Article Per Year (5 Year)
p-Index From 2021 - 2026
0.444
P-Index
This Author published in this journals
All Journal Atrat: Jurnal Seni Rupa JUARA: JURNAL WAHANA ABDIMAS SEJAHTERA
Wawan Suryana
Unknown Affiliation
Arts Humanities Education Engineering Environmental Science Social Sciences

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
PENINGKATAN DAYA SAING MASYARAKAT: PEMBUATAN KAIN KANVAS LUKIS DENGAN TEKNIK PELABURAN MENGGUNAKAN LITHOPON DI PESANTREN RANCA HERANG, DESA CIBOGO, BANDUNG Wawan Suryana; Ariesa Pandanwangi; Ismet Zainal Effendi; Sharon Elnissi; Farhan Deniansha
JUARA: Jurnal Wahana Abdimas Sejahtera Volume 2, Nomor 1, Januari 2021
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1168.408 KB) | DOI: 10.25105/juara.v2i1.8731

Abstract

Cibogo Village, Kodya Bandung is located behind the Maranatha Christian University campus. The village has a Islamic boarding school (Pondok Pesantren) Ranca Herang which is currently actively inhabited by students and female students. These students focus on studying religion, at the end of the year they are always ready to go into society and be independent. On that basis, the pesantren submitted a letter to the Fine Arts Study Program with the aim of getting training from lecturers and students, namely skills that can increase community competitiveness. The method of implementing this activity uses mentoring methods and practical methods. This activity is in the form of training in making painted canvas cloth with the laying technique using a lithophone. This solution was given because the large number of requests for canvas from schools in the city of Bandung had not been fulfilled. Apart from providing training, this program also provides insight into the tools and materials for creating fine arts. The results of this training are carried out in stages and the results show that they are able to make canvas cloth practically, it is hoped that those who acquire these skills will later become provisions to earn a living from making canvas paintings so that they can improve their standard of living, over life, during life community life.
ANGSA DAN FIGUR DIRI PEREMPUAN: KARYA LUKIS SENI KONTEMPORER BERBASIS FANTASY ART Olivedia Justin Wijaya; Callula Manika Syaffiya; Erika Ernawan; Wawan Suryana
ATRAT: Jurnal Seni Rupa Vol 13 No 2 (2025): PERANAN SENI TRADISI DALAM PERKEMBANGAN KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i2.4615

Abstract

This work discusses the use of visual metaphors and paradoxical structures in the creation of contemporary artworks themed around fragility in the face of social stereotypes. The swan was chosen as the main metaphor because of its ambiguous nature; graceful yet defensive, thus able to represent the psychological condition of a representative work. This method is used to analyze the works, utilizing the language of metaphor to form women in the face of social pressure. This paper aims to describe the meanings contained in the figure of the swan and the female self in the paintings created. The method employed is a creative research approach, analyzing works through the lens of metaphor to create used is a creative research method, analyzing the works using the language of metaphor to form a representative work through a personal journey of interacting with the social environment. The results of the study show that the representation of the swan and the female figure present a visual dynamic that reveals fragile beauty with hidden strength. This paradox is deepened through a pop-surrealist style that combines reality and fantasy to highlight the difference between external perception and personal experience. The research findings confirm that social stereotypes about fragility are insufficient to represent the diversity and complexity of female identity. The conclusion of the research shows that the work not only displays metaphorical aesthetics but also forms a reflective space for the audience to think more critically about how society generalizes individual conditions and more to appreciate the presence and uniqueness of each individual.
Co-Authors Ariesa Pandanwangi Callula Manika Syaffiya Erika Ernawan Farhan Deniansha Ismet Zainal Effendi Olivedia Justin Wijaya Sharon Elnissi