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Legal Protection of Children’s Personal Data in The Digital Age in Indonesia A Comparative of Government Regulation Number 17 of 2025 and General Data Protection Regulation Uni Eropa Yessi Ainurohwati; Andry Setiawan
Law Research Review Quarterly Vol. 12 No. 5 (2026): Special Edition Part 1
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/lrrq.v12i5.48097

Abstract

Advances in digital technology increase the risk of misuse of children’s personal data, thereby placing children as a vulnerable group in the digital space. This study aims to analyze the legal protection of children’s personal data under Government Regulation No. 17 of 2025 and compare it with the European Union’s General Data Protection Regulation. The focus of the study lies on the ability of Government Regulation No. 17 of 2025 to provide protection for children’s personal data. This study employs a normative legal methods using a legislative and comparative law approach. The findings indicate that Government Regulation No. 17 of 2025 has established protections through age limits, parental consent, age verification, supervision, and administrative sanctions. However, these provisions remain focused on administrative compliance and are not yet supported by adequate mechanisms for the restoration of children’s rights, including compensation and data deletion, as well as the absence of an independent supervisory authority. This study recommends strengthening aspects of implementation, institutional framework, and recognition of substantive rights so that the protection of children’s personal data can function optimally.
The Legality of Copyright of Artificial Intelligence Video Works on the SORA Platform Under Intellectual Property Law Vincentius Pieter Noehveltino Bonitu Suri; Andry Setiawan
Law Research Review Quarterly Vol. 12 No. 5 (2026): Special Edition Part 1
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/lrrq.v12i5.53989

Abstract

The rapid emergence of Generative artificial intelligence, particularly the Sora platform's text-to-video capabilities, presents unprecedented challenges to the anthropocentric foundations of Indonesian copyright law. The main problem lies in the legal vacuum regarding the authorship and originality of AI-generated videos, as traditional frameworks strictly require a human's personal touch and intellectual contribution. This research aims to analyze the copyright legality of Sora-generated videos under Law Number 28 of 2014 concerning Copyright, compare the regulatory approaches of the United States and China, and evaluate the juridical consequences of this legal vacuum on the creative industry. This study employs a normative legal research method using statutory, conceptual, and comparative approaches. The findings reveal that under Indonesian law, videos generated purely by AI operate outside the scope of copyright and fall into the Public Domain unless a substantial human intervention is proven. Comparatively, the US strictly denies AI authorship based on the idea-expression dichotomy, whereas China progressively recognizes complex prompt engineering as a protectable human intellectual investment. The study concludes that Indonesia must navigate a middle-ground approach by officially recognizing the category of "AI-assisted Works." To prevent industry disruption such as copyright trolling and the spread of low-quality content, the government is urged to update current regulations and establish a specific verification test that requires creators to submit evidence of their iterative creative process and editorial control as a prerequisite for copyright protection.
Juridical Review of Singer’s Voice Publicity Rights in AI Use on Digital Media Platform Sisca Mustika Tiara; Andry Setiawan
Law Research Review Quarterly Vol. 12 No. 6 (2026): Special Edition Part 2
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/lrrq.v12i6.59280

Abstract

The development of Artificial Intelligence (AI) has significantly transformed the creative industry. One emerging phenomenon is the use of AI voice cloning technology, which enables the replication of singer's voices without the direct involvement or consent of the original voice owners. This practice raises complex legal issues, particularly concerning the protection of singer's right of publicity as part of their personal and commercial identity. This study examines two primary issues: the juridical review of singer's right of publicity in Indonesia and the forms of legal liability arising from the use of AI on digital media platforms. This research employs a normative juridical method with statutory and conceptual approaches, utilizing primary legal materials in the form of relevant legislation and secondary legal materials derived from legal literature and scientific journals. The results indicate that Indonesia has not yet explicitly regulated the protection of singer's voices as an object of right of publicity. However, legal protection may be afforded through the analogy of existing regulations, namely the Copyright Law (UUHC), the Personal Data Protection Law (UU PDP), and the Electronic Information and Transactions Law (UU ITE), as well as through civil liability mechanisms, including cease and desist notices (somasi) and tort claims based on PMH in accordance with the applicable legal provisions. Given the absence of specific regulations governing publicity rights, amendments to the Copyright Law (UUHC) are necessary to ensure effective legal protection and legal certainty for stakeholders in the creative industry, particularly singers, in the era of artificial intelligence.