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PENERAPAN STRATEGI MEMBACA KRITIS DI AKADEMI FARMASI SURABAYA UNTUK MENUNJANG KECAKAPAN LITERASI MENUJU ERA REVOLUSI INDUSTRI 4.0 Nuria Reny Hariyati; Abdul. Syakur
PROSIDING SEMINAR NASIONAL & INTERNASIONAL 2018: SEMINAR NASIONAL PENDIDIKAN SAINS DAN TEKNOLOGI
Publisher : Universitas Muhammadiyah Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (147.103 KB)

Abstract

The fourth generation industrial revolution is marked by the emergence of advanced technology. Every human activity depends on technology. The challenge of education is to prepare human resources that are invincible with machines. One job that has not been replaced by a machine is the ability to analyze and criticize. The application of critical reading 3 Ter to students needs to be improved to support literacy skills.This research is a quasi experimental study. The data of this study are critical reading scores. Critical reading scores were obtained from tests in grades A1-15 and A2-15 Surabaya Pharmacy Academy.Based on the results of the study, it was concluded that the implementation of the 3 Ter strategy had a significant effect on reading the criteria for classes A1-15 at a significance level of 0.05. The average critical reading score of the class that received 3 Ter treatment was 66.4286, while theaverage critical reading score for the class that did not get 3 Ter treatment was 62.8000. The success is seen in the final test results that have been carried out.. Keywords: Critical Reading, 3 Ter
Implementasi ASCO (Analyzing, Solving Problems, ans Comparing) terhadap Pembelajaran Membaca Kritis Nuria Reny Hariyati
LITERASI (Jurnal Ilmu Pendidikan) Vol 10, No 2 (2019)
Publisher : Universitas Alma Ata

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (601.596 KB) | DOI: 10.21927/literasi.2019.10(2).92-98

Abstract

AbstractResearch on overcoming exposure to radical issues with critical thinking on critical reading learning is still rarely done. This research is important to be carried out in the reading of the story to avoid radical issues that have been entered in university by using the Asco method (Analyzing, Solving Problems, Comparing). This research approach uses the Quasi-Times Design Series with Control Group experiment. The research data collection, namely the initial test scores and final tests. The experimental group was B2-18 and the control group was B3-18. Data analysis of this study used the One Way Anova SPSS test for Windows with a significance level of <0.05. The results of this study, namely (1) A homogeneous group test of 0.049 which was declared valid because> 0.05 to test this relationship; (2) Anova test of the two groups of 0,000 was declared significant because <0.05. The results showed that there was a significant influence of Asco (Analyzing, Solving Problems, Comparing) on critical reading learning.  Keywords: Asco (Analyzing, Solving Problems, Comparing), Implementation, Critical   ReadingLearning
Leftist Narratives in Tempo Books: Van Dijk’s Critical Discourse Analysis (CDA) Perspective: Anas Ahmadi; Abd. Ghofur; Moh. Hafid Effendy; Nike Kusumawati; Nuria Reny Hariyati
OKARA: Jurnal Bahasa dan Sastra Vol. 17 No. 1 (2023): OKARA: Jurnal Bahasa dan Sastra
Publisher : IAIN MADURA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/ojbs.v17i1.8260

Abstract

The text in a narrative has hidden meanings. It is necessary to dismantle and reconstruct the new meanings using critical discourse analysis (CDA). Related to that, this study aims to explore leftist narratives in Indonesia as contained in two books published by Tempo through van Dijk’s perspective of critical discourse analysis (CDA). This study used a descriptive-interpretative method which refers to CDA. The results reveal: First, the structure of the topic’s discourse raises the subject that Tempo is on the leftist side through diction, which depicts them as religious, kind, diligent, intelligent, and having a strong sense of nationalism. Microstructurally, in terms of setting, the leftists are those who were close to Sukarno, often recited the Quran (Muslims), repeatedly discussed with the public, and defended them. While in terms of graphics, Tempo books tend to be printed in red, symbolizing communism. Second, social cognition reporting in Tempo tends to side with the PKI and criticize Suharto concerning the G30S/PKI Movement. The two books reveal the ideological conflict between communism (Russia and China) and capitalism/colonialism (the United States and its allies). Third, from the aspect of context, leftists are innocent people and are the only victims of the regime in power.
THE TRANSFORMATION OF ISLAMIC IDENTITY BEHIND THE SCREEN: Indonesian Horror Films, 1980-2020 Ahmadi, Anas; Yusuf, Kamal; Fazliyaton, Sharifah; Yani, Muhammad Turhan; Hariyati, Nuria Reny
JOURNAL OF INDONESIAN ISLAM Vol 19, No 1 (2025)
Publisher : State Islamic University (UIN) of Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/JIIS.2025.19.1.188-213

Abstract

This study examines the representation of Islamic identity in Indonesian horror films from the 1980s to the 2020s. Employing an interpretive qualitative method, this study analyzes selected horror films from each decade to uncover patterns of change in the portrayal of Islamic identity through narrative, symbolism, and character depic­tion. The findings reveal three key trends: first, during the 1980s and 1990s, Islamic identity was prominently depicted through characters such as Kiai or Ustaz, who served as exorcists. Second, in the 2000s, representations of Islamic identity diminished, replaced by themes of secula­rism and eroticism. Third, in the 2020s, Islamic identity re-emerged more explicitly, with stronger Islamic themes present in both storylines and visual symbols. These findings suggest that the portrayal of Islam in Indonesian horror films reflects not only the socio-cultural dynamics of society but also market strategies aimed at appealing to a predomi­nantly Muslim audience. This re­search contributes to inter­disci­plinary studies on Islam, popular culture, and Indo­nesian film while paving the way for further inquiries into the relationship between religion and mass media.