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Representation Of Chinese And African Relationship Through Wolf Warrior 2 Film Cherli Septiani; Rahadjeng Pulungsari Hadi; Adrianus Laurens Gerung Waworuntu
Jurnal Pamator : Jurnal Ilmiah Universitas Trunojoyo Vol 15, No 2: Oktober 2022
Publisher : LPPM Universitas Trunojoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21107/pamator.v15i2.20246

Film Wolf Warrior 2 (war Wolf2/ zhàn láng 2) by Wu Jing which was released in 2017, tells the story of a former Special Forces of the People's Liberation Army (TPR) named Leng Feng in Africa. Leng Feng was an employee of the export trade from China to Africa, but with the wars and epidemics that occurred in Africa, Leng Feng had to evacuate Chinese citizens who were in Africa to return to China. The film not only features the main character Leng Feng, but also features a setting in Africa and several dialogues mention things about Africa. Based on the observations made, the writer intends to research the film Wolf Warrior 2 which was released in 2017 which was made and directed by Wu Jing. Observations were made to see how the film Wolf Warrior 2 represents the relationship between China and Africa, and to see its meaning through the scenes in the film. Through descriptive qualitative methods, the researcher found that the film Wolf Warrior 2 displays diplomatic relations between China and Africa.

Menglongshi 朦胧诗 dan Revolusi Kebudayaan Cina Pulungsari, Rahadjeng
Paradigma: Jurnal Kajian Budaya Vol. 8, No. 1
Publisher : UI Scholars Hub

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Menglongshi (hanzi: 朦胧诗) or ‘misty poetry’ (also translated as ‘obscure poetry’) is one kind of Chinese poems created by young poets who experienced the Cultural Revolution in 1970s. The emergence of a new style of poetry which is different from the previous styles marked a new era of poetry writing in China. Its uniqueness lies in wordplay, metaphor, synesthesia, and symbols whose meanings cannot be easily identified. The misty poem also drew the cautious attention of the Chinese government, because the symbols and sequence of sentences were suspected to contain thoughts which are considered not in accordance with the government’s policies. Bei Dao and Gu Cheng were known as two of the most important misty poets. This paper analyzes two poems by Bei Dao and two poems by Gu Cheng in terms of their intrinsic elements, such as imagery and language style in order to interpret their meaning. Furthermore, in order to provide more supporting evidence, this research also analyzes the poems’ extrinsic elements to identify their respective meanings in a more comprehensive way. Therefore, the explanation for the occurrence of Cultural Revolution is a very important finding in this research. This study sought to explain the important role of misty poems in explaining the Cultural Revolution by examining Bei Dao and Gu Cheng’s works.

BAKPIA: PERJALANAN AKULTURASI CINA-INDONESIA DALAM MAKANAN KHAS YOGYAKARTA Noviopy Rae Rato, Martiana; Pulungsari Hadi, Rahadjeng
Multikultura Vol. 3, No. 3
Publisher : UI Scholars Hub

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Pencampuran dua budaya menjadi suatu budaya baru merupakan pengertian dari akulturasi budaya. Salah satunya yakni percampuran budaya Indonesia dengan Cina. Banyak hasil akulturasi yang sudah melekat dalam kehidupan sehari-hari masyarakat Indonesia utamanya dalam makanan. Namun makanan tersebut tidak diketahui oleh banyak orang bahwa makanan yang sering mereka konsumsi adalah hasil dari akulturasi. Adapun hasil dari akulturasi tersebut yang kini lebih dikenal sebagai makanan khas Yogyakarta, yakni Bakpia. Dengan adanya akulturasi budaya, Bakpia diolah dengan resep dan bahan yang disesuaikan untuk masyarakat Yogyakarta sehingga dapat diterima dengan baik dan digemari oleh masyarakat. Seiring berjalannya waktu, dengan manajemen yang baik dalam berbisnis dan juga dapat melihat peluang, produsen bakpia semakin menjamur dan konsumen pun semakin meningkat. Dari situlah Bakpia sebagai produk hasil dari akulturasi budaya Cina-Indonesia dapat menjadi makanan khas dari Yogyakarta bahkan mengalahkan makanan asli dari Indonesia.

SINERGI NILAI-NILAI “TIGA AJARAN BESAR” ( 三教 Sān jiào) DALAM FILM KUNG FU PANDA 3 Saraswati, Andrea; Pulungsari, Rahadjeng
Multikultura Vol. 1, No. 2
Publisher : UI Scholars Hub

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Produksi film animasi dengan alur berlatar budaya Cina telah tak terhitung jumlahnya. Salah satu film animasi dengan latar seperti ini di antaranya adalah film berjudul “Kung Fu Panda” (2008, 2022, 2016). Dilihat dari perspektif produksi, terdapat hal yang menarik dari film-film tersebut. Film Kung Fu Panda 1 dan 2 murni diproduksi oleh Disney, sedangkan untuk film Kung Fu Panda 3, pihak Cina terlibat dalam proses produksinya. Hal ini menjadi alasan penulis untuk meneliti film Kung Fu Panda 3 saja, guna menemukan jawaban tentang ada tidaknya unsur-unsur tradisi ajaran Cina dalam adegan-adegan film ini, dan dinamika apa yang terjadi di dalamnya. Dalam kehidupan tradisional Cina, ajaran yang sangat berpengaruh adalah三教 Sān Jiào atau 3Ajaran Besar” yang terdiri dari Konfusianisme, Daoisme dan Buddhisme. Berdasarkan hal tersebut, penelitian ini bermaksud menemukan unsur-unsur “3 Ajaran Besar” dalam film ini. Melalui metode deskriptif-analisis, peneliti melakukan proses observasi dan seleksi pada adegan-adegan yang memunculkan prinsip-prinsip ajaran Konfusianisme, Daoisme, dan Buddhisme, kemudian melakukan kajian. Hasil dari penelitian ini menunjukkan, dalam film Kung Fu Panda 3 terdapat unsur-unsur “3 Ajaran Besar”, dan menemukan bahwa nilai-nilai ini saling bersinergi membangun kedalaman cerita.

PRINSIP HARMONI (Héxié) PADA PENOKOHAN LI YUNXIANG DALAM FILM NE ZHA REBORN (Xīnshén bǎng: Nǎ zhā chóngshēng) KARYA ZHAO JI Oktaviyanti, Chika Asri; Wulandari, Adi Kristina; Hadi, Rahadjeng Pulungsari
Multikultura Vol. 2, No. 4
Publisher : UI Scholars Hub

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Film New Gods: Ne Zha Reborn (Xīnshén bǎng: Nǎ zhā chóngshēng新神榜：哪吒重生) adalah film animasi fantasi yang dirilis pada 12 Februari 2021, disutradarai Zhao Ji (赵霁). Film ini menceritakan tokoh Li Yunxiang yang merupakan sosok kelahiran kembali Ne Zha di masa modern dalam melawan musuhnya yaitu Klan Naga Laut Timur. Ne Zha adalah salah satu dewa dalam mitologi Cina yang ceritanya terdapat dalam novel zaman Dinasti Ming (1368-1644) berjudul Investiture of The Gods (Fēng shén yǎnyì封神演義). Penelitian ini bertujuan membaca representasi prinsip Harmoni (Héxié和谐) dalam konsep Yin-Yang melalui karakterisasi tokoh Li Yunxiang. Metode yang digunakan dalam penelitian adalah metode kualitatif. Hasil penelitian menunjukkan bahwa Li Yunxiang sebagai kelahiran kembali dari Ne Zha tidak hanya memiliki karakter negatif namun juga karakter positif. Representasi prinsip Harmoni melalui karakterisasi tokoh Li Yunxiang menjadi strategi perfilman Cina dalam memodernisasi tokoh protagonis, yang tidak hanya disesuaikan dengan perkembangan zaman, tetapi juga tetap mempertahankan prinsip nilai khas Cina.

THE INFLUENCE OF COLONIALISM ON THE DEVELOPMENT OF RELIGIOUS LIFE IN TIMOR LESTE Salampessy, Abdul Kadirsyam; Pulungsari Hadi, Rahadjeng
International Review of Humanities Studies Vol. 10, No. 2
Publisher : UI Scholars Hub

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Timor-Leste is the youngest country in the world with unique religious dynamics. The Catholic population increased rapidly after independence, while the Muslim population decreased drastically due to political dynamics. The presence of Mari Alkatiri, an Arab-descended Timorese Muslim who became Prime Minister (PM) twice, is a depiction of the presence of Islam in a Catholic-majority country. The long history of colonialism in Timor-Leste has greatly influenced the landscape of religious life there. In its development, the people of Timor-Leste live harmoniously and democratically. This journal uses a qualitative research method that focuses on the social and cultural phenomena of the religious life of the people of Timor-Leste. The approach is historical and narrative about the history of the entry of religion, the role of political and religious figures, and changes in the demographics of the population that are influenced by the domestic political landscape. The method used is a literature study with historical documentation. The theory used by the author is the Multiculturalism Theory by Bikhu Parekh, because it discusses the existence of an Islamic minority in the midst of a Catholic majority. Also, how a Muslim figure can have a big role in the political arena of this Catholic-majority country. From this study, several conclusions were found, including that the Muslim population decreased drastically after East Timor's independence from Indonesia due to the development of the political situation there. Islam, which is now a minority, was actually the first religion to enter there, brought by the Hadramaut Arabs. Catholicism then spread massively through Portuguese colonialism.

KELENTENG SIN TEK BIO, PASAR BARU, JAKARTA SEBAGAI <i>LIVING MONUMENT</i> DALAM KONSEP <i>TIME & SPACE</i> Anderson S., Surya; Hadi, Rahadjeng Pulungsari
Multikultura Vol. 4, No. 2
Publisher : UI Scholars Hub

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Sin Tek Bio Temple is one of the ancient temples located in the Pasar Baru area, Central Jakarta. The various dynamics of time and space pose challenges for Sin Tek Bio Temple to continuously maintain its existence as a living monument in the Pasar Baru area. The conditions of time and space influence the worship symbols, labels, and public perspectives regarding Sin Tek Bio Temple. The research method used in this study is a qualitative-descriptive method combined with field studies. The researcher conducted the study through several stages, namely literature review, field observation, and interviews with experts. The findings of this research present a detailed explanation of the time and space dynamics that affect the symbols and labels associated with Sin Tek Bio Temple, as well as an in-depth account of how the temple manages to endure the various challenges it has faced and will continue to face.

Pelatihan Pengolahan Sampah di Desa Olehsari Banyuwangi Nugraha, Fajar Muhammad; Pulungsari, Rahadjeng; Roring, Albert P. J.
Bhakti: Jurnal Pengabdian Masyarakat Vol. 1, No. 1
Publisher : UI Scholars Hub

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Menurut Undang-Undang Nomor 18 Tahun 2008, sampah didefinisikan sebagai sisa kegiatan sehari-hari manusia atau proses yang mengandung unsur tertentu. Sampah menjadi masalah utama dalam sektor pariwisata di Indonesia. Pengelolaan dan pemanfaatan pengetahuan daur ulang beberapa sampah dapat menjadi solusi dari permasalahan sampah. Desa Olehsari di Kabupaten Banyuwangi merupakan salah satu desa tujuan wisata di Provinsi Jawa Timur, Indonesia. Universitas Indonesia melalui Program Pengabdian kepada Masyarakat Universitas Indonesia (PPM UI) dengan judul kegiatan “Pelatihan Pengolahan Sampah di Desa Olehsari Banyuwangi” telah memberikan manfaat pengetahuan dan keterampilan warga Desa Olehsari dalam mengelompokkan dan mengelola sampah. Luaran dari kegiatan ini mencakup buku saku mengenai pengelolaan dan pengelompokan sampah, poster mengenai pengelompokan dan pengelolaan sampah, dan pemberitaan di media daring lokal KabarBanyuwangi.co.id.

DOMESTIC VIOLENCE AGAINTS WOMEN IN THAILAND: GALTUNG-BASED ANALYSIS OF VIOLENCE IN THAI DRAMA “TIE ME (K)NOT” Abimanyu, Akhdiat Dimas; Pulungsari, Rahadjeng
International Review of Humanities Studies Vol. 11, No. 1
Publisher : UI Scholars Hub

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This study examines the portrayal of domestic violence against women in the Thai drama Tie Me (K)not (2022) using Johan Galtung’s theory of violence, which categorizes violence into direct, structural, and cultural forms. Through qualitative content analysis, the research identifies how the drama depicts these forms of violence, reflecting broader societal issues in Thailand. The findings reveal explicit instances of direct violence, such as physical and psychological abuse, systemic structural violence through institutional failures in justice and support systems, and cultural violence rooted in patriarchal traditions that justify gender inequality. The drama not only highlights these oppressive dynamics but also challenges them through the protagonist’s journey toward empowerment. By analyzing these representations, the study underscores the role of media in raising awareness about domestic violence and advocates for societal and policy changes to address gender-based violence in Thailand. This research contributes to discussions on media, gender studies, and violence prevention, emphasizing the need for cultural and structural reforms to protect women’s rights.

Representation Of Chinese And African Relationship Through Wolf Warrior 2 Film Cherli Septiani; Rahadjeng Pulungsari Hadi; Adrianus Laurens Gerung Waworuntu
Jurnal Pamator : Jurnal Ilmiah Universitas Trunojoyo Vol 15, No 2: Oktober 2022
Publisher : Universitas Trunodjoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21107/pamator.v15i2.20246

Film Wolf Warrior 2 (war Wolf2/ zhàn láng 2) by Wu Jing which was released in 2017, tells the story of a former Special Forces of the People's Liberation Army (TPR) named Leng Feng in Africa. Leng Feng was an employee of the export trade from China to Africa, but with the wars and epidemics that occurred in Africa, Leng Feng had to evacuate Chinese citizens who were in Africa to return to China. The film not only features the main character Leng Feng, but also features a setting in Africa and several dialogues mention things about Africa. Based on the observations made, the writer intends to research the film Wolf Warrior 2 which was released in 2017 which was made and directed by Wu Jing. Observations were made to see how the film Wolf Warrior 2 represents the relationship between China and Africa, and to see its meaning through the scenes in the film. Through descriptive qualitative methods, the researcher found that the film Wolf Warrior 2 displays diplomatic relations between China and Africa.

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