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All Journal ABDI MASSA: Jurnal Pengabdian Nasional TANDA: Jurnal Kajian Budaya, Bahasa dan Sastra Proceeding of Undergraduate Conference on Literature, Linguistic, and Cultural Studies JENTERA: Jurnal Kajian Sastra
Ambar Andayani
Universitas 17 Agustus 1945 Surabaya
Agriculture, Biological Sciences & Forestry Arts Humanities Economics, Econometrics & Finance Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Public Health Social Sciences Other

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PENYULUHAN LITERASI MEDIA DIGITAL: MENANGKAL BERITA HOAX DENGAN HUMOR D. Jupriono D. Jupriono; Ambar Andayani; Bambang Sigit Pramono
ABDIMAS Vol 1 No 02 (2021): PEMBERDAYAAN MASYARAKAT DESA
Publisher : COMMUNITY OF RESEARCH LABORATORY SURABAYA

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Abstract

Literasi media masyarakat nitizen masih tergolong rendah. Sementara, setiap saat masyarakat nitizen diberondong oleh melimpahnya informasi melalui media sosial. Mengingat informasi di media sosial didominasi oleh berita hoax, dipandang sangat perlu literasi media masyarakat ditingkatkan agar mampu menilai dan mengenali kadar kebohongan (hoax) berita atau informasi yang diterimanya setiap saat di media sosial tersebut. Literasi media yang hendak diberikan adalah literasi digital (online), melalui kegiatan penyuluhan. Penyuluhan melalui media online ini juga dipilih karena kondisi pandemi Covid-19 masih mengancam masyarakat. Di samping itu, juga alasan praktis bahwa semua orang akrab dengan handphone android. Literasi media ini memanfatkan humor-humor di media sosial agar minat publik untuk selalu menilai informasi bisa dipertahankan dan kandungan nilai-nilai sosial di dalam humor tersebut bisa ditemukan untuk memperkaya wawasan mereka.
REVITALISASI SITUS ARCA DWARAPALA UNTUK WISATA EDUKATIF DESA MINGGIRSARI, KANIGORO, BLITAR D. Jupriono; Gede Sarya; Laily Endah Fatmawati; Ambar Andayani
ABDIMAS Vol 1 No 04 (2021): PENDIDIKAN MASYARAKAT
Publisher : COMMUNITY OF RESEARCH LABORATORY SURABAYA

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Abstract

Arca Dwarapala adalah salah satu situs bersejarah yang dimiliki oleh Desa Minggirsari, Kecamatan Kanigoro, Kabupaten Blitar Kondisi fisik situs arca saat ini tidak terurus dengan baik, padahal arca Dwarapala merupakan situs bersejarah yang memiliki potensi yang baik sebagai objek wisata. Pengabdian ini bertujuan untuk melakukan revitalisasi situs arrca Dwarapala. Pengabdian ini menghasilkan situs Arca Dwarapala layak dijadikan sebagai objek wisata. Metode yang digunakan yaitu melakukan pemugaran dan perbaikan pada bagian-bagian arca yang diperlukan.
PUISI-PUISI PERLAWANAN WIJI THUKUL DALAM PERSPEKTIF REALISME SOSIALIS GEORG LUKACS Y.B. Agung Prasaja; Ambar Andayani
TANDA Vol 1 No 01 (2021): KAJIAN BUDAYA, KEBAHASAAN, DAN KESUSASTRAAN
Publisher : COMMUNITY OF RESEARCH LABORATORY SURABAYA

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In the collection of poems Aku ingin Jadi Peluru (2000), Wiji Thukul’s poems describe the social realities of poverty and repression which are suffered by proletarian people. His poems represent repression, cruelty of authority towards proletarian people. Thukul condition which is suffered in poverty and repression encourages him to protest unfairness bravely, to move social change, and to fight the cruelty of authority.
DEFENSE MECHANISM IN SARAH J. HARRIS’ THE COLOUR OF BEE LARKHAM’S MURDER Eko Susanto; Ambar Andayani
TANDA Vol 1 No 01 (2021): KAJIAN BUDAYA, KEBAHASAAN, DAN KESUSASTRAAN
Publisher : COMMUNITY OF RESEARCH LABORATORY SURABAYA

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This research focuses on how a person with mental illness uses defense mechanism which the condition is perfectly seen in Jasper Wishart in the novel The Colour of Bee Larkham’s Murder by Sarah J. Harris. This study aims to find and explain about mental illness that affects the main character’s life and defense mechanism that the character uses. The methods used in this research are library research and psychological approach that are applied to analyse psychological problems of the main character. The result shows that mental issues make Jasper have difficulties throughout his life. Autism and synaesthesia conditions have made him incapable to communicate and to recognize people. He has two ways of defense mechanism: repression and regression, repression by forcefully forgetting his problems, regression by reversing psychological movement.
SINERGI BISNIS, TANGGUNG JAWAB SOSIAL, DAUR ULANG LIMBAH ORGANIK PADA UKM SEMI INDAH, SURABAYA D. Jupriono; Ambar Andayani; Bambang Sigit Pramono; Wahyu Kuncoro
ABDIMAS Vol 2 No 03 (2022): Sustainable Development
Publisher : COMMUNITY OF RESEARCH LABORATORY SURABAYA

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Abstract

Pengabdian kepada masyarakat ini dilaksanakan melalui metode obserasi, dokumentasi, dan pendampingan. UMKM bunga kering adalah alternatif bisnis yang menjanjikan sebab bahannya murah dan mudah didapat dan cara membuatnya tidak sulit. Aktivitas UMKM Semi Indah, Surabaya, menjangkau dan memberikan manfaat bagi banyak pihak sebagai wujud dari tanggung jawab sosial perusahaan. Aktivitas daur ulang limbah organik tanaman pada UMKM Semi Indah Surabaya turut mengurangi beban sampah perkotaan, sehingga juga turut menjaga keseimbangan lingkungan.
Laura's Post-Traumatic Stress Disorder in Ruth Wares' The Woman in Cabin 10 Angelina Merici Mbambut; Ambar Andayani
Proceeding of Undergraduate Conference on Literature, Linguistic, and Cultural Studies Vol. 2 No. 1 (2023): PROCEEDING RESEARCH ON LITERARY, LINGUISTIC, AND CULTURAL STUDIES
Publisher : Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/uncollcs.v2i1.2488

Abstract

This study will examine four issues: Laura's PTSD symptoms, PTSD causes, PTSD effects, and the defense mechanisms Laura employs to manage her PTSD. This study uses a literary psychology approach with PTSD concept theory by Rogers & Liness of the National Institute of Mental Health and and defense mechanism theory which will focus on how Laura defends herself in dealing with PTSD. This study uses a qualitative research method. The source of the data is Ruth Wares’ The Woman in Cabin 10. The writer uses data collection techniques by reading the whole novel, identifying, collecting, classifying and analyzing data. Based on the analysis, Laura experiences four symptoms: re-experiencing, avoidance, arousal and reactivity, and cognition and mood. Laura has PTSD due to a break-in at her flat that left serious scars on her face after a burglar tried to lock her in a room and she spent two hours trying to escape and call for help. These events affect aggression, panic attacks, insomnia, claustrophobia, hallucinations, illusions, and horrific imaginations. Laura uses Defense Mechanism as a self-esteem boost to protect herself from disturbing feelings and thoughts that she cannot handle. From the data, Laura uses several defense mechanisms such as repression, denial, rationalization, sublimation, projection, reaction formation, and displacement. Repression and rationalization are the defense mechanisms that Laura uses the most. Laura uses repression to put her anxiety due to PTSD into her subconscious and forget about it so that it does not interfere with her daily life. Laura uses rationalizations to justify her feelings and actions to attain comfort and ego satisfaction.
Conflict of Irish Cultural Identity in Brian Friel’s Translation Ambar Andayani; Edi Pujo Basuki; Ali Mustofa
JENTERA: Jurnal Kajian Sastra Vol 12, No 1 (2023): Jentera: Jurnal Kajian Sastra
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v12i1.6281

Abstract

This research purposes to analyze Irish cultural identity conflict in Brian Friel’s Translation, namely by analyzing why it happens and how it impacts to Irish. The method applied to analyze is descriptive qualitative method by doing content analysis through data collecting technique in the form of library research. From the data source of Brian Friel’s Translation, the researcher does the technique of interpretation by using Homi K. Bhabha’s postcolonialism theory of mimicry concept to identify the conflict of Irish cultural identity found in the literary work. The result of the research shows that the setting in Brian Friel’s Translation is Northern Ireland in the 19th century. Irish people are surrendered to be the British colony. British people colonize Irish in various ways; destroying Irish rights by forcing them to work very hard on potato plantation in the area where they live to fulfill British people food, forbidding Irish to use their own language or do their Catholic religious worship, executing Ordnance survey namely by replacing names of local places in Northern Ireland for the importance of imperialism forcibly. That colonialism causes suffering, starving and poverty. Through the dialogues, it reflects that British people want to abolish Irish language and culture to replace it to British language and culture which is considered more modern. AbstrakPenelitian ini bertujuan menganalisis konflik identitas budaya bangsa Irlandia dalam drama Translation karangan Brian Friel, yaitu dengan mengupas mengapa konflik itu terjadi, dan bagaimana akibatnya terhadap bangsa Irlandia. Metode yang diterapkan adalah metode deskriptif kualitatif, dengan menganalisa isi melalui teknik pengumpulan data berupa studi kepustakaan. Dari sumber data drama Translation karangan Brian Friel, peneliti memakai teknik interpretasi melalui teori postkolonialisme konsep mimikri dari Homi K Bhabha untuk mengidentifikasi konflik identitas budaya bangsa Irlandia yang ditemukan pada karya sastra tersebut. Hasil penelitian menunjukkan bahwa seting yang terdapat pada drama tersebut adalah pedesaan Irlandia Utara pada abad 19. Bangsa Irlandia takluk menjadi koloni bangsa Inggris. Bangsa Inggris menjajah dengan berbagai cara, menghancurkan hak-hak bangsa Irlandia dengan memaksa mereka kerja paksa di perkebunan kentang tempat tinggal mereka untuk memenuhi kebutuhan makanan rakyat Inggris, melarang mereka menggunakan bahasa asli atau melakukan ibadah agama Katolik, dan melakukan survei Ordnance yaitu mengganti paksa nama-nama lokal di Irlandia utara ke bahasa Inggris untuk kepentingan imperialisme. Penjajahan tersebut menyebabkan penderitaan, kelaparan dan kemiskinan. Melalui dialog-dialognya tercermin bahwa bangsa Inggris ingin melenyapkan budaya serta bahasa Irlandia, lalu menggantinya dengan budaya dan bahasa Inggris yang dianggap lebih modern.
Uncovering the Self: Psychological Growth in Loulie al-Nazari’s Journey in The Stardust Thief Tito Mahesa Wijaya; Ambar Andayani
Proceeding of Conference on Literature, Linguistic, and Cultural Studies Vol. 6 No. 1 (2026): Vol. 6 No. 1 (2026): UNCOLLCS: PROCEEDING RESEARCH ON LITERARY, LINGUISTIC, AND
Publisher : Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/pcllcs.v6i1.6942

Abstract

This research investigates the psychological transformation of Loulie al-Nazari, protagonist of Chelsea Abdullah’s The Stardust Thief, by combining Christopher Vogler’s twelve-stage adaptation of Joseph Campbell’s monomyth with Carl Jung’s theory of archetypes. Three aims guide the study: identifying how Vogler’s twelve stages manifest in Loulie’s narrative arc, determining which internal and external factors drive her psychological development, and evaluating the resulting shift in her identity and self-perception. A qualitative descriptive design, supported by close reading and content analysis of the novel as primary data, is used to reach these aims. Results indicate that Loulie’s arc realizes all twelve of Vogler’s stages, opening with a forced call to adventure and advancing through mounting trials before reaching a decisive reckoning with her hidden past inside the ruins of the Queen of Dunes. Jung’s archetypes account for the internal dimension of this development: the Shadow surfaces as the grief she buries after her tribe’s destruction, the Persona takes shape as the Midnight Merchant guise she uses for self-protection, and the Animus emerges in the resilience and nerve she calls upon across the quest. Externally, the surrounding cast enacts Vogler’s archetypal roles, Qadir as Mentor, Omar as Shadow, Mazen as Ally, and Aisha as Shapeshifter. As the narrative closes, Loulie edges toward individuation, reclaiming a name and history she once suppressed and arriving at a more unified sense of self. The research concludes that Abdullah’s novel illustrates the continued cross-cultural relevance of the Campbell–Vogler model.
A psychoanalytic study of Theodore Decker's trauma in Donna Tartt's The Goldfinch Muhammad Rijal Aziz; Ambar Andayani
Proceeding of Conference on Literature, Linguistic, and Cultural Studies Vol. 6 No. 1 (2026): Vol. 6 No. 1 (2026): UNCOLLCS: PROCEEDING RESEARCH ON LITERARY, LINGUISTIC, AND
Publisher : Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/pcllcs.v6i1.6953

Abstract

This study examines the psychological trauma experienced by Theodore Decker, the protagonist of Donna Tartt's Pulitzer Prize-winning novel The Goldfinch (2013). Using Sigmund Freud's psychoanalytic theory as the primary framework, the research identifies the causes of Theodore's trauma, examines its effects on his behavior and psychological condition, and analyzes the defense mechanisms he employs in response to his traumatic experiences. This study applies a descriptive qualitative method, with the novel serving as the primary data source; data were collected through close reading and note-taking and analyzed by interpreting narrative passages that relate to Theodore's psychological condition. The findings show that Theodore's trauma originates from the death of his mother in a museum bombing, the bombing itself, abandonment by his father, and the resulting loss of stability and security. These experiences produce lasting psychological effects, including repressed memory, repetition compulsion, unresolved loss, and a gradually developing self-awareness. To cope with this suffering, Theodore relies on unconscious defense mechanisms, namely repression, denial, displacement, projection, and regression, alongside an emerging capacity for self-awareness and acceptance. The study concludes that trauma in the novel functions not as a temporary reaction but as an ongoing psychological process, and that partial healing becomes possible through growing self-understanding and meaningful human connection.
Co-Authors Ali Mustofa Angelina Merici Mbambut Bambang Sigit Pramono Bambang Sigit Pramono Basuki, Edi Pujo D Jupriono D. Jupriono D. Jupriono Eko Susanto Gede Sarya Laily Endah Fatmawati Muhammad Rijal Aziz Tito Mahesa Wijaya Wahyu Kuncoro Y.B. Agung Prasaja