengan pendekatan sejarah dan analisis teks sastra melalui studi pustaka terhadap novel Gadis Pantai serta beberapa referensi pendukung dari buku dan artikel jurnal akademik. Hasil penelitian menunjukkan bahwa Pramoedya menghadirkan Islam Jawa sebagai medan wacana sosial yang ambivalen, di satu sisi mengandung nilai moral dan spiritual, namun di sisi lain digunakan untuk melegitimasi kekuasaan patriarkal dan ketimpangan sosial dalam masyarakat tradisional.
Co-Authors Arianti, Amelda Diah Pitaloka Juma’, Juma’ Lutfiyah Alindah Mahamid, Mochammad Nginwanun Likullil Masuwd, Mowafg Abrahem Novia Adibatus Shofah Putri, Evi Kurnia Rochmah, Nuzurul Wahyudi, Teges Wijaya, Guntur Sekti