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All Journal Poetika: Jurnal Ilmu Sastra Literacy : International Scientific Journals of Social, Education, Humanities Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) International Journal of Studies in International Education
Galuh Febri Putra
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Arts Humanities Education Languange, Linguistic, Communication & Media Mathematics Public Health Social Sciences

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EVERYTHING IS PERMITTED: SEBUAH ULASAN SINGKAT IL PRINCIPE KARYA MACHIAVELLI Galuh Febri Putra
POETIKA Vol 3, No 1 (2015): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v3i1.10436

Abstract

Judul : Il PrincipePengarang : Niccolo MachiavelliPenerbit: NarasiTahun Terbit: 2014Jumlah Halaman: 184
Deixis and References in The Alice in Wonderland Movie Ida Ayu Komang Pradnya Paramita; I Gusti Agung Istri Aryani; Galuh Febri Putra
LITERACY : International Scientific Journals of Social, Education, Humanities Vol. 4 No. 1 (2025): April : International Scientific Journals of Social, Education, Humanities
Publisher : Badan Penerbit STIEPARI Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56910/literacy.v4i1.2132

Abstract

This study, entitled “Deixis and References in the Alice in Wonderland Movie,” aims to identify various types of deixis and analyze the reference of the meaning of each type of deixis used in the movie Alice in Wonderland. The data source was obtained from the Alice in Wonderland movie, an American fantasy film directed by Tim Burton and produced by Walt Disney Pictures, released on February 25, 2010, based on a screenplay by Linda Woolverton. This study uses a qualitative method with documentation and observation techniques. The data was taken from Scripts.com and completed with repeated movie viewing. The steps include downloading the script, watching the movie, identifying utterances containing deixis, and analyzing them according to Levinson’s (1983) deixis theory and Cruse’s (2006) reference theory. The analysis is presented using informal descriptive methods. The results of this study indicated that five types of deixis were employed in the movie: person deixis, place deixis, temporal deixis, discourse deixis, and social deixis. The movie Alice in Wonderland (2010) data represented each type of deixis. The analysis revealed that each deixis category appeared with varying frequency: 334 instances of personal deixis, 35 instances of place deixis, 27 instances of time deixis, 87 instances of discourse deixis, and 41 instances of social deixis. These findings suggest that personal deixis was the dominant type used by the characters in the movie, emphasizing the role of speaker-hearer reference in the narrative discourse. Furthermore, two kinds of reference were found, anaphora and cataphora.
A Study of Slang in the Television Series Ginny & Georgia Season 1 Episode 1 Ni Putu Whulan Gana Putri; Galuh Febri Putra; Ni Ketut Alit Ida Setianingsih
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 1 (2025): April : Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH)
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i1.5069

Abstract

This study explores the use of slang in the first episode of Season 1 of the television series Ginny & Georgia, focusing on identifying the types of slang employed by the characters and interpreting their meanings within conversational contexts. The research applies a descriptive qualitative approach, utilizing Allan and Burridge’s (2006) theory to categorize slang types and Leech’s (1981) theory of meaning to analyze their meanings. The analysis reveals five categories of slang: Fresh and Creative, Flippant, Imitative, Acronyms, and Clipping, with Flippant slang emerging as the most frequently used. Each slang term is examined for its contextual meaning, uncovering various types of meanings such as Conceptual, Connotative, Social, Affective, and Reflective Meanings. Based on the findings, Affective Meaning appears most prominently, reflecting the characters’ emotional tones and interpersonal dynamics. While some types of meanings like Collocative and Thematic Meaning were absent, the findings underscore how slang in the series operates beyond casual speech, serving as a linguistic tool to express identity, emotion, and cultural nuance.
Category Shift in English-Indonesian “The Lion King” Movie Subtitle Gaudensius Jordan De Martin; Ni Luh Ketut Mas Indrawati; Galuh Febri Putra
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 2 (2025): Agustus : Jurnal Riset Rumpun Ilmu Bahasa
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i2.5603

Abstract

This study investigates category shifts in the Indonesian subtitle translation of The Lion King (2019) using a combination of qualitative and quantitative methods. Drawing on Catford’s Category Shift Theory (1965), the research identifies four types of shifts—structure, class, unit, and intra-system—within the film’s subtitles. The data, collected through documentation and note-taking techniques, were analyzed to determine the nature and frequency of each shift type. The findings show that structure shifts are the most dominant (54%), followed by unit shifts (21%), class shifts (18%), and intra-system shifts (7%). These shifts demonstrate the translator’s strategy in adapting the source language to suit the target language's syntactic and semantic norms. By focusing on the linguistic and functional aspects of subtitle translation, this research highlights the importance of translation shifts in maintaining clarity, naturalness, and audience engagement in cross-linguistic audiovisual media.
The Characterizations and Moral development of the Main character in The Nightingale Novel Komang Trie Nanda Pertiwi; I Nyoman Aryawibawa; Galuh Febri Putra
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 2 (2025): Agustus : Jurnal Riset Rumpun Ilmu Bahasa
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i2.5854

Abstract

This study explores the character development of Vianne Mauriac in Kristin Hannah’s historical novel The Nightingale, with a particular focus on how her moral progression is revealed through characterization. It aims to examine how direct and indirect characterization contribute to the portrayal of Vianne’s evolving moral reasoning under the pressure of wartime experiences. Employing a descriptive qualitative method, the analysis uses Rimmon-Kenan’s theory to identify characterization techniques and Kohlberg’s stages of moral development to interpret Vianne’s ethical transformation. The findings indicate that Vianne shifts from self-preserving and fear-driven decisions to socially conscious choices and ultimately to morally autonomous actions grounded in universal principles. Her characterization, through action, speech, appearance, and environment, functions not only to construct Vianne’s identity but also to trace her moral journey. Her development demonstrates how literature, particularly historical fiction, can reflect and explore complex ethical growth. The study contributes to understanding how characterization and moral development work together in shaping a compelling and morally resonant protagonist.
Taboo Words Used By the Characters in Murder Mystery 2 Movie Nurul Risci Aulia; Ni Ketut Widhiarcani Matra; Galuh Febri Putra
International Journal of Studies in International Education Vol. 1 No. 4 (2024): November : International Journal of Studies in International Education
Publisher : Asosiasi Riset Ilmu Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62951/ijsie.v1i4.92

Abstract

This analysis discussed the Taboo Words Used in Murder Mystery 2 Movie. The objectives of this study are to identify and describe the types and the functions of taboo words used in Murder Mystery 2 movie and to determine the most frequently used categories of the types and the functions of taboo words. Data were collected using note-taking and observation techniques. Mix method is used to categorize the types and functions of taboo words and determine their frequency. The results of discussion found seven types of taboo words with 175 occurrences taboo words. The most frequently used type is religious taboo (57.1%), predominantly involving the use of the word “god” with 82 occurrences, followed by scatological references and disgusting objects (21.1%), insulting references to perceived psychological, physical, and social deviations (11.4%), offensive slang (5.7%), sexual references (2.2%), animal names (1.7%), and ancestral allusions (0.5%). There are three functions of taboo words identified with 177 occurrences. The main function is to achieve personal outcomes (71.8%), primarily to intensify negative emotions, with 91 occurrences, followed by intensifying positive emotions and catharsis, each with 18 occurrences. Other functions include achieving interpersonal outcomes (17.5%), inconsequential outcomes (9.6%), and literal or denotative use (1.1%).
Co-Authors Gaudensius Jordan De Martin I Gusti Agung Istri Aryani I Nyoman Aryawibawa Ida Ayu Komang Pradnya Paramita Ida Bagus Dwitiya Prajnyawedanta Komang Trie Nanda Pertiwi Ni Ketut Alit Ida Setianingsih Ni Ketut Widhiarcani Matra Ni Luh Ketut Mas Indrawati Ni Putu Whulan Gana Putri Nurul Risci Aulia