Article Per Year (5 Year)
p-Index From 2021 - 2026
1.288
P-Index
This Author published in this journals
All Journal NUSANTARA : Jurnal Ilmu Pengetahuan Sosial JUSPI (Jurnal Sejarah Peradaban Islam) Diakronika Warta Pengabdian Andalas: Jurnal Ilmiah Pengembangan Dan Penerapan Ipteks Andalas International Journal of Socio-Humanities (AIJOSH) Jurnal Ceteris Paribus: Jurnal Sejarah dan Humaniora HISTORIA: Jurnal Program Studi Pendidikan Sejarah
Wannofri Samry
Faculty Of Humanities, Universitas Andalas
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Medicine & Pharmacology Social Sciences Other

Published : 9 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 1 Documents
Search
Journal : Diakronika

 1 
PELAKU BUDAYA PINGGIRAN DAN EKSPRESI: MEMBACA SENIMAN SUMATERA Wannofri Samry
Diakronika Vol 17 No 1 (2017): DIAKRONIKA
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (468.311 KB) | DOI: 10.24036/diakronika/vol17-iss1/16

Abstract

There are two problems faced by the actors of culture of periphery, both power of capitalisms tend to follow market and dominate the power of discourse in center of politics. Thus, the consequences of these problems are stagnation of artists’ creativity at periphery area. Although the actors at periphery express their ideas with some innovations, they are not touched or do not want to be touched. As far as the Indonesian history centralizes or refers to Jakarta, as a consequence, the actors of art-culture at periphery are eliminated. Therefore, the expression of periphery area (Sumatera) is filtered by central dominator of culture who has lived in center of the state. The Actors in periphery are defined, influenced but can not be influenced and do not have freedom in creating arts. The actors at periphery are forced to express the pressure of ideology and market that available in center of power. This paper is aimed at elaborating the condition of artists in Sumatera in the last two periods. How did they response to the centralistic and dominate power? What were changes of orientation and activity style of Sumatera artists community life?
Co-Authors Al-Insyi, Salsabila Yumna Alex Darmawan Andoni, Yudhi Dary Dedi Dwiputra Destra Wati Fadila Dayaning Buana Fitrisia, Azmi Israr, Israr Midawati Midawati, Midawati Nopriyasman Risa Junita Sari Vitri Puspita Sari