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All Journal UICELL Conference Proceeding Capture : Jurnal Seni Media Rekam Humaniora Jurnal Desain The Journal of Society and Media Urban : Jurnal Seni Urban dan Industri Budaya ATHENA: Journal of Social Culture and Society Wacana: Journal of the Humanities of Indonesia International Review of Humanities Studies Susastra : Jurnal Ilmu Sastra dan Budaya Asian Journal of Social and Humanities
Lilawati Kurnia
Department Of Literature, Faculty Of Humanities, Universitas Indonesia, Depok, Indonesia
Religion Arts Humanities Decision Sciences, Operations Research & Management Earth & Planetary Sciences Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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The Social Transformation of Japanese Society Depict on the Film Ososhiki Zida Wahyuddin; Lilawati Kurnia
UICELL No 6 (2022): UICELL Conference Proceedings 2022
Publisher : Universitas Muhammadiyah Prof. DR. HAMKA

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Abstract

This paper examines and observe the concept of Nihonjinron and reveals the social transformation of Japanese society. Through the Japanese Society by Nakane Chie (1970) and The Anatomy of Dependence by Takeo Doi (1973), and the film Osōshiki (1984), it will reveal the social transformation of Japanese society in a historical context. In this context, Japan is one example of a community of people who experience social transformation. The method to be used is a qualitative for studying cinema with a sociological and historical approach. The analysis will focus on the change in the tradition of the funeral ceremony which is obtained from the narrative and cinematographic aspects of the film and then compared with the concepts in Nakane Chie and Takeo Doi’s books. The results of the analysis will be read with sociological concepts, especially about social transformation in Japan. The result is a contribution of knowledge related to social transformation and a criticism of established traditional values. In addition, this paper contributes to how Japanese films have a strategy in recording as well as providing references regarding social criticism due to progress and modernization in the context of the tradition of death ceremonies in film. Keywords: Nihonjinron, Social Transformation, Sociology of Film, Funeral Ceremony
Seren Taun between hegemony and culture industry; Reading a Sundanese ritual of harvest in Cigugur, West Java Kurnia, Lilawati
Wacana, Journal of the Humanities of Indonesia Vol. 15, No. 2
Publisher : UI Scholars Hub

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Abstract

Seren Taun is a ritual ceremony and celebration, which is practiced in West Java by the Sundanese. It is similar to Thanksgiving in many countries. The village Cigugur, located 3 km west of Kuningan, is the focus of the paper, because the Seren Taun celebration there has been a major event and received a lot of attention from the media, government, and scholars. Many non-Javanese traditional celebrations were repressed during the Suharto era and traditional beliefs were either also repressed or co-opted into one of the five official religions. During the post-Suharto era, the spirit of reformation has brought diversity of more than 300 ethnic groups onto the surface. With the aim to preserve and maintain the tradition of Seren Taun, but as well as to preserve the identity and collective memory of the community, Djatikusumah, chairman of PACKU, has in these recent years developed several policies, concerning traditional art performances, buildings/sites used for ceremonies, and the batik motives that were taken from woodcarvings in the Paseban hall. This paper will explore the intersection between the role of Djatikusumah as an agency and the culture industry he invented.
Transisi Budaya di Bali dalam Novel Jerman: Wayan zwischen Drogen und D monen Kurnia, Lilawati
Wacana, Journal of the Humanities of Indonesia Vol. 8, No. 1
Publisher : UI Scholars Hub

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Abstract

Europe has been interested in Indonesia for many centuries ago. The Dutch Government and the East-Indies Company (VOC), for example, already established the connection between Indonesian and German along with the colonization when the VOC brought the German Regiment to the islands of Indonesia. Nevertheless, this relationship was not in a friendly way but was the power one. German also adopted the domination of the colony by the Dutch. Bali as the foremost attraction for the Europe since the 19th century has become a place of destination to the western tourists in the 20th century. The transition of Balinese culture and people can be seen in every aspect. The novel Wayan zwischen Drogen und D monen shows how the Balinese in mid 20th century is influenced by the western culture and how they survive during the transition from tradition to modernity.
Seni Kulinari, Kekuasaan, dan Multikulturalisme dalam Master Cooking Boy/ The Real Master Cooking Boy Karya Etsushi Ogawa Kurnia, Lilawati
Wacana, Journal of the Humanities of Indonesia Vol. 8, No. 2
Publisher : UI Scholars Hub

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Abstract

This essay examines manga, the japanese comic Master Cooking Boy" and inquires what the manga offers to the reader beside being a popular reading. This essay reviews the history of manga and its function in the Japanese culture. The paper unravels the theories of cultural studies such as hegemony and multiculturalism in the analyse of this manga. This paper discusses the wider horizon of manga as a field of hegemony discourse and multiculturalism. It opens the possibilities to analyse manga in a different perspective and shows how ideology can operates in the popular literature.
RE-IMMIGRATION OF EX-LAOTIAN REFUGEES IN INDONESIA: THE MEANING OF IDENTITY THROUGH NOSTALGIA FOR THE NEXT GENERATION Armandaru, Rio; Kurnia, Lilawati
International Review of Humanities Studies Vol. 7, No. 2
Publisher : UI Scholars Hub

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Abstract

In 1975, the communist revolution in Laos forced approximately 400,000 Lao citizens into exile. They had no other choice besides leaving their home country. These refugees are scattered in western countries and neighboring countries in Southeast Asia, including Indonesia. The detachment of the ex-refugees next generation to their home country (Laos) becomes a problem in determining their identity when they return to Laos. This research focuses on narrating the identity of the next generation of ex-Laotian refugees in Indonesia. The next generation of ex-Laotian refugees in Indonesia interprets their identity as Indonesians rather than Laotians. This study will provide an overview of how identity is interpreted as a structure of feeling for a space in the form of nostalgia. Considering the phenomenon of forced migration will form a sentimental sense that forms self-determination to define the next generation of ex-Laotian refugees' identity. Through Cultural Studies especially using ethnography, this research will examine how the identity of the next generation of ex-refugees is constructed through a series of nostalgia for their refugee places in Indonesia.
Representation of Muslim Women in Manga Satoko & Nada Drajat, Aldrie Alman; Kurnia, Lilawati
Urban: Jurnal Seni Urban Vol 2, No.1: April 2018
Publisher : Sekolah Pascasarjana Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52969/jsu.v2i1.1

Abstract

Since the beginning of the 21st century, the mass media has been inclined towards constructing a negative image of Islam, which is internalized by the societies in countries where Moslems are in the minority, including Japan. Modern Japanese society is very dependent on the mass media for quick and concise information. The image of Islam internalized by the Japanese society is the one associated with terrorism and backwardness. This paper presents a different representation of Islam as reflected in a Japanese manga Satoko & Nada which focuses on the friendship between a Japanese girl Satoko and an Arab girl Nada in the United States. Visual and verbal analysis on the manga reveals an uncommon image of Moslem women which is not inclined towards excessive self-limitation. The manga shows that Moslem women really have a degree of freedom to express themselves, albeit with some limitation. Besides that, it also features open-minded Moslem women who are not hesitant to welcome modernization. Those characteristics are very different from the popular beliefs about Moslem women as constructed by mainstream mass media. As one of Japanese popular media, manga Satoko & Nada serves as a counter narrative by offering a different image of Moslem women as never shown in common mass media. Mulai dari dekade 2000-an, Media massa mengonstruksi citra Islam yang cenderung negatif dan telah terinternalisasi pada masyarakat di negara-negara non-mayoritas Islam, termasuk Jepang. Masyarakat Jepang modern sangat tergantung pada media massa untuk mendapatkan informasi dengan ringkas dan cepat. Imaji Islam yang terinternalisasi di dalam masyarakat Jepang pun terasosiasi pada terorisme dan keterbelakangan. Dalam makalah ini akan dipaparkan representasi muslim yang berbeda dalam manga Jepang berjudul Satoko&Nada yang menceritakan persahabatan Satoko, gadis yang berasal dari Jepang dan Nada, gadis yang berasal dari Arab di Amerika Serikat. Dari analisis visual dan verbal terlihat konstruksi identitas wanita muslim yang tidak sepenuhnya tertutup. Diperlihatkan bahwa wanita muslim di dalam Satoko&Nada memiliki kebebasan untuk mengekspresikan dirinya walaupun terbatas. Selain itu diperlihatkan pula wanita muslim yang memiliki pemikiran terbuka dan mengikuti arus modernisasi. Karakteristik-karakteristik tersebut sangat berlawanan dengan popular belief mengenai wanita muslim yang telah dikonstruksi dalam media massa. Manga Satoko&Nada sebagai salah satu dari media populer Jepang menyampaikan wacana tandingan mengenai wanita muslim yang tidak pernah terlihat di dalam media massa.
Bali dalam Novel Liebe und Tod auf Bali Karya Penulis Wanita Jerman Vicky Baum Lilawati Kurnia
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 1, No 1 (2005): Susastra: Jurnal Ilmu Susastra dan Budaya (Juni 2005)
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v1i1.15

Abstract

Liebe und Tod auf Bali, or Love and Death in Bali is the masterpiece of Vicky Baum, a female author from Germany. A Balinese Romeo and Juliet, it tells the story of a love forbidden because of caste difference. The background for this story is the colonial East Indies or Indonesia during its occupation by the Dutch. Baum showed her sympathy with the Balinese through her detailed ethnographical story of the people and their traditions. She wanted to argue the Balinese were still in a medieval state and needed to be brought into Western civilization, which was more modern and advanced. In doing so, Baum was adopting the perspective of the colonial, and once again the power of Western civilization won.Kata kunci: citra, etnosentrisme, eksotisme, etnografis, das Fremde, das Eigene.
Goethe dan Aspek Multikultural Sastra Dunia Lilawati Kurnia
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 2, No 4 (2006): Susastra 4: Jurnal Ilmu Sastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v2i4.61

Abstract

When we use the term 'World Literature', what comes into our minds is the meaning of the two words, what is the mean by World?Literature? We can browse through the internet and try to find the meaning of this phrase in the cyber world, but can all definitions and lists of works from the many writers in the sites actually be acknowledged as World Literature? Moreover, if we try  to explore the two words, does 'literature' only refer to literary works or all kinds of literature including books? The next word is 'world' of course has its own problem because we do not actually know whether it means the whole world in which every single literary work on earth is considered as world literature or it only refers to certain parts of the world like Europe and America.       The phare Weliliteratur was first articulated by a German writer, Wieland, in the context of world culture that privileges literary works in order to bring people to the world. It was quite different when Goethe used this phrase in his letter to Karl Streckfub, a translator of Italian classical works on 27 January1927, and Goethe used the word Welt in acontext of literature beyond the national context, literature outside German across national boundaries. Goethe articulated it by saying:       "I am more convinced, "Goehte remarked, " that poetry is the universal possession of mankind, revealing itself everywhere and at all times in hundreds and hundreds of men... I therefore like to look about me in foreign nations, and advise everyone to do the same. National literature is now a rather unmeaning term; the epoch of world literature is at hand, and everyone must strive to hasten its approach."       The term used by Goethe gives out a modern sense which suits the globalize era where we live now. In this case, Goethe seemed to be ahead of his time in making a literary contribution.
Goethe dan Aspek Multikultural Sastra Dunia Lilawati Kurnia
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 2, No 4 (2006): Susastra 4: Jurnal Ilmu Sastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v2i4.63

Abstract

When we use the term ‘Word Literature’, what comes into our minds is the meaning of the two words, what is meant by World – Literature? We can browse through the internet and try to find the meaning of this phrase in the cyber world, but can all definitions and lists of works from the many writers in the sites actually be acknowledged as World Literature? Moreover, if we try to explore the two words, does ‘literature’ only refer to literary works or all kinds of literature including books? The next word is ‘world’ of course has its own problem because we do not actually kniw whether it means the whole world in which every single literary work on earth is considered as world literature or it only refers to certain parts of the world like Europe and America.The phrase Weltliteratur was first articulated by a German Writer, Wieland, in the contect of world culture that privileges literary works in order to bring people to the world. It was quite different when Goethe used this phrase in his letter to Karl Streckfub, a translator of Italian classical works on 27 January 1927, and Goethe used that phrase again in his conversation with Johann Peter Eckermann, a young man who did some internship with him, on 31 January 1831. Goethe used the word Welt in a context of literature beyond the national context, literature outside German across national boundaries. Goethe articulated it by saying:“I am more convinced,” Goethe remarked, “that poetry is the universal possession of mankind, revealing itself everywhere and at all times in hundreds and hundreds of men… I therefore like to look about me in foreign nations, and advise everyone to do the same. National literature is now a rather unmeaning term; the epoch of world literature is at hand, and everyone must strive to hasten its approach.”The term used by Goethe gives out a modern sense which suits the globalize era where we live now. In this case, Goethe seemed to be ahead of his time in making a literary contribution.
Sneakers and The Hedonistic Dimension of Sneakers On Instagram Accounts @jejouw Rodhotun Janah; Kurnia Lilawati
Asian Journal of Social and Humanities Vol. 2 No. 9 (2024): Asian Journal of Social and Humanities
Publisher : Pelopor Publikasi Akademika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59888/ajosh.v2i9.341

Abstract

The purpose of this study is to find out sneakers and the hedonistic dimension of sneakers on instagram accounts @jejouw. Thrifting activities that have been rampant lately have led to the emergence of thrifting communities in Indonesia. One popular thirfting community is the Urban Sneaker Society (USS) community. This community constructs a hedonistic dimension in the younger generation through thrifting sneakers. The method used in this study is textual analysis with a case study approach on @jejouw accounts. The theory used is the theory of symbol representation referring to the theory of Stuart Hall and Roland Barthes, where this theory reviews the representation of hedonistic symbols in the use of thrifting sneakers by @jejouw. The results of this study are to show that the ownership of unique, vintage and large numbers of sneakers is a hedonistic dimension owned by @jejouw account owners to construct their masculine identity. The conclusions this masculinity is represented by using sporty sneakers. The hedonistic dimension is shown by the many types and brands of sneakers owned by @jejouw, this is because it causes fun and satisfaction to @jejouw when wearing the sneakers he owns.
Co-Authors Ade Ariyani Sari Fajarwati Armandaru, Rio Athifah Chairunnisah Bachrioktora, Yudi Bunga Pratiwi Siagian Drajat, Aldrie Alman Hasby, Fadhila Janah, Rodhotun Novantara, Bimana Rodhotun Janah Rusdiarti, Suma Riella Satrio, Satrio Pamungkas Siagian, Bunga Pratiwi Suma Riella Rusdiarti Suma Riella Rusdiati Tjahyandari, Lily Wawat Rahwati Zida Wahyuddin