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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education YUME : Journal of Management Jurnal Pemberdayaan: Publikasi Hasil Pengabdian Kepada Masyarakat JSM (Jurnal Seni Musik) Varia Humanika Kawruh : Journal of Language Education, Literature and Local Culture UPMI Proceeding Series Journal (JSM) Jurnal Seni Musik
Bagus Susetyo
Universitas Negeri Semarang, Kampus Sekaran Gunungpati, Semarang
Agriculture, Biological Sciences & Forestry Arts Humanities Economics, Econometrics & Finance Education Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Social Sciences Other

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Journal : Harmonia: Journal of Research and Education

 1 
PERUBAHAN MUSIK REBANA MENJADI KASIDAH MODERN DI SEMARANG SEBAGAI SUATU PROSES DEKULTURASI DALAM MUSIK INDONESIA (THE CHANGE OF REBANA MUSIC TO BECAME MODERN KASIDAH IN SEMARANG A DECULTURATION PROCCES IN INDONESIAN MUSIC) Susetyo, Bagus
Harmonia: Journal of Arts Research and Education Vol 6, No 2 (2005)
Publisher : Department of Drama, Dance, and Musik (Sendratasik), Semarang State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v6i2.724

Abstract

Musik kasidah modern adalah jenis musik yang bercirikan Islam yang ada di masyarakat kota Semarang saat ini, dan merupakan suatu fenomena seni pertunjukan yang ada di masyarakat seiring dengan keberadaan seni pertunjukan musik ke-Islaman yang lain. Jenis musik ini tidak hadir begitu saja seperti yang ada sekarang, tetapi mengalami suatu proses akulturasi, yang diperkirakan berasal dari bentuk bentuk musik Islam yang ada sebelumnya yang membentuk musik rebana, kemudian mengalami proses dekulturasi sehingga terbentuklah musik kasidah modern. Pada proses dekulturasi musik rebana mengalami perubahan budaya musik dan perubahan elemen-elemen musikalnya, baik pada komposisi musiknya maupun pada bentuk penyajiannya yang mengakibatkan satu sisi mengalami kemajuan pada aspek hiburannya dan pada sisi lain mengalami perubahan pada nilai-nilai sakral ke-Islamannya.Kata kunci: Perubahan, Rebana, Kasidah, Dekulturasi
PENGEMBANGAN TEKNIK KONDAKTING DAN PENDOKUMENTASIAN DALAM MEDIA REKAM DAN CETAK UNTUK MENDUKUNG PROSES LATIHAN KONDAKTING Susetyo, Bagus
Harmonia: Journal of Arts Research and Education Vol 11, No 2 (2011)
Publisher : Department of Drama, Dance, and Musik (Sendratasik), Semarang State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v11i2.2207

Abstract

Ada kebutuhan untuk melakukan formulasi di dalam teori dasar suara dan pengembangan agar dalam pembuatannya menjadi referensi bagi guru seni budaya di kota Semarang, dalam bentuk  pengembangan teknik dan dokumentasi  media rekam dan cetak dalam rangka memungkinkan pelaksanaan yang tepat dan lebih baik serta dalam penerapannya lebih estetis. Metode penelitian yang digunakan adalah deskriptif kualitatif yang dikombinasikan dengan penelitian dan pengembangan. Pengumpulan data melibatkan reduksi data, interpretasi, presentasi, dan, kemudian, verifikasi. Hasil penelitian menunjukkan adanya sinkronisasi teori dan pola dasar dan perkembangannya berdasarkan gerakan yang dilakukan oleh guru seni dan budaya dan dilaksanakan di dalam kelas. Pola-pola pembangunan meliputi: postur berdiri,  sikap, insetting dan attack. Pelaksanaan gerakan komando merupakan perkembangan tempo. 2/4, 3/4, 4/4, dan 6/8. Dalam gerakan penutupan, beberapa variasi yang dikembangkan, yaitu MOR, dan thriller. Dinamik, tempo, ekspresi dan fermata dikembangkan lebih bervariasi. There was a need for a conducting formulation under a sound basic theory and development in order to make it a reference for those teachers of arts and cultures in Semarang municipality, in the form of conducting technique development and documentation in recorded and printed media in order to enable appropriate and better implementation as well as more aesthetic conducting. The research method used was a descriptive qualitative one combined with research and development. The data collection involved data reduction, interpretation, presentation, and, then, verification. The research result indicated the presence of synchronization of theory and basic pattern of conducting and its development based on the movement practiced by teachers of arts and cultures and implemented in the classroom. Those development patterns included: standing posture, set attitude, insetting and attack. The implementation of command movement constituted the development of tempo of. 2/4, 3/4, 4/4, and 6/8. In closure movement, several variances were developed, i.e. called, MOR, and thriller. The dynamics, tempo, expression and fermata were developed more variedly.
IDENTIFIKASI DEKULTURASI SEBAGAI TEORI PERUBAHAN KEBUDAYAAN DALAM MUSIK INDONESIA : KAJIAN PROSES PERUBAHAN REBANA MENJADI KASIDAH MODERN DI KOTA SEMARANG Susetyo, Bagus
Harmonia: Journal of Arts Research and Education Vol 10, No 1 (2010)
Publisher : Department of Drama, Dance, and Musik (Sendratasik), Semarang State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v10i1.48

Abstract

At present, modern "kasidah" music has been known as a type of music that performs Moslem culture especially of people in Semarang. This type of music has become a phenomenon of musical art in the society in accordance with the development of other Moslem musical arts. Since there are many kinds of Moslem musical performances, and that they have similarities between one another, this study is meant to find out how the form of composition and the mode of performance of the music are presented, and also to identify the form of the music as a whole. This type of music wasnt formerly so popular in Semarang as it is today, but it has been developing gradually through a long process of acculturation. This music was considered to derive from Moslem musical tradition called "rebana" that has been acculturated into a modem "kasidah" music in Semarang. This study also highlights on how the acculturation went on, and on how the music gives benefit and function to the people. To reveal the problems mentioned above, the writer uses ethno musicological, anthropological, and historical approaches. The research method that the writer uses is qualitative-descriptive method as well as library research, observation, interview and documentation for research object. The target of the research is some musical groups of "kasidah" in Semarang and one of them is chosen as the sample of the research object. From the research, the writer found that the form of the musical composition consists of rhythm, melody, harmony, interval dynamics, expression, instruments, lyrics, and music analysis. Whereas, the modes of performance consist of stage production, costume, make-up, lighting, sound system, musical players, instruments, and times of performance. The benefits of the music for the society are corresponding with some aspects such as economical interest, social institution, aesthetic value, and language expression.Kata Kunci : dekulturasi, musik kasidah
PERUBAHAN MUSIK REBANA MENJADI KASIDAH MODERN DI SEMARANG SEBAGAI SUATU PROSES DEKULTURASI DALAM MUSIK INDONESIA (THE CHANGE OF REBANA MUSIC TO BECAME MODERN KASIDAH IN SEMARANG A DECULTURATION PROCCES IN INDONESIAN MUSIC) Susetyo, Bagus
Harmonia: Journal of Arts Research and Education Vol 6, No 2 (2005)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v6i2.724

Abstract

Musik kasidah modern adalah jenis musik yang bercirikan Islam yang ada di masyarakat kota Semarang saat ini, dan merupakan suatu fenomena seni pertunjukan yang ada di masyarakat seiring dengan keberadaan seni pertunjukan musik ke-Islaman yang lain. Jenis musik ini tidak hadir begitu saja seperti yang ada sekarang, tetapi mengalami suatu proses akulturasi, yang diperkirakan berasal dari bentuk bentuk musik Islam yang ada sebelumnya yang membentuk musik rebana, kemudian mengalami proses dekulturasi sehingga terbentuklah musik kasidah modern. Pada proses dekulturasi musik rebana mengalami perubahan budaya musik dan perubahan elemen-elemen musikalnya, baik pada komposisi musiknya maupun pada bentuk penyajiannya yang mengakibatkan satu sisi mengalami kemajuan pada aspek hiburannya dan pada sisi lain mengalami perubahan pada nilai-nilai sakral ke-Islamannya.Kata kunci: Perubahan, Rebana, Kasidah, Dekulturasi
IDENTIFIKASI DEKULTURASI SEBAGAI TEORI PERUBAHAN KEBUDAYAAN DALAM MUSIK INDONESIA : KAJIAN PROSES PERUBAHAN REBANA MENJADI KASIDAH MODERN DI KOTA SEMARANG Susetyo, Bagus
Harmonia: Journal of Arts Research and Education Vol 10, No 1 (2010)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v10i1.48

Abstract

At present, modern "kasidah" music has been known as a type of music that performs Moslem culture especially of people in Semarang. This type of music has become a phenomenon of musical art in the society in accordance with the development of other Moslem musical arts. Since there are many kinds of Moslem musical performances, and that they have similarities between one another, this study is meant to find out how the form of composition and the mode of performance of the music are presented, and also to identify the form of the music as a whole. This type of music wasn't formerly so popular in Semarang as it is today, but it has been developing gradually through a long process of acculturation. This music was considered to derive from Moslem musical tradition called "rebana" that has been acculturated into a modem "kasidah" music in Semarang. This study also highlights on how the acculturation went on, and on how the music gives benefit and function to the people. To reveal the problems mentioned above, the writer uses ethno musicological, anthropological, and historical approaches. The research method that the writer uses is qualitative-descriptive method as well as library research, observation, interview and documentation for research object. The target of the research is some musical groups of "kasidah" in Semarang and one of them is chosen as the sample of the research object. From the research, the writer found that the form of the musical composition consists of rhythm, melody, harmony, interval dynamics, expression, instruments, lyrics, and music analysis. Whereas, the modes of performance consist of stage production, costume, make-up, lighting, sound system, musical players, instruments, and times of performance. The benefits of the music for the society are corresponding with some aspects such as economical interest, social institution, aesthetic value, and language expression.Kata Kunci : dekulturasi, musik kasidah
PENGEMBANGAN TEKNIK KONDAKTING DAN PENDOKUMENTASIAN DALAM MEDIA REKAM DAN CETAK UNTUK MENDUKUNG PROSES LATIHAN KONDAKTING Susetyo, Bagus
Harmonia: Journal of Arts Research and Education Vol 11, No 2 (2011)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v11i2.2207

Abstract

Ada kebutuhan untuk melakukan formulasi di dalam teori dasar suara dan pengembangan agar dalam pembuatannya menjadi referensi bagi guru seni budaya di kota Semarang, dalam bentuk  pengembangan teknik dan dokumentasi  media rekam dan cetak dalam rangka memungkinkan pelaksanaan yang tepat dan lebih baik serta dalam penerapannya lebih estetis. Metode penelitian yang digunakan adalah deskriptif kualitatif yang dikombinasikan dengan penelitian dan pengembangan. Pengumpulan data melibatkan reduksi data, interpretasi, presentasi, dan, kemudian, verifikasi. Hasil penelitian menunjukkan adanya sinkronisasi teori dan pola dasar dan perkembangannya berdasarkan gerakan yang dilakukan oleh guru seni dan budaya dan dilaksanakan di dalam kelas. Pola-pola pembangunan meliputi: postur berdiri,  sikap, insetting dan attack. Pelaksanaan gerakan komando merupakan perkembangan tempo. 2/4, 3/4, 4/4, dan 6/8. Dalam gerakan penutupan, beberapa variasi yang dikembangkan, yaitu MOR, dan thriller. Dinamik, tempo, ekspresi dan fermata dikembangkan lebih bervariasi. There was a need for a conducting formulation under a sound basic theory and development in order to make it a reference for those teachers of arts and cultures in Semarang municipality, in the form of conducting technique development and documentation in recorded and printed media in order to enable appropriate and better implementation as well as more aesthetic conducting. The research method used was a descriptive qualitative one combined with research and development. The data collection involved data reduction, interpretation, presentation, and, then, verification. The research result indicated the presence of synchronization of theory and basic pattern of conducting and its development based on the movement practiced by teachers of arts and cultures and implemented in the classroom. Those development patterns included: standing posture, set attitude, insetting and attack. The implementation of command movement constituted the development of tempo of. 2/4, 3/4, 4/4, and 6/8. In closure movement, several variances were developed, i.e. called, MOR, and thriller. The dynamics, tempo, expression and fermata were developed more variedly.
Implementation of Kupingan Method in Javanese Karawitan Music Training for Foreigners Widodo, Widodo; Susetyo, Bagus; Walton, Susan; Appleton, William
Harmonia: Journal of Arts Research and Education Vol 21, No 1 (2021): June 2021
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v21i1.29993

Abstract

The present work explores the implementation of kupingan method in the karawitan music training process to foreign participants with written tradition background. Moreover, it aims to identify, analyze, and elaborate the strength and weaknesses of kupingan method in transfer knowledge of gamelan skills. The present study employed a descriptive-qualitative method and class-action research design. The research objects involved the training of Javanese karawitan music to Tlaga Madu group from the University of Michigan in 2019. The data were obtained through observation of participation, interview, and document study. The data were further validated by triangulation technique and analyzed by steps as follows: identification, classification, verification, reduction, and explanation. The results indicate that kupingan method is applicable in the karawitan music training for foreigners, yet, to a very limited extent. By implementing the method, the training participants can master simple gending (colotomic structure) instrumental of learning materials, such as basic technique and patterns of instruments in the small-format gending lancaran form. On the other hand, the materials of complex gending with larger formats than lancaran are more effective to be disseminated by karawitan notation that is written in detail and elaborated with a demonstration of the song play. 
Implementation of Kupingan Method in Javanese Karawitan Music Training for Foreigners Widodo, Widodo; Susetyo, Bagus; Walton, Susan; Appleton, William
Harmonia: Journal of Arts Research and Education Vol 21, No 1 (2021): June 2021
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v21i1.29993

Abstract

The present work explores the implementation of kupingan method in the karawitan music training process to foreign participants with written tradition background. Moreover, it aims to identify, analyze, and elaborate the strength and weaknesses of kupingan method in transfer knowledge of gamelan skills. The present study employed a descriptive-qualitative method and class-action research design. The research objects involved the training of Javanese karawitan music to Tlaga Madu group from the University of Michigan in 2019. The data were obtained through observation of participation, interview, and document study. The data were further validated by triangulation technique and analyzed by steps as follows: identification, classification, verification, reduction, and explanation. The results indicate that kupingan method is applicable in the karawitan music training for foreigners, yet, to a very limited extent. By implementing the method, the training participants can master simple gending (colotomic structure) instrumental of learning materials, such as basic technique and patterns of instruments in the small-format gending lancaran form. On the other hand, the materials of complex gending with larger formats than lancaran are more effective to be disseminated by karawitan notation that is written in detail and elaborated with a demonstration of the song play. 
Co-Authors Aesijah, Sitti Appleton, William Asep Sofyan Br Bangun, Nirwana Ciptoningtyas, Sheila Vallenta Eko Raharjo Elanda, Yochi Fatkhurrohman, Ali Herlambang, Agam Irfanda Rizki Harmono Sejati Iryanti, Veronica Eny Kristerika, Agnes Firda Likhamelia, Istiso Moh. Muttaqin Muhammad Muttaqin Nafik Salafiyah Naufal Batubara, Muhammad Pradana , Reksada Belly Putra, Arum Purwinda Ramaputra, Nathaniel Dhiar Sejati , Irfanda Rizki Harmono Sejati, Irfanda Riski Harmono Sestri Indah Pebrianti Siti Aesijah Slamet Haryono Strinariswari, Ratna Luhung Suharto Suharto Sunarto Sunarto Walton, Susan Wangsa, Ciptaning Indra Widodo Widodo Yudha Kesuma, Muhammad Yulita, Birgita Iyona