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All Journal Nusa: Jurnal Ilmu Bahasa dan Sastra Hexagone FRANCISOLA BAHAS BAHASA DAN SASTRA Lingua Franca: Jurnal Bahasa, Sastra, dan Pengajarannya Jurnal Pendidikan : Riset dan Konseptual Silampari Bisa: Jurnal Penelitian Pendidikan Bahasa Indonesia, Daerah, dan Asing Linguistik Indonesia Jurnal Review Pendidikan dan Pengajaran (JRPP) Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Kode : Jurnal Bahasa Alinea: Jurnal Bahasa, Sastra, dan Pengajaran DIMASATRA Indonesian Research Journal on Education Barista : Jurnal Kajian Bahasa dan Pariwisata Jurnal Pembelajaran Bahasa dan Sastra
Yuliarti Mutiarsih
Universitas Pendidikan Indonesia
Religion Arts Humanities Chemistry Economics, Econometrics & Finance Education Energy Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Physics Social Sciences Other

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Journal : Alinea: Jurnal Bahasa, Sastra, dan Pengajaran

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Denotasi Dan Konotasi Jenis Simbol Dalam Film Animasi “Le Magasin Des Suicides”: Pendekatan Semiotika Teori Barthes Putri, Andina Noviyanti; Mutiarsih, Yuliarti; Widawati, Rika
Alinea: Jurnal Bahasa, Sastra dan Pengajaran Vol. 5 No. 2 (2025): Alinea: Jurnal Bahasa, Sastra, dan Pengajaran
Publisher : Bale Literasi: Lembaga Riset, Pelatihan & Edukasi, Sosial, Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58218/alinea.v5i2.1778

Abstract

Animated films serve not only as entertainment but also as a medium for conveying social criticism through symbolic representation. This study aims to examine the denotative and connotative meanings of verbal and nonverbal symbols in the animated film Le Magasin des Suicides using Barthes semiotic approach. A descriptive qualitative method was employed, with observation and note-taking techniques to identify scenes containing symbolic representations of death. Data were selected purposively from key scenes that illustrate death-related symbolism and analyzed through Barthes theory of signs. The findings reveal that symbols such as hanging ropes, poison, knife, promotional slogans, and coffin-shaped birthday cakes not only carry literal meanings but also convey ideological critiques related to nihilism, consumerism, and the commodification of death in modern society. The film reflects how death is normalized and commodified within daily routines through dark humor. Thus, this animated film functions not merely as entertainment but as a form of social commentary, revealing how modern culture constructs and interprets the concept of death.
Co-Authors Adisti Dwi Utami Almeyda Leonita Wardhaya Anshary, Dinan Ar-Rosyad, Muhammad Nazhif Sabil Athifatuzzahra, Salma Dadang Sunendar Dante Darmawangsa Desram Maharani Dudung Gumilar Faharrashid, Febryan Farida Amalia, Farida Hawsindy, Chelsea Nathania Hesty Seftia Anggraeni Hesty Seftia Anggraeni Icha Priliskha Yunisty Icha Priliskha Yunisty Iim Siti Karimah, Iim Siti Iis Sopiawati Ilham , Daffy Muhammad Lorenzi, Analeila Devira Maharani, Desram Maulana, Muhamad Irwan Muhamad Irwan Maulana Nurul Hayana OKTAVIAN, Alvani PRAMESTI, Rita Putri, Andina Noviyanti RACMADHANY, Ariessa Resmisari, Nissa Agniya Rifsana, Dewa Rajendra Rika Widawati, Rika Rita Sabrina Zahra SALSABILLA Setiadi, Riswanda Shofa, Ghaida Nadhirah Soeprapto Rakhmat Sri Herawati Sri Herawati Syamsul Arifin Thohiroh Nurhadi, Fadillah Syaidah Tri Indri Hardini Wardhaya, Almeyda Leonita Yadi Mulyadi Yadi Mulyadi