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All Journal Gondang: Jurnal Seni dan Budaya Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Jurnal Seni Makalangan Tamumatra : Jurnal Seni Pertunjukan Jurnal Abdimas Mahakam
Dwindy Putri Cufara
Institut Seni Budaya Indonesia Aceh
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BUEK AREK KARANG TAGUAH; PERANAN HUBUNGAN MAMAK DAN KAMANAKAN DALAM MENCIPTAKAN KEHARMONISAN Cufara, Dwindy Putri
Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Vol 13, No 1 (2017): Garak Jo Garik
Publisher : Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (340.708 KB)

Abstract

Buek Arek Karang Taguah merupakan sebuah karya tari yang bersumber dari fenomena sosial hubungan mamak dan kamanakan di Minangkabau. Hubungan mamak dan kamanakan di Minangkabau saat ini telah mengalami pergeseran nilai.  Pada dasarnya mamak merupakan pembimbing bagi kamanakan dan kamanakan dididik untuk menjadi orang yang berguna bagi kaumnya. Namun pada saat ini hal tersebut tidak terlihat lagi, mamak dan kamanakan saling acuh tak acuk dan tidak peduli. Fenomena tersebut menjadi inspirasi pengkarya dalam penciptaan sebuah seni tari. Karya ini mengaktualisasikan hubungan mamak dan kamanakan pada zaman dahulu serta pada zaman sekarang. Dengan menggunakan tipe dramatik dan tema literer, pengkarya mencoba menyampaikan harapan di mana mamak dan kamanakan seharusnya saling kerjasama dan gotongroyong demi terciptanya sebuah keharmonisan sosial. Karya ini menggunakan idiom kesenian Pesisir Selatan  seperti rabab pasisia, tari kain, dan gerak pencak silat Minangkabau sebagai landasan atau sumber penggarapan gerak serta beberapa eksplorasi gerak yang mendukung dalam penggarapan karya tari ini. Buek Arek Karang Taguah is a choreography that inspired by social phenomenon between mamak and kamanakan relationship in Minangkabau. The relationship between mamak and kamanakan in Minangkabau now is experiencing a system shift, which is basically mamak is an educator for kamanakan and kamanakan are educated to be a people who are useful for its society. However, at this point it is no longer exist mamak and kamanakan are mutually ignoring each other. These phenomenon becaming an inspiration to choreographer to create a dance. This dance actualizes the relationship between mamak and kamanakan in the past and at the present time. By using dramatic types and literer themes, choreopgrapher are trying to communicate a hope in which mamak and kamanakan should be coorporated with each other to create a social harmony. This choreography using Pesisir Selatan arts idiom, like rabab pasisia, kain dance, silat movement as the source of motion cultivation as well as some exploration that can support this dance. 
Interaksi Mamak dan Kamanakan Sebagai Sumber Penciptaan Karya Tari Buek Arek Karang Taguah Cufara, Dwindy Putri; Oktavianus, Oktavianus; Gusmanto, Rico
TAMUMATRA Vol 4, No 1 (2021)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v4i1.4745

Abstract

The social phenomenon between mamak and kamanakan in Minangkabau is the source of the creation of the dance title Buek Arek Karang Taguah. Looking at the current phenomenon, there is a dissociative interaction that causes the waning of tolerance and harmony between mamak and kamanakan. The purpose of the creation of this art is to create a work of dance art originating from the phenomenon between mamak and kamanakan which is viewed from social values and to reveal the condition of closeness between mamak and kamankan which has been reduced through dance movements. This work is done using a literary theme which is actualized in three ideas, namely; (1) expressing the relationship between mamak and kamanakan as indak bapamatang fields, (2) expressions of dissociative interactions as the cause of the breakdown of tolerance and harmony between mamak and kamanakan, (3) expressions of the relationship between mamak and kamanakan that should be in the value of cooperation. The manufacturing methods used include research, concept surgery, exploration, movement arrangement, and evaluation. The creation of this work provides knowledge about the importance of harmony between mamak and kamanakan. 
Creation Leumo Lon Sayang, Sayang Na Leumo Dance as a Criticism of Aceh Besar Regent Regulation No.5/2021 Dwindy Putri Cufara; Magfhirah Murni Bintang Permata
Gondang: Jurnal Seni dan Budaya Vol 7, No 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.50689

Abstract

Public order is an ideal that can create calm, comfort and tranquility in people's lives. However, this is still far from being felt by the people of Jantho City, Aceh Besar Regency. This is due to the large number of livestock roaming around in public places such as residential areas, offices, parks, roads, etc. The rise in cases such as accidents, crop destruction and environmental pollution caused by animal waste needs to be a cause for concern. The regional government through Aceh Besar Regent Regulation No.5/2021 concerning Procedures for Controlling Livestock in Aceh Besar Regency has made efforts to prevent and resolve the above problems. In fact, until now the government seems to have turned a blind eye to what is happening in public. This needs to be a common concern in order to create order in livestock that is oriented towards orderly community life. This phenomenon is interesting to actualize in the form of a dance work entitled "Leumo Lon Sayang, Sayang Na Leumo". The aim of this research is to create a dance as criticism regarding Aceh Besar Regent Regulation No.5/2021. The method used in this research is Alma Hawkins method which consists of exploration, improvisation and forming. <w
BABALIAK KA NAGARI SEBAGAI IDE PENCIPTAAN KARYA TARI SENANDUNG IMPIAN Oktavianus, Oktavianus; Cufara, Dwindy Putri; Gusmanto, Rico
Jurnal Seni Makalangan Vol 9, No 1 (2022): "Menggali Inspirasi Dari Tradisi"
Publisher : Institut Seni Budaya Indonesia (ISBI) Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/mklng.v9i1.2067

Abstract

ABSTRAKFenomena babaliak ka nagari yang terjadi di Minangkabau menjadi sumber inspirasi dari penciptaan karya seni tari yang berjudul Senandung Impian. Babaliak ka nagari merupakan proses pergantian sistem pemerintahan di Minangkabau yang bermula dari nagari ke pemerintahan desa dan kembali lagi menjadi nagari. Pergantian sistem pemerintahan ini menyebabkan hilangnya fungsi dan jati diri niniak mamak di Minangkabau. Karya tari ini diciptakan menggunakan tipe dramatik dengan menghadirkan berbagai konflik yang terjadi dalam fenomena babaliak ka nagari. Senandung Impian terbagi atas tiga bagian yang masing-masing berjudul (1) Perkampungan, (2) Gejolak Kaum, dan (3) Keikhlasan. Metode yang digunakan pada proses penciptaan karya ini meliputi eksplorasi, improvisasi, dan perwujudan.Kata Kunci: Babaliak Ka Nagari, Dramatik; Koreografi, Pemerintahan, Penciptaan Tari.ABSTRACTBABALIAK KA NAGARI AS A CREATING IDEA OF DANCE "SENANDUNG IMPIAN", June 2022. Babaliak ka nagari phenomenon that occurred in Minangkabau became a source of inspiration for the creation of "Senandung Impian" dance. Babaliak ka nagari is the process of changing the government system in Minangkabau which starts from the nagari to the village government and back again to the nagari. This change in government system caused the loss of function and identity of niniak mamak in Minangkabau. This dance is created using dramatic type by presenting various conflicts that occur of the babaliak ka nagari. Senandung Impian is consist of three parts, each titled is (1) Perkampungan, (2) Gejolak Kaum, and (3) Keikhlasan. The methods used in the process of creating this dance is exploration, improvisation, and embodiment.Keywords: Babaliak Ka Nagari, Dramatic, Choreography, Government, Dance Creation.
KEKITAAN : KOMPOSISI MUSIK YANG MENGUNGKAP IDENTITAS BUDAYA KABUPATEN PASAMAN BARAT GUSMANTO, RICO; CUFARA, DWINDY PUTRI; IHSAN, RIVALDI
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 23, No 1 (2021): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1357.849 KB) | DOI: 10.26887/ekspresi.v23i1.1288

Abstract

ABSTRAKRongiang Pasaman adalah seni pertunjukan yang berasal dari Kabupaten Pasaman Barat, Provinsi Sumatera Barat. Kesenian ini merupakan hasil akulturasi antara etnis Minangkabau, etnis Jawa, dan etnis Mandailing. Akulturasi merupakan salah satu faktor yang membentuk suatu identitas. Kekitaan merupakan sebuah komposisi musik nusantara yang bertujuan untuk mengungkap identitas budaya Kabupaten Pasaman Barat. Tujuan tersebut diwujudkan melalui penggarapan idiom musik dari tiga etnis di Ronggiang Pasaman yang ditinjau dari proses akulturasi budaya. Metode penciptaan yang digunakan terdiri dari observasi, elaborasi, dan realisasi. Berdasarkan hasil penelitian, toleransi dan keharmonisan antaretnis merupakan nilai-nilai penting yang terkandung dalam kesenian Rongiang Pasaman sebagai wujud identitas budaya. Nilai-nilai tersebut diwujudkan dalam dua bagian karya musik yang berjudul Kekitaan.ABSTRACTRonggiang Pasaman is a performing art from West Pasaman Regency, West Sumatera Province. This art is the result of acculturation between the Minangkabau ethnic, Java ethnic, and Mandailing ethnic. Acculturation is one of the factors that form an identity. Kekitaan is a music that aims to reveal the cultural identity of West Pasaman Regency. This purpose is realized through the cultivation of musical idioms from three ethnic in Ronggiang Pasaman as seen from the process of cultural acculturation. The creation methods used consists of observation, elaboration, and realization. Based on the research results, tolerance and interethnic harmony are important values contained in the art of Ronggiang Pasaman as a form of cultural identity. This values realized in two pieces of music entitled Kekitaan
Creation Leumo Lon Sayang, Sayang Na Leumo Dance as a Criticism of Aceh Besar Regent Regulation No.5/2021 Cufara, Dwindy Putri; Permata, Magfhirah Murni Bintang
Gondang: Jurnal Seni dan Budaya Vol. 7 No. 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.50689

Abstract

Public order is an ideal that can create calm, comfort and tranquility in people's lives. However, this is still far from being felt by the people of Jantho City, Aceh Besar Regency. This is due to the large number of livestock roaming around in public places such as residential areas, offices, parks, roads, etc. The rise in cases such as accidents, crop destruction and environmental pollution caused by animal waste needs to be a cause for concern. The regional government through Aceh Besar Regent Regulation No.5/2021 concerning Procedures for Controlling Livestock in Aceh Besar Regency has made efforts to prevent and resolve the above problems. In fact, until now the government seems to have turned a blind eye to what is happening in public. This needs to be a common concern in order to create order in livestock that is oriented towards orderly community life. This phenomenon is interesting to actualize in the form of a dance work entitled "Leumo Lon Sayang, Sayang Na Leumo". The aim of this research is to create a dance as criticism regarding Aceh Besar Regent Regulation No.5/2021. The method used in this research is Alma Hawkins method which consists of exploration, improvisation and forming. <w
Bungong Rencong: Representation of the Fighting Spirit of Inong Balee in Aceh into Dance Creation Cufara, Dwindy Putri; Gusmanto, Rico
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i2.63564

Abstract

Inong Balee was Aceh's war fleet led by Indonesia's first female admiral, Keumalahayati. Inong Balee consisted of widows who lost theirhusbands in the war and girls who fought against the invaders. The progress of this fleet is represented as a Lioness standing proudly on the ship of the Sultanate of Aceh. This work emerged from the fighting spirit of heroic women. This Inong Balee spirit influenced the emancipation of Acehnese women. This is what makes Aceh women different from women in other regions, where Aceh women are known to have a tough nature.This spirit is interestingly implemented in the form of abstract dance artworks. The purpose of this research is to create an abstract dance artwork that represents the Lioness in the fighting spirit of Inong Balee in Aceh as a pioneer of emancipation. The method used is the creation method byAlma Hawkins which consists of exploration, improvisation, and formation. This research is expected to answer global challenges related to women's issues, especially women in social status. With the achievement of the objectives of this research, the research output can be targeted, namely a dance artwork entitled Bungong Rencong, a scientific article in an accredited national journal, and a copyright certificate for the artwork.
Dialog Bunyi: Reinterpreting Uroh Rapai as a Manifestation of Social Piety in Musical Composition Karina, Angga Eka; Cufara, Dwindy Putri; Darlija, Toza; Anugerah, Riqi
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 2 (2025): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i2.69251

Abstract

This research aims to investigate the uroh rapai tradition in North Aceh, focusing on rapai pase, a unique form of Acehnese membranophone that is performed in competitive settings. The study emphasizes the philosophical and social dimensions of uroh rapai by interpreting it as a manifestation of social piety. Employing a practice-led approach, where the creative process itself becomes the core of inquiry, the study integrates three fundamental principles of piety: habluminallah (human relationship with God), habluminannas (human relationship with others), and habluminalalam (human relationship with nature). Data were collected through literature review, direct observation of uroh performances, and in-depth interviews with syeh rapai and players. These insights were then transformed into an experimental musical composition entitled Dialog Bunyi. The result is in a form of composition, structured into three segments; first, natural soundscapes symbolizing ecological harmony, second, instrumental interaction as a metaphor of social solidarity; and third, rapai rhythms and devotional chanting as an expression of spiritual devotion. Its premiere performance demonstrated how traditional art can be recontextualized into contemporary works, rooted in Acehnese identity. The research contributes a new methodological and pedagogical model for tradition-based music studies, offering a way to preserve and creatively reinterpret cultural heritage.
Nada-Nada Persatuan: Manifestation of the Third Principle of Pancasila in the Meugang Through Experimental Music Gusmanto, Rico; Cufara, Dwindy Putri; Wirandi, Rika
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 2 (2025): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i2.69308

Abstract

Meugang is a tradition of the Acehnese people that is carried out before Ramadan, Eid al-Fitr, and Eid al-Adha, and is rich in values of togetherness and mutual cooperation. These values are in line with the third principle of Pancasila, namely “Indonesian Unity”. Previous studies have focused on meugang as a cultural and social tradition but have not explored its ideological dimension nor its potential as the conceptual basis for musical experimentation. This research fills that gap by applying a practice-led artistic research approach, integrating observation, and interviews with Meugang practitioners. This music inspired by Cage’s sound philosophy and Lachenmann’s concept of musique concrete instrumentale. the result is an experimental music titled  Nada-Nada Persatuan (Tones of Unity), structured around three core values of mutual cooperation namely unity, harmony, and balance. The study finds that music can function as both aesthetic construction and an ideological metaphor, enabling local cultural practices to articulate national identity through sound. This research contributes to the discourse on Indonesian experimental music by demonstrating how cultural-ideological concepts can be systematically translated into sonic structures.
Pelatihan Rias Pengantin dan Henna Art di SOS Children’s Village Banda Aceh Dwindy Putri Cufara; Fani Dila Sari; Rico Gusmanto
Jurnal Abdimas Mahakam Vol. 6 No. 02 (2022): Juli
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24903/jam.v6i02.1596

Abstract

SOS Children’s Village Banda Aceh merupakan suatu organisasi sosial yang yang mendedikasikan diri untuk pengasuhan anak-anak dan remaja yang telah atau beresiko kehilangan orang tua. Organisasi ini memfasilitasi peserta didik dalam berbagai aspek, salah satunya adalah pendidikan dan pelatihan. Pelatihan ini bertujuan untuk mempersiapkan diri peserta didik menuju kemandirian dan membangun peluang wirausaha. Minimnya tenaga pendidik dan kegiatan yang menunjang kewirausahaan di bidang seni/budaya menjadi salah satu permasalahan yang dihadapi SOS Children’s Village Banda Aceh. Selama ini, bantuan dan dukungan yang diterima organisasi ini berasal dari kantor pusat SOS Children’s Village Indonesia dan BLK Banda Aceh, belum ada instansi perguruan tinggi yang mejadi mitra dalam pengembangan kewirausahaan, khususnya di bidang seni. Banyaknya peserta didik perempuan yang berkisar pada jenjang pendidikan SMA dan Perguruan Tinggi menjadi perhatian tim pengabdi untuk membekali mereka ilmu dan keahlian dalam menunjang peluang kewirausahaan di bidang seni, yaitu dengan mengadakan pelatihan tata rias dan henna art. Pelatihan ini berorientasi pada peluang profesi make up artist (MUA) dan henna artist (HA) yang sedang trend di masa kini serta memiliki prospek yang bagus di masa mendatang. Peluang ini tidak hanya berorientasi pada saat peserta didik telah menyelesaikan jenjang pendidikan (profesi utama), namun tetap berpeluang saat mereka masih dalam proses pendidikan (profesi sampingan). Ilmu tata rias dan henna art juga berpeluang bagi peserta didik untuk menghasilkan konten-konten kreatif yang dapat menghasilkan adsense di media sosial. Dengan demikian, pelatihan ini diharapkan dapat menjadi peluang profesi utama maupun sampingan bagi peserta didik untuk menjadi seorang MUA dan HA.
Co-Authors Angga Eka Karina Anugerah, Riqi Dahlia, Putri Darlija, Toza FANI DILA SARI Ihsan, Rivaldi Kafri, Saniman Andi Magfhirah Murni Bintang Permata Muhammad Tahir Muhammad Tahir Oktavianus Oktavianus Permata, Magfhirah Murni Bintang Putri Dahlia Raden Mohamad Herdian Bhakti RICO GUSMANTO Saniman Andi Kafri Wirandi, Rika