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Javanese House Interior Study: A Philosophical and Cosmological Extraction of Java’s Heritage, as Design Principles Application in Local Content Context Fajarwati, Ade Ariyani Sari
Humaniora Vol 8, No 2 (2017): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v8i2.3890

Omah has interior arrangement system and regulation according to the life of Javanese people hereditarily. In its process of building and interior arranging, Javanese people hold on to the philosophical and cosmological concept, which was illogic for modern design study to be applied in the aesthetic study. This study aimed to examine the extent of the correlation between consideration of philosophical and cosmological Java community with modern design principles in making Omah. It was through observation on concept application to the realization in Omah form and also through literature analysis of both these principles. This research used the qualitative method in the form of observation and literature study. This research would observe and analyze the relationship between philosophical and cosmological extraction of Javanese interior with design principle through the study from another journal. It finds that a design that facilitates activities and way of life of Javanese people applies design principles and a modern study that becomes visual beauty guidance.

The Relationship of Exhibition Space Design and the Success of Delivering Messages to Museum Visitors in Jakarta Anak Agung Ayu Wulandari; Ade Ariyani Sari Fajarwati; Fauzia Latif
Humaniora Vol. 8 No. 3 (2017): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v8i3.3634

The research explored exhibition space designs, particularly the interior design elements such as circulation, lighting, and display techniques to find out whether the design elements corresponded the design principles and to find out which museum had the most ideal exhibition design that was able to deliver exhibition messages to the audience. The research applied qualitative method with case study approach in three museums in Jakarta, those were National Museums, Bank of Indonesia museum, and museum of Fine Art and Ceramic as case studies and qualitative data collecting methods through observations to get real-settings information. Data analysis and comparison of various interior elements shows that from the three case studies only Bank of Indonesia Museum has an integrated exhibition space using various interior elements; circulation and lighting design as well as display technique that support the success of a museum to deliver exhibition messages to their visitor. It can stimulate visitors senses visually, auditory, and kinetic.

Javanese House Interior Study: A Philosophical and Cosmological Extraction of Java’s Heritage, as Design Principles Application in Local Content Context Ade Ariyani Sari Fajarwati
Humaniora Vol. 8 No. 2 (2017): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v8i2.3890

Omah has interior arrangement system and regulation according to the life of Javanese people hereditarily. In its process of building and interior arranging, Javanese people hold on to the philosophical and cosmological concept, which was illogic for modern design study to be applied in the aesthetic study. This study aimed to examine the extent of the correlation between consideration of philosophical and cosmological Java community with modern design principles in making Omah. It was through observation on concept application to the realization in Omah form and also through literature analysis of both these principles. This research used the qualitative method in the form of observation and literature study. This research would observe and analyze the relationship between philosophical and cosmological extraction of Javanese interior with design principle through the study from another journal. It finds that a design that facilitates activities and way of life of Javanese people applies design principles and a modern study that becomes visual beauty guidance.

Subject-Object Engagement Study in Exhibition Spaces: A Comparison Between Taman Mini Indonesia Indah’s Pavilion and Indonesia Kaya Gallery Anak Agung Ayu Wulandari; Ulli Aulia Ruki; Ade Ariyani Sari Fajarwati
Humaniora Vol. 10 No. 2 (2019): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v10i2.5199

This research aimed to analyze the engagement between local visitor with objects in a conventional exhibition space and a technology-based exhibition space. The method of this research was a qualitative method with descriptive analysis. The data collection was done in two stages. The first stage was collecting secondary data or desk research. The next stage was the primary data collection using both qualitative and quantitative methods. Data were collected in two exhibition spaces; Riau Islands Province pavilion in Taman Mini Indonesia Indah as conventional exhibition space, and Indonesia Kaya Gallery that was located in the Grand Indonesia shopping mall as a technology-based exhibition space. The research shows visitors’ engagement emerges not only because of the objects itself but also of its surroundings; the path and signage, the lighting design, how the objects displayed and labeled that will create certain engagement with its audience. Technology also gives great help to create subject-object engagement. However, to appreciate and really engaged with the objects, the audience still wants to see real objects and not the digital substituted.

Intersection Cultural Value, Nationalism, and Commodification behind the Garuda Chair as Jepara’s Signature Industries Ade Ariyani Sari Fajarwati; Octaviana Sylvia Caroline; Laura Andina Wulandari
Humaniora Vol. 11 No. 1 (2020): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v11i1.6239

The aims of the research were to identify the cultural value and nationalism behind the Garuda chair and to compare it with another style that had more sellable value as commodities. The research used a qualitative descriptive methodology using literature, observation, site visit, and interview data to be analyzed. In conclusion, the Garuda chair has a potential to become an Indonesian commodity in the furniture market and international community by promoting the cultural value behind it and the effectiveness of material using for the chair.

Representation of a Human Body: A Comparison Study between Balinese and Javanese Traditional House Anak Agung Ayu Wulandari; Ade Ariyani Sari Fajarwati
Humaniora Vol. 11 No. 2 (2020): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v11i2.6408

The research would look further at the representation of the human body in both Balinese and Javanese traditional houses and compared the function and meaning of each part. To achieve the research aim, which was to evaluate and compare the representation of the human body in Javanese and Balinese traditional houses, a qualitative method through literature and descriptive analysis study was conducted. A comparative study approach would be used with an in-depth comparative study. It would revealed not only the similarities but also the differences between both subjects. The research shows that both traditional houses represent the human body in their way. From the architectural drawing top to bottom, both houses show the same structure that is identical to the human body; head at the top, followed by the body, and feet at the bottom. However, the comparative study shows that each area represents a different meaning. The circulation of the house is also different, while the Balinese house is started with feet and continued to body and head area. Simultaneously, the Javanese house is started with the head, then continued to body, and feet area.

PENERAPAN ERGONOMI DALAM PERANCANGAN FURNITUR MATA KULIAH DF IV DESAIN INTERIOR DI UNIVERSITAS BINA NUSANTARA JAKARTA Bambang Kartono Kurniawan; Ade Fajarwati; Oktavianus Nangnoy
ATRAT: Jurnal Seni Rupa Vol 6, No 1 (2018): APLIKASI, STRATEGI, DAN ORIENTASI SENI DALAM RUPA, MEDIA, DAN WACANA
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v6i1.576

Identitas dan Material Culture Kelas Pekerja pada Situs De Tjolomadoe Ade Ariyani Sari Fajarwati; Yuke Ardhiati
JSRW (Jurnal Senirupa Warna) Vol. 9 No. 1 (2021): Perubahan Sosial dan Ekspresi Seni
Publisher : Fakultas Seni Rupa - Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36806/.v9i1.75

Abstrak: Konservasi bangunan warisan budaya melibatkan keinginan untuk tetap menjaga kelestariannya untuk mengaitkan dengan perjalanan sejarah manusia. Di sisi lain, usia bangunan yang sudah tidak bisa dikembalikan lagi sebagaimana fungsi asalnya, memicu keinginan bagi pihak-pihak yang berkepentingan untuk memanfaatkannya secara komersial agar lebih efektif dan efisien. Situs De Tjolomadoe merupakan konservasi untuk menjaga kelestarian bekas pabrik gula Colomadu yang terletak di Karanganyar, Jawa Tengah. Situs bekas ruang industri ini telah dialihfungsikan menjadi pusat pariwisata dengan pendekatan sebagai museum dan ruang pertunjukan. Bangunan ini merupakan material culture yang berfungsi sebagai alat merunut kehidupan masyarakat kelas pekerja di masa lampau. Sebagai bangunan kolonial yang dimiliki oleh pribumi, pada ruang ini terdapat identitas masyarakat kelas pekerja yang turut menggerakkan pabrik gula Colomadu. Melalui pendekatan metodologi wacana kritis positioning, studi ini menganalisis representasi identitas pada material culture kelas pekerja yang berkaitan dengan kehidupan manusia di masa lalu dan sekarang. Abstract: Conservation of cultural heritage buildings wishes to maintain their sustainability to link with the course of human history. On the other hand, the age of a building that cannot be ridden any longer is the future of its original function, operational desires for interested parties to make use of it commercially to make it more effective and efficient. The De Tjolomadoe site is a conservation to preserve the former Colomadu sugar factory located in Karanganyar, Central Java. This former industrial space site has been converted into a tourism center with the approach of being a museum and a performance space. This building is a material culture that serves as a means of tracing the life of the worker class society in the past. As a colonial building owned by natives, in this space there is the identity of the worker class community who helped drive PG Colomadu. Through a critical positioning methodology approach, this study analyzes the material identity of the working class related to human life in the past and present.

Pemindahan dan Pemanfaatan Omah sebagai Ruang Komersial di Jakarta (Studi Kasus Restoran Warung Solo, Jakarta Selatan) Ade Ariyani Sari Fajarwati
Jurnal Seni Nasional Cikini Vol 2 No 2 (2017): Jurnal Seni Nasional Cikini Vol. 2 No. 2
Publisher : Riset, inovasi dan PKM - Institut Kesenian Jakarta, DKI Jakarta.

Omah adalah rumah tradisional Jawa yang didirikan dengan konsep penciptaan sesuai dengan lingkungan dan karakter hidup penghuninya. Seiring perubahan zaman, masyarakat di lingkungan budaya Jawa mulai meninggalkan Omah dengan bangunan yang lebih baru, murah dan efisien. Di saat yang bersamaan, manusia urban setiap hari hidup di dalam suasana modern yang serba cepat efektif, dan praktis, berbeda dengan kehidupan di Jawa. Beberapa manusia urban yang mempunyai keterkaitan dan ketertarikanku dengan identitas Jawa, menginginkan untuk memiliki Omah di lingkungan hidupnya sebagaimana di kota yang serba seragam. Terjadilah proses negosiasi yang mengakibatkan perpindahan Omah, dari daerah Jawa ke kota besar seperti Jakarta. Pembahasan mengenai asal muasal Omah, bagaimana proses perpindahannya ke Jakarta, bagaimana relasi antara gaya hidup, perubahan makna Omah, kepentingan modal serta kebutuhan ruang komersial yang mampu menarik pengunjung, menjadi bahasan yang penting dalam penelitian ini.

KAJIAN DESAIN INTERIOR PADA BANGUNAN CAGAR BUDAYA Studi Kasus: Bioskop Metropole XXI Jakarta Ade Ariani Sari Fajarwati; Yunida Sofiana; Silvia Meliana; Octaviana Sylvia Carolin
Jurnal Dimensi Seni Rupa dan Desain Vol. 16 No. 2 (2020)
Publisher : Universitas Trisakti

AbstractHeritage building is recorder history in the past for better life in the future and need conservation. The Metropole XXI cinema as a landmark building in the Cikini area, Jakarta, has been listed as A class heritage building since 1993. It was established as public entertainment space and the oldest cinema in Indonesia since it was built in 1949. The Metropole XXI architecture has the Art Deco style, as a sign of transition to the end of the Dutch colonial era. As a heritage building, it is suspected that interior design in this site is harmony with its architectural style. Research is needed to review the interior design styles found in cultural heritage buildings. This study uses qualitative method, by collecting field observation data, literature review and visual data. The data obtained were then analyzed to prove the engagement between interior design and architectural styles of cultural heritage buildings with a case study at the Metropole XXI Jakarta cinema. AbstrakBangunan cagar budaya adalah situs yang mencatat sejarah manusia di masa lalu untuk kehidupan yang lebih baik di masa depan dan membutuhkan konservasi. Bioskop Metropole XXI sebagai bangunan tengara di daerah Cikini, Jakarta, telah terdaftar sebagai gedung warisan kelas A sejak tahun 1993. Bioskop ini didirikan sebagai ruang hiburan publik dan bioskop tertua di Jakarta sejak dibangun pada tahun 1949. Arsitektur Metropole XXI memiliki gaya Art Deco, sebagai tanda transisi ke akhir era kolonial Belanda. Sebagai bangunan peninggalan, diduga desain interior di situs ini selaras dengan gaya arsitekturnya. Penelitian diperlukan untuk meninjau gaya desain interior yang ditemukan di bangunan cagar budaya. Penelitian ini menggunakan metode kualitatif, dengan mengumpulkan data observasi lapangan, tinjauan pustaka dan data visual. Data yang diperoleh kemudian dianalisis untuk membuktikan keterlibatan antara desain interior dan gaya arsitektur bangunan cagar budaya dengan studi kasus di bioskop Metropole XXI Jakarta.

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