Article Per Year (5 Year)
p-Index From 2021 - 2026
2.737
P-Index
This Author published in this journals
All Journal Humano: Research Journal Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam JURNAL PENDIDIKAN TAMBUSAI Majalah Ilmiah UNIKOM Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Prosiding Seminar Nasional Program Pengabdian Masyarakat MAHADAYA Jurnal Bahasa, Sastra, dan Budaya Proceeding of Undergraduate Conference on Literature, Linguistic, and Cultural Studies
Prihandini, Asih
Universitas Komputer Indonesia
Agriculture, Biological Sciences & Forestry Arts Humanities Chemical Engineering, Chemistry & Bioengineering Computer Science & IT Economics, Econometrics & Finance Education Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Social Sciences Other

Published : 19 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 19 Documents
Search

 1   2 
STEREOTIP PEREMPUAN YANG DIALAMI OLEH TOKOH AMINA DALAM CERITA PENDEK AMINA KARYA SHIRLEY SAAD Tsaniya, Faza Najmi; Prihandini, Asih
Mahadaya: Jurnal Bahasa, Sastra, Dan Budaya Vol 3 No 1 (2023): April 2023
Publisher : Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/mhd.v3i1.7639

Abstract

Stereotypes are stamps or labels that are often used by certain societies against women. One of the stereotypes depicted in the short story Amina by Shirley Saad is the stereotype of women. This study aims to describe the practice and impact of stereotypes on women experienced by the character Amina in the short story Amina. Stereotypes construct public perceptions of women and reinforce the stigma that women tend to be objects of labelling. The forms of negative labeling are developed from the social order internalized by women themselves. Negative labeling can have an impact on women's lives. This type of research uses qualitative methods to obtain information and depiction of stereotypes experienced by the character Amina. The data were taken from the short story entitled Amina by Shirley Saad and are using theory of feminist literary criticism. The stages of data collection are using reading, listening, and note-taking techniques to obtain relevant information. Meanwhile, the data research phase uses data analysis techniques. The results of the study show the stereotypical practice of women with negative labeling that women are baby machines, emotional, obedient, weak, and male servants. Stereotypes have a mental and physical impact, including depression, lack of confidence. and suffering. Keywords: Stereotypes, Impact, Women
PATRIARCHY CULTURE OF TOULA'S FAMILY IN THE BIG FAT GREEK WEDDING MOVIE (2002) Dewi, Desti Nuryuliyanti; Prihandini, Asih
Mahadaya: Jurnal Bahasa, Sastra, Dan Budaya Vol 3 No 1 (2023): April 2023
Publisher : Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/mhd.v3i1.7735

Abstract

This writing discusses about patriarchy culture of Toula’s family in The Big Fat Greek Wedding movie. Patriarchy culture is a social system in which men hold and control power. It is still found in many societies around. The Big Fat Greek Wedding tells about a Greek woman who falls in love with a non-Greek man and struggles for her family to accept the man as they confront their heritage and cultural identity. The purpose of this writing is to show that Toula’s family in this movie still adheres and resistances to patriarchy culture. Method used in this writing is qualitative method. Qualitative method is a method that involves an interpretive, description, creative, and unique, in the sense of understanding the subject matter. The data are collected and analyzed based on the perspective of literary criticism. The direct conversation and some gestures display related with patriarchy culture are taken. It is found that Toula’s father as the head of the family seems to have the power to take the decision for his family, meanwhile Toula as the child and Maria as the wife do not have. Based on the theories taken, patriarchy in this movie includes in private patriarchy. Private patriarchy originates in the home area as the first and foremost area of men's power over women. So, it shows that Toula’s family still holds the patriarchy culture. Keywords: Patriarchy, Gender Inequality, Gender Roles, Greek
Speech Acts on Women's Double Standards in Barbie's Monologue (2023) Gunawan, Ake Putri; Prihandini, Asih
Mahadaya: Jurnal Bahasa, Sastra, Dan Budaya Vol 3 No 2 (2023): Oktober 2023
Publisher : Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/mhd.v3i2.11411

Abstract

This research aims to examine the speech act on Gloria Vaughn's monologue utterances from the 2023 Barbie film, concentrating on the distribution of expressive, assertive, directive, and commissive utterances. The analysis aims to carefully examine the verbal techniques employed in Gloria's speech, elucidating its emotional impact, advocacy for change, and cultural importance. Descriptive, statistical and interpretative methods were used to examine the data in accordance with J.L. Austin's speech act theory. The results demonstrate that 31.58% of Gloria's monologue consists of expressive utterances, 26.32% of assertive utterances, 26.32% of directive utterances, and 15.79% of commissive utterances. These figures highlight the emotional impact, call for change, and individual dedication intertwined within Gloria's persuasive speech. The analysis underscores the educational, artistic, and societal import of deconstructing Gloria's speech acts, accentuating its function as an instructive implement, a refraction instigator, and a potent artistic and emotive medium. The analysis results provide a more profound comprehension of the intricacies of womanhood and the resonant significance conveyed in Gloria's monologue. These insights are vital for academics, learners, and individuals engaging with societal challenges and self-recognition. Keywords: Pragmatics, Speech Acts, Utterance, Barbie 2023
Polite Racism: A Pragmatic Analysis of Racial Implicature in Get Out Azhari, Rizky Maulana; Prihandini, Asih; Sari, Retno Purwani
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 14 No. 2 (2025): Agustus 2025
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/3r265668

Abstract

This study explores how language in the psychological thriller Get Out (2017), directed by Jordan Peele, conveys racism through polite yet indirect utterances. Although the white characters appear friendly, their language subtly reinforces racial stereotypes. Drawing on Grice’s theory of implicature (1975) and Searle’s speech act theory (1969), this research examines how pragmatic features reveal underlying racial bias. Using a descriptive qualitative method, the study analyzes 17 selected dialogues between the protagonist, Chris, and white characters during his visit to his girlfriend’s family. The findings show that implicatures conceal power imbalances and racial discomfort, while indirect speech acts mask prejudice beneath seemingly supportive comments. These results suggest that film serves not only to entertain but also to reflect and reinforces social issues like racism. Addressing a gap where pragmatic analysis is underused in film dialogue, this study demonstrates how everyday language can conceal power and bias in seemingly ordinary interactions. Keywords: Indirect Speech Acts, Conversational Implicature, Racial Bias, Language Use, Get Out
Makna Denotasi dan Konotasi dalam Film "The Hundred-Foot Journey" (Kajian Semantik) Yusti, Fatika; Prihandini, Asih
Mahadaya: Jurnal Bahasa, Sastra, Dan Budaya Vol 5 No 1 (2025): April 2025
Publisher : Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/r8qzqx37

Abstract

Research on “Denotative and Connotative Meanings in The Hundred-Foot Journey Movie (Semantic Study)” aims to identify references and meanings, with a focus on denotative and connotative meanings. The objective of the research is to understand the constructed meanings of cultural differences using Geoffrey Leech's theory (1981) in a semantic study approach. Conversational sentence data was taken from the film The Hundred-Foot Journey. The descriptive-qualitative method consists of the production of texts from verbal sources, text analysis, and interpretation to analyze data in discourse analysis. The findings show that meaning in speech is not limited to simple denotative meanings, but often develops into connotative meanings that are rich in cultural, emotional, and social power relations. The denotative and connotative meanings identified provide an understanding of each object or concept, resulting in an awareness of cultural differences in the communication process, especially in the dynamic interpretation of language Keywords: Denotation, Connotation, Culture, Film
Dari Infleksi hingga Komposisi: Manifestasi Kesadaran Morfologis Anak dalam Pembentukan Kata Bahasa Inggris di Dunia Virtual Prihandini, Asih; Syava Nuraisyah, Mutia; Nugraha, Novian Denny; Nuraisyah, Mutia
Mahadaya: Jurnal Bahasa, Sastra, Dan Budaya Vol 5 No 2 (2025): Oktober 2025
Publisher : Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/m03h0a21

Abstract

This study aims to explain how inflection, derivation, and compounding function as manifestations of children’s morphological awareness in English word formation within virtual environments. Online games such as Roblox, Minecraft, and Stumble Guys provide a natural space where children not only play but also experiment with linguistic forms. In this context, the development of morphological awareness is understood as children’s ability to consciously recognize, understand, and use word structures—from simple inflectional forms to complex morphological constructions. The research employed morphological content analysis within a descriptive qualitative approach. Data were obtained from transcripts of online game interactions among Indonesian children aged 7–10, which were recorded and categorized according to word-formation processes (inflection, derivation, and compounding). The analysis traced the development of children’s morphological awareness from the recognition stage (form identification) to the use stage (productive application). The findings indicate that children’s morphological awareness develops gradually. The initial stage is marked by recognition of inflectional forms such as loading, winning, and played, often produced through imitation of the game interface. At the intermediate stage, children exhibit derivative understanding through forms like legendary, respawned, and upgrading, reflecting a growing awareness of morphemic function. The advanced stage shows compositional creativity with forms such as bedwars, auto-clicker, and block dash, demonstrating an ability to construct new meanings creatively. These results confirm that the virtual world serves as a natural linguistic laboratory, facilitating the development of children’s morphological awareness from simple to complex forms through repeated and meaningful digital play experiences. Keywords: Inflection, Derivation, Morphological Awareness, Children, Online games
ANALISIS TINDAKAN ILOKUSIONER DALAM DIALOG JAMES DAN ANGELA DI SILENT HILL 2 Ilahi, Ruhul Justice; Prihandini, Asih
Mahadaya: Jurnal Bahasa, Sastra, Dan Budaya Vol 6 No 1 (2026): April 2026
Publisher : Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/dgvjm390

Abstract

This study analyzes the use of illocutionary acts in the dialogues of James Sunderland and Angela Orosco in Silent Hill 2 Remake (2024). Drawing on Speech Act Theory, as proposed by Austin (1962) and classified by Searle (1979), this research aims to identify the types of illocutionary acts and to examine how dominant acts represent each character. Using a descriptive qualitative method with qualitative content analysis, the data consist of dialogues from five encounter scenes collected through gameplay recording and transcription. The findings reveal four illocutionary acts: representatives, directives, expressives, and commissives, while declaratives are absent. James’s dialogue is dominated by representative acts (42.6%), followed by directive (29.4%), expressive (22.1%), and commissive (5.9%) acts, portraying him as reflective and psychologically conflicted in his attempts to rationalize his situation. In contrast, Angela’s dialogue is strongly dominated by representative acts (53.0%), followed by directive (26.5%), expressive (16.9%), and commissive (3.6%) acts, portraying her as traumatized and defensive through her assertions of trauma-related beliefs and self-blame. Future research may employ a psycho-pragmatic approach to deepen character analysis. Keywords: Illocutionary Acts, Speech Acts, Video Game, Video Game Dialogue, Pragmatics
The Use of Conceptual Metaphor in The Lyrics of “Transform” by Daniel Caesar Permadi, Erril Haerul; Prihandini, Asih
Mahadaya: Jurnal Bahasa, Sastra, Dan Budaya Vol 6 No 1 (2026): April 2026
Publisher : Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/ptx9sp23

Abstract

This study investigates the deployment of conceptual metaphors within the lyrical framework of “Transform by Daniel Caesar, employing Lakoff and Johnson’s Conceptual Metaphor Theory (CMT) as its analytical foundation. Through descriptive qualitative methodology, five conceptual metaphors were systematically identified and interpreted, encompassing structural metaphors that map the self onto predatory animals, an ontological metaphor elevating the speaker to divine status, a nature-based metaphor attributing floral imagery to the beloved, and a soteriological metaphor positioning the beloved as a redemptive figure. The findings demonstrate that these metaphors operate as an interconnected cognitive system rather isolated linguistic units, collectively constructing a progressive existential narrative of self-transformation. Keywords: Conceptual Metaphor, Song Lyrics, Cognitive Linguistics
Conversational Maxim Violation Analysis of Glinda in Wicked: For Good Film Averrous Aufa Hasya Purwandi; Asih Prihandini
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 15 No. 2 (2026): Agustus 2026
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/mbqrh980

Abstract

This paper studies the deviation of Glinda's discourse in the movie Wicked: For Good (2025, directed by Jon M. Chu) from the characteristics of cooperative discourse. Applying Grice's (1975) Cooperative Principle as a foundation for the research, the study adopts the qualitative descriptive pragmatic methodology to analyze the selected utterances of Glinda in the film. It identifies the maxims that Glinda violates, namely Quantity, Quality, Relation, and Manner. In addition, it discusses the function of such deviations with respect to Glinda's character, her interactions with other characters, and her social status in the community of Oz. Violations of the maxim of Quality occur most frequently among the studied maxims, and Glinda usually violates them using such techniques as irony, sarcasm, and performative speech. Violations of Quantity are the second most common, and they are committed through omission and exaggeration. These violations create implicatures revealing the conflict of Glinda's public appearance and private moral dilemma. This paper contributes to the growing research on film discourse pragmatics. Keywords: Conversational maxims, Implicature, Maxim violation
Co-Authors Ahmad Fauzan Averrous Aufa Hasya Purwandi Azhari, Rizky Maulana Bustam, Muhammad Rayhan Dewi, Desti Nuryuliyanti Dewi, Mita Sari Emeraldhani, Muhammad Naufal Gunawan, Ake Putri Ilahi, Ruhul Justice M Rayhan Bustam Nadia Seba Novian Denny Nugraha Nungki Heriyati Nuraisyah, Mutia Parji, Rahmelia Prastamawati Permadi, Erril Haerul Purwani Sari, Retno PUTRA, ILYAS PERMANA Syava Nuraisyah, Mutia Tawami, Tatan Tsaniya, Faza Najmi Veithzal Rivai Zainal yusti, Fatika