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Journal : Muslim English Literature

Deconstruction of the Main Protagonists in Ausma Zehanat Khan’s The Unquiet Dead Nouval, Luthfialdi; Utami, Mira
Muslim English Literature Vol. 3 No. 1 (2024): Muslim English Literature
Publisher : UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/mel.v3i1.39451

Abstract

Jacques Derrida coined two Deconstruction concepts: Binary Opposition and Logocentrism used to analyze the protagonist characters: Esa Khattak and his junior, Rachel Getty, in Ausma Zehanat Khan’s The Unquiet Dead (2013). The binary opposition analysis is used to reveal the binary of the character and its opposition. The results of the analysis show that Khattak as the main protagonist has Good Superior and Resolute traits as his dominant binaries; while Rachel Getty’s central binaries are Forthright and Independent. The concept of logocentrism is decentralizing the dominant binary to create a new center by putting it under erasure. Khattak is symbolized as Justice because his main binary represents the characteristics of justice which is associated with real-world, such as courts. Rachel Getty is symbolized as Feminism because the leading binary represents the characteristics of Feminism which is associated with examples of feminist such as Kartini as the independent women. Thus, Kahn’s novel reconstructs the protagonist characters to question our binary perspectives, such as good/bad, justice/injustice, and feminist/masculine.
Muslim Stereotypes, the “Other”, and the Consequences in Kamila Shamsie’s Home Fire Akbar, Jawad; Mira Utami
Muslim English Literature Vol. 4 No. 2 (2025): Muslim English Literature
Publisher : UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/mel.v4i2.48684

Abstract

This study examines the stereotypical portrayal of Muslims in Kamila Shamsie’s Home Fire as the “Other” within an Orientalist framework. Stereotyping is understood as a prejudiced, exaggerated, and often inaccurate set of beliefs attached to particular groups, while Orientalism refers to the Western tradition of depicting the East as inferior, backward, and threatening. The novel reflects these intersecting paradigms through its representation of Muslim characters particularly the Adil Pasha’s family, and, more specifically the treatment on Parvaiz Pasha after his involvement with a militant organization. Despite his British citizenship, Parvaiz is denied burial in Britain, symbolizing his repositioning from citizen to outsider. The textual analysis undertaken in this study, grounded in Allport’s (1954) theory of stereotyping and Said’s (1978) theory of Orientalism, reveals how Muslims are framed as inherently suspect, dangerous, or undeserving of equal rights. The research demonstrates that Shamsie’s narrative exposes deeply embedded Western biases that continue to shape the experiences of Muslim communities in diasporic contexts. Ultimately, the study highlights how the novel challenges the dominant Orientalist discourse by foregrounding the human consequences of stereotyping, marginalization, and exclusion.