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Refleksi Diri Sebagai Ide Dalam Penciptaan Seni Lukis Fikri Hidayatullah; Lalu Aswandi Mahroni G; Sri Sukarni
Jurnal Ilmiah Telaah Vol 8, No 1: January 2023
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/telaah.v8i1.13392

Abstract

The purpose of this final project is to visualize several forms of self-reflection in telling personal experiences that become lessons. Self-reflection is the thing that is most attached to the writer's life when approaching the end of the lecture period. The idea of art is to visualize human figures as the subject of paintings that depict different body shapes. The method of realizing ideas is through the preparatory stage or the observation stage of the problems of concept realization or the creation of works of exhibition or display of works. The author presents 15 (fifteen) works of art through figures, all of which are different body shapes. The entire work was made using acrylic paint on canvas of the same size and was made in the year 2022.
Analisis “overthinking sebagai refleksi pribadi” dalam karya penciptaan seni lukis sarfi Lalu Aswandi Mahroni G
Journal Scientific of Mandalika (JSM) e-ISSN 2745-5955 | p-ISSN 2809-0543 Vol. 7 No. 7 (2026)
Publisher : Institut Penelitian dan Pengembangan Mandalika Indonesia (IP2MI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/10.36312/vol7iss7pp902-907

Abstract

This research and art creation aim to explore the psychological condition of "overthinking" as a source of ideas and personal reflection in creating paintings. Overthinking is often considered a mental burden and a trigger for anxiety, but in this context, it is transformed into creative energy visualized through a symbolic expressionism approach. The creation method used includes the stages of observation, contemplative self-reflection, sketch designing, and the realization of the artwork using mixed media techniques on canvas. The materials used vary, including acrylic paint, gypsum, spray paint (pilox), printed paper, and markers, to create emotional textures and dimensions. The result of this process is a series of expressionist paintings which visually represent inner conflicts, social pressures, and future uncertainties. Through these works, the author finds a cathartic medium to manage emotions while inviting appreciators to understand dark psychological experiences. In conclusion, this art creation proves that overthinking can be reconstructed into critical awareness and a powerful visual communication medium.