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All Journal Research Report - Social Science Jurnal Ruas (Review of Urbanism and Architectural Studies) Jurnal RISA Sabangka Abdimas Jurnal Pengabdian Masyarakat Sabangka
Sudianto Aly
Program Studi Arsitektur Universitas Katolik Parahyangan
Humanities Civil Engineering, Building, Construction & Architecture Economics, Econometrics & Finance Environmental Science Industrial & Manufacturing Engineering Social Sciences Other

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Gambar Terukur Konteks Pelestarian Arsitektur Masjid Ki Buyut Trusmi Cirebon Suryono, Alwin; Aly, Sudianto; RS, Amirani; Subagyo, Irma; Suriansyah, Yasmin
RUAS Vol. 20 No. 2 (2022)
Publisher : Departemen Arsitektur Fakultas Teknik Universitas Brawijaya, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.ruas.2022.020.02.11

Abstract

Several heritage buildings dating back the ancient history of the Ki Buyut Trusmi Cirebon site have been renovated and new buildings added. This paper aims to examine measured drawings related to the absence of original architectural documents. The method consists of field observation, expression of cultural meaning and significant architectural elements, as well as measured drawing studies. The heritage of Hindu-Javanese architecture has historical significance as a tomb complex based on an 1898 map, which is still in great demand by pilgrims. The significance of Hindu-Javanese architecture is related to the position of the mosque in the tomb complex, the gate leading to the complex, the complex gate, the barrier wall, and the complex fence. The manifestation of Javanese architecture can be found in the building of the mosque with a three-tiered roof, connected to the two-level roof porch, and a place for ablution on the north side. The social meaning is related to the traditional events of procession, roof changing, Trusmian and the commemoration of the birth of the Prophet Muhammad SAW which has been preserved until now. Measured drawings of the situation of the mosque and the plans of the building reveal that the appearance of the complex is strictly limited to the main prayer rooms (signifying Javanese architecture), not yet accompanied by gates and barrier walls (indicating Hindu-Javanese architecture), for historical-archaeological relics. The measured image of the main door of the mosque (amounting to a height of 152 cm) shows the tradition of bowing respectfully when entering the prayer room (signifying Javanese Architecture). Hindu-Javanese architectural elements should also be recorded in measured drawings.
TATA RUANG DAN BENTUK ARSITEKTUR JAWA PADA RESTORAN PLATARAN DHARMAWANGSA DI JAKARTA Widhianingtyas, Audy; Aly, Sudianto
Jurnal Riset Arsitektur Vol 7 No 01 (2023): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v7i01.6364.84-99

Abstract

Abstract - Indonesia’s rich culture can be reflected by its traditional architecture, one of which is Javanese architecture with its meaningful philosophies. Unfortunately, the existence of traditional Javanese architecture in this modern era is fading. Plataran Dharmawangsa exists as an example of the preservation of Javanese architecture which is still popular today, even though it has undergone some adjustments both in function and design. This has sparked an interest on studying the space and form of Javanese architecture in Plataran Dharmawangsa restaurant in Jakarta. In order to obtain answers for the question, a study for theories to underlie this research was conducted. The theory studied are theories of spatial layout and form of Javanese architecture, in terms of orientation, zoning and spaces, forms of traditional-building, space-forming elements (head-body-feet concept), structure and construction, and ornamentation. A summary as analysis tool is then obtained. In Chapter 3, the object of research, Plataran Dharmawangsa, is presented related to the theory of Javanese architecture that has been studied in chapter 2, starting from aspects of orientation, zoning, space, mass, space-forming elements, structures, and ornaments, through photographs and descriptions. This presentation focuses on the Sedap Malam Room, Kenanga Room, Melati Room, Kantil Room, and Surau. In Chapter 4, the application of spatial layout and form of Javanese architecture to the object is analyzed using the analytical tools from chapter 2, the results are determined by parameters of ‘appropriate’, ‘adjusted’, or ‘not suitable’, and then summarized. In Chapter 5, it is concluded that the spatial layout and form of Javanese architecture at the Plataran Dharmawangsa restaurant in Jakarta can be found with slight adjustments in three aspects. In terms of space, aspects of spatial orientation and zoning have shifted due to geographical factors and different function. In terms of form, the adjustment is in the aspects of the elements that make up the space, especially the wall variables which are now combined with more transparent materials. This supports harmony with nature and unites the diversity of facades at Plataran Dharmawangsa. These application of layout and form of Javanese architecture are now a characteristic and an added value for Plataran Dharmawangsa restaurant, with restaurant’s activities that can still be well accommodated. Keywords: spatial layout, form, Javanese architecture, restaurant, Plataran Dharmawangsa, Jakarta
Co-Authors Agustinus Febi Dwi P Alwin Suryono Amirani RS Audy Widhianingtyas Hanin Ayudhiya, Athaya Irma Subagio Irma Subagyo P. C Suroso Ritva Santoso, Amirani RS, Amirani Santoso, Amirani Ritva Siwi Nugraheni Srikanti Wijayaputri, Caecilia Subagyo, Irma Sylvia Milleni Widhianingtyas, Audy Wijayaputri, Caecilia Srikanti Yasmin Suriansyah