Sulaiman Sulaiman
Institut Seni Indonesia Padangpanjang

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Rancangan City Branding Kota Padangpanjang Haviz Emriadi; Sulaiman Sulaiman; Riswel Zam
Bercadik: Jurnal Pengkajian dan Penciptaan Seni Vol 6, No 2 (2023): Bercadik: Jurnal Pengkajian dan Penciptaan Seni
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/bcdk.v6i2.3798

Abstract

City Branding adalah strategi yang digunakan dalam pemecahan masalah untuk pencapaian tujuan penciptaan Rancangan Kota Padang Panjang yang membangun opini public dengan citra positif dan nilai baru sebagai identitas baru dalam pengembangan kota Padang Panjang sehingga menanamkan Visual Identitas “the city of gathering” di benak target sasaran. Metode dalam penggarapan visualisasi yang seimbang dengan objek formal adalah metode kualitatif spasial sebagai pengumpulan hasil riset dan metode Kotak Kaca (Glass Box Method) sebagai metode desain penarik perhatian khalayak sasaran. Sasaran tersebut yaitu pelancong dan investor, dengan mengadakan event-event secara berkelanjutan agar target akan sampai pada tujuan rancangan yaitu banyaknya yang datang mengunjungi Kota Padang Panjang dengan diadakannya event tersebut.  
Embodiment of Parental Love Through the Medium of Wooden Matches in Expression Photography Ichsan Saputra; Sulaiman Juned; Sahrul Nazar
Gondang: Jurnal Seni dan Budaya Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.57338

Abstract

This photographic work raises the theme of parental love through the medium of wooden matches in expression photography. This work focuses on life experiences, the daily activities of the creator while he was born and grew up full of love from his parents in Aceh. The theory of ideas that the creator uses in creating this work of Expression photography is in the form of Expression Photography, Composition, Semiotics and Lighting. This creation method also involves experimentation. The creative concepts and ideas displayed in this photo work are a reflection of the creator's daily life. The main object in making this work is a miniature person created from wooden matches. This work is inspired by the author's life story of the sincere love of his parents, as well as daily life activities that the author has experienced and felt. Rooted in a deep narrative of parental love, the project captures the essence of familial warmth and affection, depicting miniature wooden matchsticks involved in everyday activities as symbolic representations of the human experience. Each photo encapsulates a narrative of parental love and familial bonds, visually depicting moments of tenderness, joy and nurturing care. In "In Mother's Lap", "Happiness", "Dodaidi Swing", "Adab", and "Guardian", the creator visualizes the multifaceted nature of parental love, from caring for babies to guiding adolescence. These photos are a touching reminder of the eternal bond between parents and children, illustrating the profound impact that love and care can have on a child's development and well-being. Ultimately, through a blend of artistic expression and qualitative inquiry, the project “Parental Love through the Medium of Wooden Matching in Expressive Photography” transcends the realm of conventional photography, offering viewers a glimpse into the depth and richness of human relationships and experiences.