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Representation of Women to Gender Construction: Analysis of Memoar Comparative Literature of A Women's Doctor and My Hiroko Hendra Kaprisma
ELite Journal : International Journal of Education, Language, and Literature Vol. 1 No. 1 (2018)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/elitejournal.v1n1.p%p

Abstract

The marginalization of women's sexuality and its formation as a myth shows that social construction is basically a sexual construction that is primarily directed at defining and mastering womens sexuality. In this article the author discusses how sexual issues on womens stereotypes as displayed in the comparison between the female doctor character in the novel Memoar Seorang Dokter Perempuan by Nawal El Saadawi and Hiroko in the novel Namaku Hiroko by Nh. Dini. The scope of the discussion is limited to the depiction of the two main characters using comparative literary methods. Through the stereotypical analysis of women displayed from both works, it can be seen the link between the ideas of the feminist movement to deconstruct patriarchal culture in the matter of sexuality with the depiction of the two figures. In the end, the stereotype reflected in the two novels have a value of resistance to patriarchal culture. Keywords: deconstruction, comparative literature, sexuality, stereotypes
ACTANTIAL MODEL IN THE NELYUBOV MOVIE Haryadi, Jasmine Disca; Kaprisma, Hendra
Capture : Jurnal Seni Media Rekam Vol. 12 No. 2 (2021)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v12i2.3252

Abstract

Through the characters of Zhenya and Boris, the film Nelyubov (2017) explores the issue of a toxic marriage. The story's theme reflects the complexities of the characters' relationships and the resulting problems. This theme adds intrigue to the film's problem articulation, particularly how the film's conflict can be constructed. Accordingly, this study seeks to identify the actant schemes created in the Nelyubov film. This study examines the location of individuals in the film using Algirdas Julien Greimas' Actantial Model theory. Further, this article employs Mills' Discourse Analysis and Smith's Interpretative Phenomenological Analysis (IPA). The results indicate representations for the subject, object, helper, opposer, sender, and receiver in the Nelyubov film, allowing for the fulfillment of the three kinds of axis: the axis of desire, the axis of power, and the axis of transmission/knowledge. The film's subject is Zhenya, and the object is the happiness he seeks.
SOCIAL CRITICISM IN THE MISTER FRIMEN ANIMATED SERIES Ristiasari, Riska; Kaprisma, Hendra
Capture : Jurnal Seni Media Rekam Vol. 12 No. 2 (2021)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v12i2.3255

Abstract

Social criticism is generally comprised of individuals' ideas and opinions of societal problems that bring changes. Individuals can express their opinions through various media, including animated films. The animated series Mister Frimen created by Pavel Muntyan, Vladimir Ponomarev, Anatoly Dobrozan, and Vadim Demchog are notoriously sarcastic. The sarcastic remarks given by the main character are always about current problems in Russian society. This study focuses on the way the animated series Mister Frimen expresses social problems. This article uses intertextual theory and discourse analysis to analyze every message and symbol and how the messages are generated. The results show that each scene in Mister Frimen contains symbols illustrating social criticism messages about the situation of Russian society. Nonetheless, satire/social criticism offers suggestions for establishing societal peace and prosperity
Developing an AI-Enhanced Maritime Border Security Framework: A Case Study of Indonesia-Malaysia Border at Sebatik Island Nurisnaeny, Poppy Setiawati; Mubaroq, Sugeng Rifqi; Kaprisma, Hendra; Perdana, Ilham Azhar; Budiman, Reza
Sosiohumaniora Vol 26, No 3 (2024): Sosiohumaniora: Jurnal Ilmu-Ilmu Sosial dan Humaniora, NOVEMBER 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/sosiohumaniora.v26i3.60820

Abstract

Maritime border security in archipelagic regions faces increasing challenges from transnational threats, with traditional surveillance approaches proving inadequate. This study examines the implementation of Artificial Intelligence (AI) in maritime border security at Sebatik Island, Indonesia, focusing on socio-technical conditions influencing AI adoption in resource-constrained environments. Through a qualitative case study incorporating interviews with 12 stakeholders, observations at 29 border points, and document analysis (2022-2023), the research identifies three critical success factors: infrastructure readiness, operational integration capabilities, and human resource development. Findings reveal the crucial role of local knowledge networks in effective border security operations, necessitating their preservation during technological advancement. The study contributes theoretical insights by extending socio-technical systems theory to maritime border contexts and practical applications through a framework for AI implementation that aligns with Indonesia's Vision 2045 and ASEAN's Political-Security Community Blueprint 2025.
SOVIET MASCULINITY CRITICS IN FIŠKIN'S CHARACTER IN МОЙ ПАПА БАРЫШНИКОВ (MOJ PAPA BARYŠNIKOV) MOVIE Prasetya, Aprilia; Kaprisma, Hendra
International Journal of Humanity Studies (IJHS) Vol 9, No 1 (2025): September 2025
Publisher : Sanata Dharma University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/ijhs.v9i1.10737

Abstract

This research discusses critiques of Soviet masculinity through Fiškin's character in Moj Papa Baryšnikov movie by Dmitrij Povolockij. This research aims to identify how Fiškin's character embodies a critique of Soviet masculinity. The author used representation theory from Stuart Hall (1997) and the content analysis method from Krippendorff (2019). In the analysis, the author displayed dialogue and screenshots of Chafetz's (1978) concept of masculinity, contextualized within Soviet reality. This research reveals that Fiškin's character does not represent the seven key characteristics of masculinity, including physical appearance, functional, sexual, emotional, intellectual, interpersonal, and personal. As a result, he serves as the antithesis of the ideal Soviet male. The filmmakers, benefiting from the post-Soviet era, form Fiškin’s character as a direct challenge to traditional Soviet masculinity, positioning this film as critical commentary on the era’s gender norms.