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All Journal Dialektika Jurnal Penelitian dan Pengembangan Sains dan Humaniora (JPPSH) Sosiohumaniora LITERASI: Jurnal Ilmu-Ilmu Humaniora Indonesian Journal of Science and Technology Jurnal Pertahanan : Media Informasi tentang Kajian dan Strategi Pertahanan yang Mengedepankan Identity, Nasionalism dan Integrity Jurnal Madah Capture : Jurnal Seni Media Rekam Makara Human Behavior Studies in Asia Paradigma: Jurnal Kajian Budaya International Review of Humanities Studies ELite Journal: International Journal of Education, Language and Literature
Kaprisma, Hendra
Russian Studies Program, Faculty Of Humanities, Universitas Indonesia
Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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PEREMPUAN PUNYA CERITA: Oka Rusmini Menggugat Sejarah (His/Herstory) dalam Puisi Potret Hendra Kaprisma
Dialektika: Jurnal Bahasa, Sastra, dan Pendidikan Bahasa dan Sastra Indonesia Vol 5, No 2 (2018)
Publisher : Department of Indonesia Language and Literature Teaching, UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2286.282 KB) | DOI: 10.15408/dialektika.v5i2.8648

Abstract

Abstract: : According to feminists, a long historical and cultural journey has placed women as subordinates of men. Feminists themselves believe that male identity (the self), thought and mind have been formed to fight women or the “others”. This belief has resulted injustice and oppression of women, or more accurately called patriarchal oppression. Resistance to patriarchal domination is reflected in the poem named Potret (Portrait) of Oka Rusmini's work. This poem is divided into seven parts. Each part of the poem symbolizes the process of feminine writing which aimed to creating a history of women (herstory). The patriarchal inequality and dark history were opposed by Oka Rusmini by showing the practice of feminine writing (écriture feminine). The words described in Oka Rusmini's poem is transformed into a weapon for the feminist struggle. The poem is telling of the feminine writing process to create herstory history. Resistance to existing history is due to the history that applies to the construction of society is the story of men (history). Thus, to get a complete picture of the world, we also need a woman's story.Abstrak: Menurut kaum feminis, perjalanan sejarah dan budaya yang panjang telah menempatkan perempuan sebagai bawahan laki-laki. Kaum feminis sendiri percaya bahwa identitas laki-laki (diri), pikiran dan pandangan telah dibentuk untuk memerangi perempuan atau "yang lain". Keyakinan ini telah menghasilkan ketidakadilan dan penindasan terhadap perempuan, atau lebih tepatnya disebut penindasan patriarki. Perlawanan terhadap dominasi patriarki tercermin dalam puisi Potret karya Oka Rusmini. Puisi ini dibagi menjadi tujuh bagian. Setiap bagian dari puisi melambangkan proses penulisan feminin yang bertujuan untuk menciptakan sejarah perempuan (herstory). Ketidaksetaraan patriarki dan sejarah kelam ditentang oleh Oka Rusmini dengan menunjukkan praktik penulisan feminin (écriture feminine). Kata-kata yang diuraikan dalam puisi Oka Rusmini ditransformasikan menjadi senjata untuk perjuangan feminis. Puisi ini menceritakan proses penulisan feminin untuk menciptakan sejarah herstory. Perlawanan terhadap sejarah yang ada disebabkan oleh sejarah yang berlaku pada konstruksi masyarakat adalah kisah para laki-laki (history). Jadi, untuk mendapatkan gambaran lengkap tentang dunia, kita juga membutuhkan kisah perempuan.  
CAKRAWALA HISTORIS PEMAHAMAN: WACANA HERMENEUTIKA HANS-GEORG GADAMER Hendra Kaprisma
LITERASI: Indonesian Journal of Humanities Vol 1 No 2 (2011)
Publisher : Faculty of Humanities, Jember University

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Abstract

This article discusses hermeneutics theory developed by Hans-Georg Gadamer (1900— 2002). Gadamer’s hermeneutics critically examines aesthetic crisis and historical understanding theory from a Heideggerian perspective. Hermeneutics is a classical discipline relating to textual understanding. Through Gadamer’s hermeneutic theory, interpreter understand the presented texts by relating them to their historical contexts. This way of understanding leads to a notion that interpreting texts not only means as reproducing meaning, but also as producing meaning beyon the texts.. In the text there is context. Therefore, interpreter should understand the historical horizon of textual and contextual understandings in order to establish its whole meaning. Keywords: hermeneutics, historicity, horizon, meaning
The Love of Suffering in “Зеркало (Zerkalo)” by Andrei Tarkovsky Kirana Chandra Mumpuni Budiana; Hendra Kaprisma; Banggas Limbong
Madah: Jurnal Bahasa dan Sastra Vol. 10 No. 1 (2019): Jurnal Madah
Publisher : Balai Bahasa Provinsi Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31503/madah.v10i1.184

Abstract

The topic discussed in this research is the love of suffering in “Зеркало (Zerkalo)” ‘Mirror’ by Andrei Tarkovskiy. This paper is intended to identify the meaning of suffering that is displayed through the character of Maria and background of the place in film. The main theory used in this research is Roland Barthes's semiotic theory, denotation and connotation. The methods that being used in this research are expository, descriptive, and criticism. The result of this research, firstly, the character of Maria in “Зеркало (Zerkalo)” is a masochist figure. The way the Maria confronts suffering is interpreted as a form of страдание (stradanie) 'suffering' that must be enjoyed. The love of suffering is related to the concept of смирение (smirene) 'humility' and судьба (sud'ba) 'destiny' which characterizes masochism in Russia. Secondly, the background of place in this film is illustrated beautifully as if suffering should be glorified.
Empowerment of Tidung Island Coastal Communities through Language Toward Tourism Resilience Kaprisma, Hendra
Makara Human Behavior Studies in Asia Vol. 26, No. 1
Publisher : UI Scholars Hub

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Abstract

Over 60% of Indonesian people live in coastal areas, which is a figure that escalates yearly. Thus, the government must prioritize the development of the marine sector on the Indonesian coast. As modernization and globalization progress, the wealth of the coastal culture should be preserved and cultivated as an identity or national pride symbol. The lack of educational factors such as foreign language skills prevents coastal communities from maximizing their territory’s potential. This study was conducted by employing the curriculum-based measurement approach on the coastal communities of Tidung Island. This approach was used to support foreign language learning activities on Tidung Island. The research on foreign language learning can contribute to increasing the local culture’s potential and enhancing the resilience of tourism on Tidung Island. Results show that age and prior knowledge of foreign languages affect the learning ability of Tidung Island locals. Foreign languages with a similar alphabetical script and phonology to the Indonesian language are easier for locals to learn. Learning new vocabulary and phrases related to tourism and hospitality can facilitate global tourism in Tidung Island.
PSYCHOLOGICAL OPERATIONS: FROM THE COMMUNICATION, MEDIA, PROPAGANDA, AND SOCIO-CULTURAL PERSPECTIVE Hendra Kaprisma
Jurnal Pertahanan: Media Informasi ttg Kajian & Strategi Pertahanan yang Mengedepankan Identity, Nasionalism & Integrity Vol 6, No 2 (2020)
Publisher : The Republic of Indonesia Defense University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33172/jp.v6i2.492

Abstract

This millennial era that is inseparable with technological advancement, the role of media and communication become more crucial. Those two components shape up and influence human psychological development. Media and communication are two aspects that intertwined from both good and bad influence. Those good and bad stigmas are also inseparable from propaganda. The strength of propaganda depends on whether or not the socio-cultural element is accurately used to deliver the selected message. Sciences regarding social system have become more important because it is related to potential target to support the psychological operations. The psychological operations consisted of delivering a particular message or information through selected media (product) to influence or modify the behavior of the receiver (target audience). In the context of national resilience, astagatra is also known as one of the aspects that influence the success of psychological operations. Therefore, this paper will discuss the study of psychological operations from several disciplines such as communication, media, propaganda, and socio-cultural perspective. The study regarding history and development of psychological operations will be explained using critical-literacy methods strengthened by literature review. This research finds that psychological operations are one of the ways that shown to influence human mindset and trait, or behavior to a specific target audience that supported by intertwining aspects such as communication, media, propaganda, and socio-cultural aspects that significant to the success of psychological operations of a particular country.
Research Mapping in the Use of Technology for Fake News Detection: Bibliometric Analysis from 2011 to 2021 Budi Gunawan; Barito Mulyo Ratmono; Ade Gafar Abdullah; Nada Sadida; Hendra Kaprisma
Indonesian Journal of Science and Technology Vol 7, No 3 (2022): IJOST: VOLUME 7, ISSUE 3, December 2022
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ijost.v7i3.51449

Abstract

This study aims to (1) determine research developments, (2) produce research distribution maps based on co-authorship analysis, (3) produce research distribution maps based on citation analysis, (4) produce research distribution maps based on co-citation analysis, (5) produce a research distribution map based on co-occurrence analysis, and (6) find out the state-of-the-art research in the use of technology for fake news detection. This study uses a quantitative method with a descriptive approach in bibliometric analysis from 2011 to 2021. From the research results obtained (1) the development of research publications in the field of the use of technology for fake news detection shows an increase, (2) the interrelationships between countries of authors, organizations affiliated with the authors, and among authors, (3) distribution map of citation analysis based on units of countries, sources, and authors, (4) distribution map of co-citation analysis based on unit cited sources and cited authors, (5) connection of keyword in the use of technology for fake news detection publications is related to literacy skills such as media literacy and information literacy, and (6) several research trends that researchers have widely used in the last 2 years including COVID-19, media literacy, and cyber deception. The research results can be used to determine the development of research o in the use of technology for fake news detection and as a reference for developing further research in the use of technology for fake news detection.
Diplomasi Budaya Indonesia dan Rusia dalam Lirik Lagu Rayuan Pulau Kelapa dan Versi Rusia Pesnja Ostrova Pal’m Widyatmoko, Edelleit Rose; Kaprisma, Hendra
Paradigma: Jurnal Kajian Budaya Vol. 10, No. 1
Publisher : UI Scholars Hub

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Abstract

The focus of this study is the aspects of cultural diplomacy in Pesnja Ostrova Pal’m, Russian version of Rayuan Pulau Kelapa. This song was translated into Russian in 1957 by Vladimir Korchagin as an editor at the Central Studio of Documentary Film, with language formulation according to Russian perspective. As a major theory, this study uses Norman Fairclough’s three-dimension critical discourse analysis theory approach (1997, 2003, and 2013)—text analysis, discursive practice, and social practice. The result of the study shows that the language transfer between Rayuan Pulau Kelapa and Pesnja Ostrova Pal’m was a major contribution to cultural diplomacy between the two countries. Through Rayuan Pulau Kelapa and Pesnja Ostrova Pal’m, a close and sustainable partnership between Indonesia and Russia was formed.
COMMUNISM IN ЧЕБУРАШКА (ČEBURAŠKA) FILM: A SEMIOTIC STUDY Kaprisma, Hendra
International Review of Humanities Studies Vol. 4, No. 2
Publisher : UI Scholars Hub

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Abstract

This article discusses communism in the film titled Čeburaška by Eduard Uspenskij. The study aims to identify the ideology of communism in Čeburaška. The Roland Barthes' semiotic theory was used to analyse the film. In order to see communism contained in Čeburaška, the author used two stages of Roland Barthes' semiotic theory of denotation and connotation. The research used descriptive and criticism methods. In analysing communism in Čeburaška, the author also use the following concepts: the concept of character and characterization, ideology, and film as an ideology. The research result shows that Čeburaška contains elements of communism that can be seen from the signs in every scene. These signs include the red color that denoted the symbol of communism, the nature of cooperation (communal) found in the characters, and the animals in the zoo that were described as free from the capitalist. The publication background of the film also influences the presence of communism in Čeburaška.
CULTURAL DIPLOMACY AND GLOBAL CHALLENGES IN G20 INDONESIA 2022 Nurisnaeny, Poppy Setiawati; Kaprisma, Hendra; Suwedi, Suwedi
International Review of Humanities Studies Vol. 9, No. 1
Publisher : UI Scholars Hub

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Abstract

Indonesia has been chosen to host the G20 summit in Bali in November 2022. Indonesia has prepared many agendas ahead of the execution of this summit. This preparation concerns the technical implementation of multilateral relations, which have undergone significant changes due to the COVID-19 pandemic. Furthermore, Indonesia needs help hosting the G20 due to the fractured multilateral relations of several G20 member countries caused by the Russia-Ukraine conflict in early 2022. As a result, Indonesia must mediate between the disputing parties to resolve this issue by selecting appropriate communication methods. Cultural diplomacy is one approach. Cultural diplomacy is a non-coercive means of achieving a country's foreign policy goals, specifically through exchanging ideas, values, and culture. Therefore, this research aims to assess the potential strength of Indonesian cultural diplomacy in assisting global economic recovery following the COVID-19 pandemic and encouraging peace in the Russia-Ukraine conflict. Furthermore, this research aims to determine how Indonesia's cultural diplomacy can ensure the continuity of the G20 2022 Indonesia implementation and realization of its agendas. This research aims to solve problems and challenges before and after the G20 2022. This research addresses issues and challenges before and after the G20 2022 meeting. This study employs mixed methods to investigate the relationship or contradiction between qualitative and quantitative variables in research data sources. According to the findings of this study, cultural diplomacy can address the challenges of implementing the G20 2022 and provide projections of possible global conditions after the conference.
Chechen and blood feud: representation of Chechen during the First Chechen War in 1996 Russian film "Prisoner of the Mountain" Zulkarnain, Dimas Raflyarso; Kaprisma, Hendra
Jurnal Penelitian dan Pengembangan Sains dan Humaniora Vol. 7 No. 3 (2023): October
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jppsh.v7i3.73261

Abstract

There Film is an art that has been widely recognized, from media that is only for entertainment to its use as a propaganda medium. This research will analyze the representation of Chechen ethnicity in the 1996 Russian war drama film titled Кавказский Пленник (Kavkazkij Plenik) ‘Prisoner of the Mountains’. This study will use the Cinema Study method by Boggs and Petrie (2008) to find out the main ideas of the film through plot, background, and characters, as well as cinematography through visualization and dialogue. The theory used is the theory of representation by Stuart Hall (1997). This research aims to show how this Russian film describes the Chechen ethnicity. In the year it was released, in Russia, a war known as the First Chechen War between the Russian Federal Government and the Chechen Separatists still occur. The film depicted the Chechens as a backward and highly religious people that only want to live their lives in peace rather than as enemies of the state, like the usual wartime film.
Co-Authors Ade Gafar Abdullah, Ade Gafar Banggas Limbong BUDI GUNAWAN Edelleit Rose Widyatmoko Haryadi, Jasmine Disca Kirana Chandra Mumpuni Budiana Nada Sadida Nurisnaeny, Poppy Setiawati Perdana, Ilham Azhar Ratmono, Barito Mulyo Reza Budiman Ristiasari, Riska Seprida Wulandari Sugeng Rifqi Mubaroq Suwedi, Suwedi Widyatmoko, Edelleit Rose Zulidyana Dwi Rusnalasari Zulkarnain, Dimas Raflyarso