Harissman Harissman
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EKSISTENSI SENI PATUNG ARBY SAMAH DARI REALIS KE ABSTRAK Harissman Harissman; Elvis Elvis; Nia Daniati; Yoan Fahira
Jurnal Budaya Etnika Vol 2, No 2 (2018): Momen Kreatif, Ekspresi, dan Keberagaman Etnik
Publisher : Institut Seni Budaya Indonesia (ISBI) Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/be.v2i2.1156

Abstract

ABSTRACT The study was intended to comprehend the tendency of Arby Samah sculpture artwork from a realist to an abstract form, and to discuss the existence of Arby Samah in sculpture artwork until he decided to settle in his hometown of West Sumatra. This study uses qualitative methods namely observation, interviews and documents. the theory used refers to the opinions of Kartodirdjo, Becker, and Zolberg.Arby Samah continued his education at ASRI Yogyakarta in 1953 majoring in sculpture. In 1957 Arby Samah made a sculpture called abstract sculpture, the form of abstract at that time had not yet appeared so Arby Samah was known as a pioneer of abstract sculpture in Indonesia. After graduating from college Arby decided to work as an employee at the Yogyakarta army museum, and worked as a civil servant in Jakarta and returned to West Sumatra's hometown working at the Ministry of Education and Culture. During his time as a civil servant his career as a sculptor began to disappear so Arby Samah in the eyes of his friends was considered lost in the development of sculpture in Indonesia. Keywords: Arby Samah, Experiment, Career, Sculpture.  ABSTRAK Penelitian dimaksudkan untuk memahami kecenderungan Arby Samah berkarya patung dari bentuk realis ke abstrak, serta  membahas eksistensi Arby Samah berkarya patung sampai memutuskan menetap di kampung halamannya Sumatera Barat. Penelitian ini menggunakan metode kualitatif yaitu pengamatan, wawancara dan dokumen. teori yang digunakan merujuk kepada pendapat Kartodirdjo, Becker, dan Zolberg.Arby Samah melanjutkan pendidikannya ke ASRI Yogyakarta tahun 1953 mengambil minat seni patung. Pada tahun 1957 Arby Samah membuat bentuk patung yang dinamakan patung abstrak, bentuk abstrak waktu itu belum muncul sehingga Arby Samah dikenal sebagai pelopor patung abstrak di Indonesia. Setelah metamatkan kuliah Arby memutuskan bekerja pegawai di museum angkatan darat Yogyakarta, dan bekerja sebagai PNS P&K Jakarta dan kembali ke kampung halaman Sumatera Barat bekerja di DEPDIKBUD. Selama menjadi pegawai negeri karirnya sebagai pematung mulai hilang sehingga Arby Samah di mata teman-temannya dianggap hilang dalam perkembangan seni patung di Indonesia. Kata Kunci: Arby Samah, Eksperimen, Karir, Seni Patung
Perancangan Media Informasi Buku Ilustrasi Cerita Rakyat Tapa Malenggang Fahimul Fuad; Harissman Harissman; Ary Leo Bermana; Rias Wita Suryani
Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual. Vol. 2 No. 1 (2025): Maret : Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/misterius.v2i1.564

Abstract

This design is entitled "Design of Information Media for Illustrated Books of Tapa Malenggang Folk Tales" such as learning media, to be an alternative solution to increase the expansion of information about Batanghari culture, namely the Tapa Malenggang Folk Tales through innovative information media. The solution is presented in the form of an illustrated book about the Tapa Malenggang Folk Tales using dynamic and colorful illustrations. This design method uses 5w + 1H analysis. While the design process includes interviews, field observations, library data, direct questionnaires to schools, and documentation. The process of creating works through several structured stages, namely brainstorming, sketches, storylines, color studies, typography studies and storyboards. Illustrated books are informative media that can be well captured by children's sense of sight. Supporting media for the design include e-books, posters, x-banners, stickers, pins, t-shirts, and key chains.
Perancangan Media Informasi Tari Sekapur Sirih Jambi dalam Bentuk Buku Ilustrasi Ramli Syahrul Muharam; Harissman Harissman; Anin Ditto; Olvyanda Ariesta
Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual. Vol. 2 No. 1 (2025): Maret : Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/misterius.v2i1.565

Abstract

Sekapur Sirih Dance is a traditional dance used to welcome important guests in Jambi Province. However, unfortunately many Jambi people, especially teenagers, only know this dance as a form of welcoming, without understanding more deeply about the history, meaning, movements, properties, values, and philosophy contained in it. Therefore, designing an illustrated book about Sekapur Sirih Dance can be an effective means to disseminate information and introduce this dance culture to teenagers and the wider community. The illustrated book comes with a dynamic and colorful design to introduce various aspects of Sekapur Sirih Dance. The method used in this design is the 5W + 1H analysis, which includes questions about what needs to be conveyed, who the target audience is, where this information will be disseminated, when this problem arises, why it is important, and how to attract the attention of teenagers with an appropriate approach. The design process includes interviews, field observations, library data collection, direct surveys to schools, and documentation. The stages of creating the work consist of brainstorming, sketching, story writing, color studies, typography, and storyboards. The final results of this design are illustrated books, e-books, posters, x-banners, stickers, pins, and key chains.