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All Journal MODUL Nature: National Academic Journal of Architecture Vitruvian : Jurnal Arsitektur, Bangunan, dan Lingkungan Journal of Architectural Design and Urbanism ASEAN Journal of Community Engagement DIMENSI: Journal of Architecture and Built Environment ARSNET Interiority
Kristanti Dewi Paramita
Department Of Architecture, University Of Indonesia, Jl. Margonda Raya, Pondok Cina, Beji, West Java, Depok 16424, Indonesia
Aerospace Engineering Arts Humanities Civil Engineering, Building, Construction & Architecture Economics, Econometrics & Finance Education Engineering Environmental Science Industrial & Manufacturing Engineering Public Health Social Sciences Other

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CONTEXT LEARNING TRANSFORMATION IN ARCHITECTURAL DESIGN STUDIO Paramita, Kristanti Dewi; Yatmo, Yandi Andri
MODUL Vol 20, No 2 (2020): MODUL vol 20 nomor 2 tahun 2020 (9 articles)
Publisher : architecture department, Engineering faculty, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/mdl.20.2.2020.157-166

Abstract

This paper reflects the shifting understanding of context in a data-based architectural studio. With the school closure in the beginning of the COVID pandemic, the overall learning process is largely conducted online. Big Data becomes an important discourse that provides some benefits and opportunities which transform the design and learning process in an architectural studio, particularly on how students may explore and understand their context. Exploring the works of third-year architectural students in Department of Architecture, Faculty of Engineering Universitas Indonesia, this paper highlights the ways students capture and organise urban information and construct their intervention contexts. The study points out that time, flow and narrative are key in transforming understanding of context. Based on such three aspects, the data reveals the unseen urban patterns, emerging in the imbalance relationship between user and the environment, the disconnection of urban services, and the hidden variety of urban experience. The study reflects how these urban patterns informs the ways students define and situate themselves in the context, shifting existing ideas of context and its corresponding methodologies in the architectural education.     
MONTAGE AS SPATIAL RECONSTRUCTION OPERATION METHOD IN DESIGNING CINEMATIC ARCHITECTURE Neneng Rika Lestari; Kristanti Dewi Paramita; Paramita Atmodiwirjo
MODUL Vol 21, No 2 (2021): MODUL vol 21 nomor 2 tahun 2021 (11 articles)
Publisher : architecture department, Engineering faculty, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/mdl.21.2.2021.142-154

Abstract

This article investigated montage to understand and arrange cinematic architecture through operations of spatial reconstruction to present a sequence of spatial experiences. Montage is a part of discourses related to cinematic, film, and architecture. This article explored the montage approach as the primary basis in the architectural design process through spatial experience. The discussion is based on the idea that montage is emphasized in three things, i.e., sequence, multiple layers of meaning, and movement. These three aspects were further observed through the montage precedent comprising various cinematic precedents based on montage in architecture, i.e., Manhattan Transcripts and Parc de La Villette from Bernard Tschumi, Villa Savoye from Le Corbusier, and Maison Bordeaux from Rem Koolhaas. The finding of this study is a synthesis of some of these precedents that resulted in an understanding of space reconstruction operations, i.e., dismantlement, disappearance, and reassembly, all three of which exist as strategies that will be part of the production process to develop montage-based cinematic architectural design, creating new spatial sequence that provide alternative spatial experience. This article expands the knowledge regarding montages that cinematics and films can be a development in architectural design.
INTERPOSITION AND COLOR CONTRAST AS DEPTH ASPECT: FROM 2D MEDIA TO 3D SPACE PRODUCTION Muvida, Muvida; Atmodiwirjo, Paramita; Paramita, Kristanti Dewi
MODUL Vol 23, No 2 (2023): MODUL vol 23 nomor 2 tahun 2023 ( 5 articles )
Publisher : architecture department, Engineering faculty, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/mdl.23.2.2023.68-75

Abstract

This study attempts to dismantle the depth aspects produced by two-dimensional (2D) media such as paintings. as the basis for the production of three-dimensional (3D) space. In particular, we argue that painting as artwork with a flat surface can be transformed into 3D space by incorporating depth aspects. Even though it has a flat surface, painting as a 2D medium has the impression of 3D space and volume, which can be circumvented by constructing the perception of depth. To explore the production of 3D space through depth aspects, four 2D paintings were analyzed to find out how the depth aspects were constructed. The analysis reveals the perception of depth technique through interposition as the depth cues within the arrangement of layers. The analysis also reveals the color contrast as additional aspect that strengthen the perception of depth. Both the interposition and the color contrast become the important aspects that create the perception of depth in the production of the 3D space.
ARCHITECTURE AFTER GRAVITY: UNDERSTANDING SPATIAL EXPERIENCE OF WEIGHTLESSNESS AND DISORIENTATION Elawati, Ocfia Amirul; Paramita, Kristanti Dewi; Atmodiwirjo, Paramita
MODUL Vol 24, No 1 (2024): MODUL vol 24 nomor 1 tahun 2024 (5 articles)
Publisher : architecture department, Engineering faculty, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/mdl.24.1.2024.30-38

Abstract

This study examine the idea of after gravity as the basis of an architectural design method. After gravity is defined as the condition of weightlessness and disorientation that creates unrestricted body movement. Gravity determines the direction of architectural spatial orientation and gives weight to subject and object in architectural space, creating boundaries of possible body movements. This paper analyzes the development of a design method based on that appropriates gravity through the analytical study of ten gravity-defying body movements such as hanging, flying, or spinning. The study identifies three gravity-based relations; happening between bodies, between body and object, and between body and space. The design method of architecture after gravity highlights the spatial experience of the moving body in receiving stimuli and responding to the context. Understanding architecture after gravity widens the potential of architecture that sees the relations of forces in a context with the body in a dynamically built environment.
Co-Authors Aditya, Yovita Arnis Rochma Harani, Arnis Rochma Asqhor, Rian Faisal Elawati, Ocfia Amirul Karimah, Afifah Muvida Muvida Neneng Rika Lestari Paramita Atmodiwirjo Paramita Atmodiwirjo Purnasasmita, Ruth Kartika resza riskiyanto Schneider, Tatjana Schneider, Tatjana Suryantini, Rini Wahid, Arif Rahman Yandi Andri Yatmo Zanjabila, Elmira