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All Journal KOMUNITAS: INTERNATIONAL JOURNAL OF INDONESIAN SOCIETY AND CULTURE Catharsis Journal of Information Systems and Informatics Jurnal Puruhita Journal of Management, Accounting, General Finance and International Economic Issues (MARGINAL)
Nur Rokhmat
Gedung B5 Lantai 2, Kampus Sekaran, Gunungpati, Semarang, Indonesia 50229
Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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Journal : Catharsis

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The Revitalization of Garapan of Jemblung A Traditional Art Preserved in Blakasuta Studio in Banyumas Regency Pangestika, Nurratri Widya; Wadiyo, Wadiyo; Rokhmat, Nur
Catharsis Vol 8 No 1 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.28833

Abstract

Jemblung is a traditional arts developed in Banyumas regency. Modernization has made the society have less interest in preserving the tradition. Hence, this research aims to analyze the revitalization of Jemblung by Blakasuta studio in Banyumas regency. The researcher employed qualitative interpretative method along with interdisciplinary approach for this research. The discipline of this research mainly concerns on ethnomusicology. The collection for the research data consist of observation, interview, and documentation. The validation of the data was through source triangulation. The analysis for the finding started from data collection, reduction, clarification, conclusion, and selective interpretation. The findings showed that the revitalization of Jemblung covers the ideas, materials, creators, facilities, consideration, reconstruction, refunctionalization, reformation, representation, reinterpretation, and reorientation. This research implies that the revitalization of Jemblung is a form of appreciation of traditional arts by Blakasuta studio. The studio continuously holds traditional arts preservation to minimize the effect of modernization. It is a challenge for the studio and the appreciators to consistently promote and perform traditional arts in a more creative way amongst Banyumas community.
Shape and Meaning of Banyumasan Batik Motif: A Study in The Context of Finding Cultural Identity Esa Yulianto, Robin; Triyanto, Triyanto; Rokhmat, Nur
Catharsis Vol 9 No 2 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i2.43112

Abstract

Banyumasan batik is one of the original cultural products from Banyumas Regency which has its own aesthetic shape and distinctive meaning as one of the identities of the Banyumas community. This study aims to analyze the aesthetic shape of Banyumasan batik, the meaning of Banyumasan batik by batik craftsmen, and to construct cultural identity through Banyumasan batik. The study was conducted by using qualitative methods with interdisciplinary socio-cultural studies and arts (fine arts), the data collection was conducted by observation, recording, interviews and documents. The analysis of art data used the theory of aesthetic shape, cultural symbols, and cultural identity. First, the aesthetic shape of Banyumasan batik motif has distinctive and varied ornaments. Second, the meaning of the craftsmen of batik produces iconic and symbolic meanings that reflect the community, natural and physical environment, and culture of Banyumas. Third, the aesthetic shape and the meaning of Banyumasan batik motif are interrelated and support to be used as the cultural identity of the Banyumas community. The results of this study can be used as a reference source for batik craftsmen in the creation of batik motif, as well as sources and media for learning art and culture formally and informally, namely in schools and in the community about Banyumasan batik.
The Revitalization of Garapan of Jemblung A Traditional Art Preserved in Blakasuta Studio in Banyumas Regency Pangestika, Nurratri Widya; Wadiyo, Wadiyo; Rokhmat, Nur
Catharsis Vol 8 No 1 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.28833

Abstract

Jemblung is a traditional arts developed in Banyumas regency. Modernization has made the society have less interest in preserving the tradition. Hence, this research aims to analyze the revitalization of Jemblung by Blakasuta studio in Banyumas regency. The researcher employed qualitative interpretative method along with interdisciplinary approach for this research. The discipline of this research mainly concerns on ethnomusicology. The collection for the research data consist of observation, interview, and documentation. The validation of the data was through source triangulation. The analysis for the finding started from data collection, reduction, clarification, conclusion, and selective interpretation. The findings showed that the revitalization of Jemblung covers the ideas, materials, creators, facilities, consideration, reconstruction, refunctionalization, reformation, representation, reinterpretation, and reorientation. This research implies that the revitalization of Jemblung is a form of appreciation of traditional arts by Blakasuta studio. The studio continuously holds traditional arts preservation to minimize the effect of modernization. It is a challenge for the studio and the appreciators to consistently promote and perform traditional arts in a more creative way amongst Banyumas community.
Shape and Meaning of Banyumasan Batik Motif: A Study in The Context of Finding Cultural Identity Esa Yulianto, Robin; Triyanto, Triyanto; Rokhmat, Nur
Catharsis Vol 9 No 2 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i2.43112

Abstract

Banyumasan batik is one of the original cultural products from Banyumas Regency which has its own aesthetic shape and distinctive meaning as one of the identities of the Banyumas community. This study aims to analyze the aesthetic shape of Banyumasan batik, the meaning of Banyumasan batik by batik craftsmen, and to construct cultural identity through Banyumasan batik. The study was conducted by using qualitative methods with interdisciplinary socio-cultural studies and arts (fine arts), the data collection was conducted by observation, recording, interviews and documents. The analysis of art data used the theory of aesthetic shape, cultural symbols, and cultural identity. First, the aesthetic shape of Banyumasan batik motif has distinctive and varied ornaments. Second, the meaning of the craftsmen of batik produces iconic and symbolic meanings that reflect the community, natural and physical environment, and culture of Banyumas. Third, the aesthetic shape and the meaning of Banyumasan batik motif are interrelated and support to be used as the cultural identity of the Banyumas community. The results of this study can be used as a reference source for batik craftsmen in the creation of batik motif, as well as sources and media for learning art and culture formally and informally, namely in schools and in the community about Banyumasan batik.
Co-Authors Eko Sugiarto Esa Yulianto, Robin Hartati Sulistyo Rini Mujiyono - Mujiyono Mujiyono Ninuk Sholikhah Akhiroh Pangestika, Nurratri Widya Safangatun, Ulfa Santi Susanti, Santi Sri Zulaihati, Sri Usman Usman Wadiyo Wadiyo