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All Journal MUDRA Jurnal Seni Budaya Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences
Uzda Nabila Shabiriani
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Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences

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Virtual Exhibition Room in the Pandemic Era Arsita Pinandita; Nofrizaldi Nofrizaldi; Uzda Nabila Shabiriani
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 4, No 3 (2021): Budapest International Research and Critics Institute August
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v4i3.2323

Abstract

The Covid-19 pandemic has changed the various social structures in many aspects of life. All are helpless under their knees to the power of the virus spreads. Rescue activities and adapt to the situation need to be worked with an innovation. Interactive spaces for gathering, such as buying and selling, public activities, and various other public facilities are minimally done by reducing face-to-face contact. Exhibition is the one of activity that is quite important in the creative world and requires direct interaction with many people. Exhibitions that gather large numbers of people are not possible while the pandemic is still ongoing. It is not clear when the pandemic will end, but it requires new creative means in organizing exhibitions. Virtual technology is a way out to bridge new possibilities for physical reality presented by conventional exhibition room. Virtual exhibitions are expected to have the opportunity during this pandemic to maintain the creative process of art enthusiast. The virtual space in the form of an exhibition is also an important part for creators to adapt to their appreciative public.
Faktor Ideasi dalam Proses Kreasi Seniman Lukis Jelekong Uzda Nabila Shabiriani; Deny Willy Junaidy; Pindi Setiawan
Mudra Jurnal Seni Budaya Vol 35 No 3 (2020): September
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v35i3.971

Abstract

Jelekong painters community transferred their knowledges to generations by hereditary who do not have formal art education background because unlike the creation process (formally) learned in university, Jelekong painting artists could have their own understanding of such concept. This research aims to determine the ideation factor in the creation process of Jelekong painting artists who do not have formal art education background to build an understanding of creation process in the context of hereditary painting knowledges. The creation process at early stage of the idea analyzed using verbal report method, though an associative concept network analysis of subject’s experience when drawing sketches, image analysis and factor analysis. From the data analysis results, 10 Jelekong painting artists examined in their minds when the drawing sketches process leads to harmony indicated by the distance close of houses, the object placement generally amount to two on the right and left, the different colors of distant and near objects, the ideal natural landscape with clouds, figurative shapes and other natural objects, sung the different lines to give texture, different professions, different activities, and balanced composition. When drawing sketches, the painters also considers the serenity that is indicated through a quiet atmosphere in the absence of damaged natural elements, such as drought but cozy atmosphere, painters’ memories of a cozy and quite natural atmosphere, pictures with a large space, as if there is only one house and extremely rare draw many living things. The ideation factor in the creation process of Jelekong painting artists tends to practice imitating or copying works that have been made before and really rare to find the element of novelty that causes harmony and serenity factors frequently found in each works.
Co-Authors Arsita Pinandita Deny Willy Nofrizaldi Pindi Setiawan