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Hardi Hardi
Institut Seni Indonesia Padangpanjang
Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

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Tari Tanun dalam Perspektif Etnokoreologi sebagai Representasi Identitas Budaya Masyarakat Kota Sawahlunto Dindha Atika Sukma; Yan Stevenson; Hardi Hardi; Syielvi Dwi Febrianti
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/3a0ha005

Abstract

This study aims to describe and analyze the Tanun Dance from an ethnocoreological perspective as a representation of the cultural identity of the people of Sawahlunto City. The research focuses on the emergence of the Tanun Dance, its presentation form, and the socio-cultural context underlying its existence within the community. This study employed a qualitative method with a dance ethnography approach within the framework of ethnocoreological studies. Data were collected through observation, interviews, documentation, and literature review. The informants consisted of the choreographer of Tanun Dance, the first dancer, and Silungkang songket weavers. Data analysis was conducted through data collection, data reduction, data presentation, and conclusion drawing and verification. The results indicate that the Tanun Dance originated from the weaving activities (batanun) of the Silungkang community, which were later stylized into an artistic performance form. The movements in the Tanun Dance were inspired by weaving activities such as arranging threads, moving the turak, dyeing yarn, and tidying woven fabrics. Performance elements including movements, musical accompaniment, properties, costumes, floor patterns, and presentation structure represent the socio-cultural life of the weaving community. The Tanun Dance functions not only as entertainment, but also as a medium for cultural preservation, cultural education, and a symbol of cultural identity of the Sawahlunto community. Through an ethnocoreological approach, the Tanun Dance is understood as a cultural product reflecting the values of perseverance, patience, skill, and the collective memory of the Silungkang community toward the songket weaving tradition as local cultural heritage.
Tor-Tor Raja-Raja sebagai Identitas Budaya Masyarakat Jorong Silayang Kecamatan Ranah Batahan Kabupaten Pasaman Barat Zahratun Nisa; Hardi Hardi; Auliana Mukhti; Oktavianus Oktavianus
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/hcccn940

Abstract

This research aims to examine Tor-tor Raja-Raja as the cultural identity of the Mandailing community in Jorong Silayang, Ranah Batahan District, West Pasaman Regency. This study employed a qualitative method with a descriptive approach to describe factually the existence and implementation of Tor-tor Raja-Raja in community life. The theories used in this research are cultural identity theory by Alo Liliweri and Jonathan Rutherford, as well as performance structure theory by R. M. Soedarsono. Data collection techniques included observation, interviews, and documentation involving traditional leaders, artists, and local community members. The results show that Tor-tor Raja-Raja is a cultural identity passed down from generation to generation and is still preserved today. This dance is characterized by performers from traditional leadership groups or kings, an odd number of dancers, and performances limited to certain traditional ceremonies such as weddings and welcoming honored guests. Furthermore, Tor-tor Raja-Raja functions as a means of respect, reinforcement of customary values, and social communication within Mandailing society.      
Kreativitas Musrizal Pada Sanggar Seni Karang Taruna Dalam Mengembangkan Tari Piring Arak-Arakan Pada Masyarakat Nagari Batu Banyak Kabupaten Solok  Provinsi Sumatera Barat Monicha Antoni; Ninon Syofia; Hardi Hardi; Eva Riyanti
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 1 (2026): JANUARI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/6r15vr65

Abstract

This study aims to discuss Musrizal's Creativity at the Karang Taruna Art Studio in Developing the Arak-arakan Plate Dance in the Batu Banyak Nagari Community, Solok Regency, West Sumatra Province. The method used in this study is a qualitative method with a descriptive-analytical approach, namely describing real data as found in the field and then analyzing it in depth. This study uses theories or expert opinions including the opinion of Y Sumandiyo Hadi about dance forms, and the opinions of Conny R Semiawan and Surya Pena Gemilang about creativity. The results of this study indicate that this Arak-arakan plate dance as a form of entertainment developed by Tri Murni, agreed by traditional leaders and community leaders of Batu Banyak Nagari, to be performed during the bridal procession either from the house of the groom's bako (marapulai) or from the house of the bride's bako, (anak daro), can also be performed at the procession from the bride's house to the groom's house (marapulai).
Co-Authors Auliana Mukhti Dindha Atika Sukma Eva Riyanti Monicha Antoni Ninon Syofia Oktavianus Oktavianus Syielvi Dwi Febrianti Yan Stevenson Zahratun Nisa