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All Journal Gondang: Jurnal Seni dan Budaya Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Jurnal Seni Makalangan Jurnal Abdimas Mahakam Tamumatra : Jurnal Seni Pertunjukan
Dwindy Putri Cufara
Institut Seni Budaya Indonesia Aceh
Arts Humanities Economics, Econometrics & Finance Education Law, Crime, Criminology & Criminal Justice Public Health Social Sciences

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Creation Leumo Lon Sayang, Sayang Na Leumo Dance as a Criticism of Aceh Besar Regent Regulation No.5/2021 Cufara, Dwindy Putri; Permata, Magfhirah Murni Bintang
Gondang: Jurnal Seni dan Budaya Vol. 7 No. 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.50689

Abstract

Public order is an ideal that can create calm, comfort and tranquility in people's lives. However, this is still far from being felt by the people of Jantho City, Aceh Besar Regency. This is due to the large number of livestock roaming around in public places such as residential areas, offices, parks, roads, etc. The rise in cases such as accidents, crop destruction and environmental pollution caused by animal waste needs to be a cause for concern. The regional government through Aceh Besar Regent Regulation No.5/2021 concerning Procedures for Controlling Livestock in Aceh Besar Regency has made efforts to prevent and resolve the above problems. In fact, until now the government seems to have turned a blind eye to what is happening in public. This needs to be a common concern in order to create order in livestock that is oriented towards orderly community life. This phenomenon is interesting to actualize in the form of a dance work entitled "Leumo Lon Sayang, Sayang Na Leumo". The aim of this research is to create a dance as criticism regarding Aceh Besar Regent Regulation No.5/2021. The method used in this research is Alma Hawkins method which consists of exploration, improvisation and forming. <w
Bungong Rencong: Representation of the Fighting Spirit of Inong Balee in Aceh into Dance Creation Cufara, Dwindy Putri; Gusmanto, Rico
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i2.63564

Abstract

Inong Balee was Aceh's war fleet led by Indonesia's first female admiral, Keumalahayati. Inong Balee consisted of widows who lost theirhusbands in the war and girls who fought against the invaders. The progress of this fleet is represented as a Lioness standing proudly on the ship of the Sultanate of Aceh. This work emerged from the fighting spirit of heroic women. This Inong Balee spirit influenced the emancipation of Acehnese women. This is what makes Aceh women different from women in other regions, where Aceh women are known to have a tough nature.This spirit is interestingly implemented in the form of abstract dance artworks. The purpose of this research is to create an abstract dance artwork that represents the Lioness in the fighting spirit of Inong Balee in Aceh as a pioneer of emancipation. The method used is the creation method byAlma Hawkins which consists of exploration, improvisation, and formation. This research is expected to answer global challenges related to women's issues, especially women in social status. With the achievement of the objectives of this research, the research output can be targeted, namely a dance artwork entitled Bungong Rencong, a scientific article in an accredited national journal, and a copyright certificate for the artwork.
Dialog Bunyi: Reinterpreting Uroh Rapai as a Manifestation of Social Piety in Musical Composition Karina, Angga Eka; Cufara, Dwindy Putri; Darlija, Toza; Anugerah, Riqi
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 2 (2025): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i2.69251

Abstract

This research aims to investigate the uroh rapai tradition in North Aceh, focusing on rapai pase, a unique form of Acehnese membranophone that is performed in competitive settings. The study emphasizes the philosophical and social dimensions of uroh rapai by interpreting it as a manifestation of social piety. Employing a practice-led approach, where the creative process itself becomes the core of inquiry, the study integrates three fundamental principles of piety: habluminallah (human relationship with God), habluminannas (human relationship with others), and habluminalalam (human relationship with nature). Data were collected through literature review, direct observation of uroh performances, and in-depth interviews with syeh rapai and players. These insights were then transformed into an experimental musical composition entitled Dialog Bunyi. The result is in a form of composition, structured into three segments; first, natural soundscapes symbolizing ecological harmony, second, instrumental interaction as a metaphor of social solidarity; and third, rapai rhythms and devotional chanting as an expression of spiritual devotion. Its premiere performance demonstrated how traditional art can be recontextualized into contemporary works, rooted in Acehnese identity. The research contributes a new methodological and pedagogical model for tradition-based music studies, offering a way to preserve and creatively reinterpret cultural heritage.
Nada-Nada Persatuan: Manifestation of the Third Principle of Pancasila in the Meugang Through Experimental Music Gusmanto, Rico; Cufara, Dwindy Putri; Wirandi, Rika
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 2 (2025): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i2.69308

Abstract

Meugang is a tradition of the Acehnese people that is carried out before Ramadan, Eid al-Fitr, and Eid al-Adha, and is rich in values of togetherness and mutual cooperation. These values are in line with the third principle of Pancasila, namely “Indonesian Unity”. Previous studies have focused on meugang as a cultural and social tradition but have not explored its ideological dimension nor its potential as the conceptual basis for musical experimentation. This research fills that gap by applying a practice-led artistic research approach, integrating observation, and interviews with Meugang practitioners. This music inspired by Cage’s sound philosophy and Lachenmann’s concept of musique concrete instrumentale. the result is an experimental music titled  Nada-Nada Persatuan (Tones of Unity), structured around three core values of mutual cooperation namely unity, harmony, and balance. The study finds that music can function as both aesthetic construction and an ideological metaphor, enabling local cultural practices to articulate national identity through sound. This research contributes to the discourse on Indonesian experimental music by demonstrating how cultural-ideological concepts can be systematically translated into sonic structures.
Co-Authors Angga Eka Karina Anugerah, Riqi Dahlia, Putri Darlija, Toza FANI DILA SARI Ihsan, Rivaldi Kafri, Saniman Andi Magfhirah Murni Bintang Permata Muhammad Tahir Oktavianus Oktavianus Permata, Magfhirah Murni Bintang Raden Mohamad Herdian Bhakti RICO GUSMANTO Wirandi, Rika