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All Journal Transformatika: Jurnal Bahasa, Sastra, dan Pengajarannya Kandai Journal of Education Research Jurnal Ilmu Pendidikan dan Kearifan Lokal (JIPKL) Sintaks: Jurnal Bahasa dan Sastra Indonesia Hortatori : Jurnal Pendidikan Bahasa dan Sastra Indonesia Mantra Jurnal Sastra Indonesia (Sastra, Bahasa, Budaya) TRANSFORMATIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Belajar Bahasa : Jurnal Ilmiah Program Studi Pendidikan Bahasa dan Sastra Indonesia
Rahmin Meilani Putri
Program Studi Sastra Indonesia Fakultas Psikologi Dan Humaniora Universitas Teknologi Sumbawa, Indonesia
Arts Humanities Education Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

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Patu Mbojo: Sastra Lisan Bima dalam Kajian Stilistika Putri, Rahmin Meilani
TRANSFORMATIKA Vol 9, No 2 (2025): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA
Publisher : Universitas Tidar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/transformatika.v9i2.9630

Abstract

This research discusses the language style in patu mbojo. Because the whole poem is the content (it does not have a cover like pantun in general), patu becomes a medium of communication that is quite dense in meaning in the process of achievement. The data in this study consisted of eight parts chanted by two speakers, male and female. The purpose of this study is to find and identify the number of language styles used in the whole poem. The qualitative method is considered appropriate for this research and applies the method of listening and recording with descriptive analysis. The study used in this research is stylistic study. The language styles found in patu mbojo are divided into four, namely based on the selection of words, tone (the medium language style in patu mbojo aims to create a happy and peaceful atmosphere, so the tone contains humor or something fun), sentences (climax, anticlimax, parallelism, and repetition; anaphora and mesodiplosis), and directness of meaning (rhetorical; alliteration, assonance, apophasis or preterition, pleonasm, silepsis, hyperbole, and paradox and figurative language styles; simile, antonomasia, sarcasm, and pun or paranomation). Overall, the language style used is a conversational language style that is rich in various kinds of allusions to beautify and sharpen the meaning in the overall content of the poem.
Patu Mbojo: Sastra Lisan Bima dalam Kajian Stilistika: Patu Mbojo: Bima Oral Literature in Stylistic Studies Meilani Putri, Rahmin
Transformatika: Jurnal Bahasa, Sastra, dan Pengajarannya Vol. 9 No. 2 (2025): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA
Publisher : Universitas Tidar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/transformatika.v9i2.2577

Abstract

This research discusses the language style in patu mbojo. Because the whole poem is the content (it does not have a cover like pantun in general), patu becomes a medium of communication that is quite dense in meaning in the process of achievement. The data in this study consisted of eight parts chanted by two speakers, male and female. The purpose of this study is to find and identify the number of language styles used in the whole poem. The qualitative method is considered appropriate for this research and applies the method of listening and recording with descriptive analysis. The study used in this research is stylistic study. The language styles found in patu mbojo are divided into four, namely based on the selection of words, tone (the medium language style in patu mbojo aims to create a happy and peaceful atmosphere, so the tone contains humor or something fun), sentences (climax, anticlimax, parallelism, and repetition; anaphora and mesodiplosis), and directness of meaning (rhetorical; alliteration, assonance, apophasis or preterition, pleonasm, silepsis, hyperbole, and paradox and figurative language styles; simile, antonomasia, sarcasm, and pun or paranomation). Overall, the language style used is a conversational language style that is rich in various kinds of allusions to beautify and sharpen the meaning in the overall content of the poem.
Representasi Dualitas Peran Perempuan dalam Film Siti Sutradara Eddie Cahyono: Representation of the Duality of Women's Roles in the Film Siti Director Eddie Cahyono Putri, Rahmin Meilani; Afriani, Nunung
Transformatika: Jurnal Bahasa, Sastra, dan Pengajarannya Vol. 9 No. 4 (2025): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA
Publisher : Universitas Tidar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/transformatika.v9i4.2946

Abstract

The focus of this study is to describe the role of Siti as a wife and mother who has to deal with multiple layers of economic, social, and psychological pressures as a result of having to take care of the household while also being the main breadwinner for her family. This study aims to discuss the representation of dual roles experienced by female characters in Eddie Cahyono's film Siti. This study uses a qualitative descriptive approach with narrative analysis methods to reveal the representation of economic burdens, domestic burdens, as well as identity crises and female independence experienced by the main character. The results of the study show that the film Siti strongly depicts the condition of women trapped in dual roles. The character Siti must struggle with caring for her paralyzed husband, raising her children, and working at night as a karaoke hostess to meet her family's economic needs. The film also portrays Siti's identity crisis, her emotional alienation, and her difficulty in gaining recognition for her struggles. Thus, the film Siti serves as a vivid portrayal of the reality of women living within a patriarchal system and facing structural pressures that hinder their autonomy and well-being.
Inventarisasi Tuter pada Etnis Samawa sebagai Penunjang Kebutuhan Literasi Pembaca Dini Utami, Wiwik Surya; Putri, Rahmin Meilani
Journal of Education Research Vol. 5 No. 4 (2024)
Publisher : Perkumpulan Pengelola Jurnal PAUD Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37985/jer.v5i4.1713

Abstract

Inventarisasi tuter (dongeng) khas daerah Sumbawa mendorong pelestarian budaya daerah yang mencerminkan kekayaan budaya berbentuk sastra lisan. Selain itu, penelitian ini bertujuan untuk mengumpulkan, mendokumentasikan dan menganalisis berbagai tuter pada etnis Samawa yang dikhususkan tuter atau dongeng untuk kebutuhan literasi anak pembaca dini. Inventarisasi tersebut berpeluang menunjang kebutuhan literasi anak yang dapat dilakukan sejak usia dini. Pemenuhan kebutuhan literasi tersebut pun mendukung pendidikan dan pembentukan karakter anak sejak usia dini. Hasil inventarisasi tersebut dapat dimanfaatkan sebagai media pembelajaran yang mendukung pembentukan karakter anak, meningkatkan intensitas keterlibatan keluarga atau orang tua dalam pola asuh, serta memperkaya sumber literasi yang layak dan dapat digunakan sesuai usia anak. Hasil inventarisasi dongeng (tuter) daerah Sumbawa terdapat 14 dongeng (tuter) daerah Sumbawa, akan tetapi yang sesuai untuk anak-anak usia dini hanya terdapat dua dongeng yaitu Ne Bote Ne Kakura Ne Siso dan Batu Nganga Batangko yang menceritakan tentang kepatuhan kepada kedua orang tua dan kesetiakawanan, selain itu kedua cerita tersebut syarat akan pendidikan karakter dan nilai moral yang dapat menjadi contoh baik bagi pembaca usia dini. Melalui inventarisasi tuter (dongeng) khas daerah Sumbawa dapat menjadi sarana menumbuhkembangkan semangat literasi, mencintai budaya daerah, dan mendukung pendidikan karakter pada anak usia dini.
Transformasi Subjek dalam Monolog Balada Sumarah: Perspektif Teori Slavoj Žižek : Subject Transformation in the Monologue of Balada Sumarah: The Perspective of Slavoj Žižek's Theory Ikomah, Rinda Widya; Aliurridha, Aliurridha; Putri, Rahmin Meilani
Transformatika: Jurnal Bahasa, Sastra, dan Pengajarannya Vol. 9 No. 4 (2025): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA
Publisher : Universitas Tidar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/transformatika.v9i4.3266

Abstract

This study examines the transformation of the character Sumarah in the monologue Balada Sumarah by Tentrem Lestari, drawing on Slavoj Žižek's theory. The main focus of this study is to analyze external factors, moments of emptiness, and radical actions that occur in the process of changing the symbolic order experienced by Sumarah. The purpose of this study is to understand how external events, such as the social stigma and rejection she faces, shape her awareness and radical actions as an effort to liberate herself. The method used is a qualitative approach with literary analysis, which connects Žižek's theory on the symbolic order, emptiness, and the radicalization of the subject. The results of the study show that the change in the symbolic order experienced by Sumarah is influenced not only by external factors but also by moments of emptiness that give rise to a deep awareness that drives radical actions. In conclusion, the murder committed by Sumarah is a form of self-liberation from an oppressive social order. Recommendations for further research include exploring the application of Žižek's theory to literary characters, especially monologues, and the social implications of radical actions in a literary context.
Co-Authors Afriani, Nunung Aliurridha Hasbullah Hasbullah Ikomah, Rinda Widya Muhammad Hafis Tati Hidayati Utami, Wiwik Surya