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Dani Manesah
Universitas Potensi Utama
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Analisis Teknik Camera Shot pada Film Surat Cinta untuk Starla Sutradara Rudi Aryanto M Hendy Farrell M; Dani Manesah
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain Vol. 3 No. 2 (2026): April: Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/realisasi.v2i1.527

Abstract

The film Surat Cinta Untuk Starla, directed by Rudi Aryanto, employs a variety of camera shot techniques to explore the depth of its main characters and deliver powerful emotions to the audience. This study aims to analyze the use of camera shot techniques in the film, focusing on close-ups, medium shots, long shots, and tracking shots. These techniques are utilized to portray the characters' emotional expressions, interactions, and to enhance the theme of emotional journeys within the story. Through a qualitative approach with a literature review, the research highlights how camera shot techniques support the film's narrative and deepen the emotional connection between the audience and the characters. The analysis reveals that the appropriate choice of camera shot techniques can elevate the film's visual and emotional quality, creating a profound impact on the understanding of its story and characters.
Penerapan Plot Linear terhadap Perkembangan Cerita dalam Film Dua Hati Biru Karya Sutradara Gina S. Noer Jenny Fransiska; Dani Manesah
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 3 No. 1 (2026): Januari: Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v2i1.528

Abstract

Film is a medium that functions as entertainment and an effective means of communication in conveying messages, stories and emotions to the audience. "Two Blue Hearts" by Gina S. Noer is a follow-up film to the story of Bima and Dara, a young couple who married at an early age because of a mistake. After four years apart since the birth of their son, Adam, Dara decided to return to Jakarta to be with Bima and Adam. Conflicts in their household arise again when Dara struggles to get closer to Adam, who does not yet recognize her as a mother. This research aims to determine the application of linear plot in the development of the story in the film "Dua Hati Biru". The theory used is the Linear Plot from Elizabeth Lutter. The results show that the use of a linear plot in Dua Hati Biru allows the audience to see the emotional transitions and dynamics of Bima and Dara's relationship clearly. This approach is effective in depicting character growth through a consistent passage of time, without relying on a back-and-forth plot.
Co-Authors Andre Buttiamal Dani Damanik Darwatan Derajat Desipriani Desipriani Giovani Jenny Fransiska Joko Bintarto M Hendy Farrell M Muhammad Ali Mursid Alfathoni Muhammad Fauzan Abdillah Muhammad Ramadani Pratiwi Silvia Lestari Sri Wahyuni Suprianingsih Surya Darma Suryanto Suryanto Suryanto Triadi Sya’Dian