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MASKULINITAS PEREMPUAN DI BAWAH BAYANG-BAYANG FEMININ DALAM CERITA RAKYAT I MARABINTANG (Women Masculinity of the Feminine Shadow in the I Marabintang Folklore) Putri, Rahmin Meilani; Ikomah, Rinda Widya
Kandai Vol 20, No 1 (2024): KANDAI
Publisher : Kantor Bahasa Provinsi Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jk.v20i1.5921

Female Masculinity under the Shadow of Femininity in the Folktale of I Marabintang. The problem in this study is how is the nature of female masculinity under the shadow of femininity in the folklore of I Marabintang? This research aims to describe the masculinity of women in the folklore of I Marabintang. This research is a qualitative research with descriptive analysis method. The approach used in this research is a feminist approach using the concept of masculine and feminine theory. The data in this research is the folklore of I Marabintang which was booked by the Center for Language Development and Development of the Ministry of Education and Culture Jakarta in 1999. The result of this research is that the forms of masculinity in women are illustrated physically, psychologically, behaviorally, and in action. The conclusion of this research is that masculinity and femininity in women can be said to always go hand in hand. Masculine women are always overshadowed by the feminine side, and feminine women can also bring out the masculine side dominantly because of a demand. This condition makes the three female characters in the folklore I Marabintang as androgynous. Maskulinitas Perempuan di Bawah Bayang-Bayang Feminin dalam Cerita rakyat I Marabintang. Masalah dalam penelitian ini adalah bagaimana sifat maskulinitas perempuan yang berada di bawah bayang-bayang feminitas dalam cerita rakyat I Marabintang? Penelitian ini bertujuan untuk mendeskripsikan maskulinitas perempuan dalam cerita rakyat I Marabintang. Penelitian ini merupakan penelitian kualitatif dengan metode analisis deskriptif. Pendekatan yang digunakan dalam penelitian ini, yaitu pendekatan feminisme menggunakan konsep teori maskulin dan feminin. Data dalam penelitian ini adalah cerita rakyat I Marabintang yang dibukukan oleh Pusat Pembinaan dan Pengembangan Bahasa Departemen Pendidikan dan Kebudayaan Jakarta pada tahun 1999. Hasil dari penelitian ini adalah bahwa bentuk-bentuk maskulinitas pada perempuan diilustrasikan secara fisik, psikis, prilaku, dan tindakan. Kesimpulan dari penelitian ini bahwa maskulinitas dan feminitas pada perempuan dapat dikatakan selalu beriringan. Perempuan maskulin selalu dibayangi sisi feminin dan perempuan feminin dapat memunculkan sisi maskulin pula secara dominan karena adanya sebuah tuntutan. Kondisi tersebut menjadikan ketiga tokoh perempuan dalam cerita rakyat I Marabintang sebagai androgini.

Alia Swastika dalam Kuratorial Seni Rupa Indonesia Welayana, Anitalia Stefany; Ikomah, Rinda Widya
Journal of Contemporary Indonesian Art Vol 10, No 2 (2024)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jocia.v10i2.13899

This research aims to trace the trajectory of Alia Swastika (AS) in achieving her position as a leading curator in Indonesia. Using Pierre Bourdieu's theory of cultural production, this study analyzes the relationship between cultural capital and habitus that support AS in gaining legitimacy within the art field, particularly in curatorial practices. The research also examines the strategies AS employed in managing her cultural capital to reach her current status. The results show that AS does not solely rely on her inherent habitus but successfully manages the accumulation of cultural capital and employs effective symbolic strategies to secure legitimacy in the art arena.Penelitian ini bertujuan untuk menelusuri rekam jejak Alia Swastika (AS) dalam mencapai posisinya sebagai kurator terkemuka di Indonesia. Dengan menggunakan teori arena produksi kultural Pierre Bourdieu, penelitian ini menganalisis hubungan antara modal kultural dan habitus yang mendukung AS dalam memperoleh legitimasi di arena seni rupa, khususnya dalam bidang kuratorial. Penelitian ini juga mengkaji strategi yang digunakan AS dalam mengelola modal tersebut untuk mencapai posisinya saat ini. Hasil penelitian menunjukkan bahwa AS tidak hanya mengandalkan habitus yang ia miliki, tetapi juga berhasil mengelola akumulasi modal kultural dan menerapkan strategi simbolik yang efektif, sehingga memperoleh legitimasi di dunia seni rupa.

Tidak Ada Ruang untuk Bicara: Kajian Subalternitas dalam Naskah Monolog Balada Sumarah Ikomah, Rinda Widya; Aliurridha, Aliurridha
Ruang Kata Vol 5 No 01 (2025): Ruang Kata
Publisher : Universitas Ma'arif Nahdlatul Ulama Kebumen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53863/jrk.v5i01.1630

This article examines the representation of subalternity in the monologue script Balada Sumarah by Tentrem Lestari, focusing on the struggle of a woman named Sumarah who is marginalized due to the political and social stigma attached to her family, particularly after the G30S/PKI tragedy. The study aims to uncover how subaltern groups, in this case, Sumarah, attempt to speak out and seek justice within an oppressive system. A qualitative approach with text analysis is used to identify the dynamics of power, structural violence, and dominance relations reflected in the narrative. The research findings show that despite Sumarah's efforts to resist stigma through education, work, and attempts to speak in court, her voice and struggles remain ignored by the prevailing social system. Sumarah's death marks the final point, reflecting the inability of the social structure to provide space for subaltern groups to participate in the dominant discourse. The study also reveals how Balada Sumarah portrays symbolic violence and social exclusion as ongoing forms of oppression against marginalized groups

Pembuktian Satir dalam Antologi Lengkap Cerpen A.A. Navis Aliurridha; Widya Ikomah, Rinda
MABASAN Vol. 19 No. 1 (2025): Mabasan 19 (1)
Publisher : Kantor Bahasa Nusa Tenggara Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62107/mab.v19i1.1024

A.A. Navis telah lama dikenal sebagai pengarang yang mengaplikasikan satir dalam karya-karyanya. Bahkan, sayembara kritik sastra Dewan Kesenian Jakarta (DKJ) mengambil “Satirisme Navis” sebagai tema yang kemungkinan besar disebabkan mode komunikasi yang diartikulasikan Navis dalam bersusastra. Sayangnya, sampai saat ini belum ada satu pun temuan akademis yang membuktikan kebenaran satir dalam karya-karya Navis. Penelitian ini bertujuan untuk menguji kebenaran satir dalam Antologi Lengkap Cerpen A.A. Navis yang merangkum karir kepengarangan Navis dalam kurun waktu 1955—2002. Dengan terlebih dahulu membangun kerangka teoretis, penelitian ini berupaya menjawab pertanyaan akademis yang sebelumnya diterima, tanpa dipertanyakan kembali, sebagai sebuah kebenaran. Data dalam penelitian ini berupa 68 cerpen yang terangkum dalam antologi ini. Analisis data menggunakan metode pembacaan dekat yang diperkaya dengan analisis isi. Hasil penelitian mengungkap cerpen-cerpen Navis terbagi dalam kategori satir sebagai genre, satir sebagai mode atau satir yang lemah, dan satir yang tidak terlihat seperti satir. Namun, lebih banyak dari setiap kategori di atas adalah cerpen realis serius, yang kurang tepat jika diklasifikasikan sebagai satir.

Relasi Makna Sinonimi Adjektiva Waktu dalam Bahasa Indonesia Febriani, Elya; Aliurridha, Aliurridha; Ikomah, Rinda WidyA
Ruang Kata Vol 5 No 02 (2025): Ruang Kata (In Progress)
Publisher : Universitas Ma'arif Nahdlatul Ulama Kebumen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53863/jrk.v5i02.1901

This study discusses the meaning relations of synonymous pairs of Indonesian time adjectives using synonymy theory in the realm of lexical semantics. The meaning relations between synonymous words are not absolute. In certain contexts, synonymous words can be used interchangeably, but in other contexts they cannot be used interchangeably. Therefore, this study attempts to identify the distribution of patterns of use of synonymous pairs of time adjectives and what aspects differentiate the meanings of words in synonymous pairs of time adjectives. The purpose of this study is to prove the existence of differences in meaning between synonymous pairs. Data in this study were obtained from newspapers, e-books of short stories, dictionaries, and based on the researcher's linguistic intuition. This study applies a descriptive analysis method with a qualitative approach. The data collection method in this study uses the listening method with the reading and note-taking technique. Data analysis uses Simak method with the direct element sharing technique and the substitution technique. The results show that word pairs have different distributions and in certain contexts their use cannot be interchanged. This is possible because there are differences in meaning caused by differences in implications, applications, one meaning being more general than the other, taste values and differences in the variety of usage

Transformasi Subjek dalam Monolog Balada Sumarah: Perspektif Teori Slavoj Žižek : Subject Transformation in the Monologue of Balada Sumarah: The Perspective of Slavoj Žižek's Theory Ikomah, Rinda Widya; Aliurridha, Aliurridha; Putri, Rahmin Meilani
Transformatika: Jurnal Bahasa, Sastra, dan Pengajarannya Vol. 9 No. 4 (2025): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA
Publisher : Universitas Tidar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/transformatika.v9i4.3266

This study examines the transformation of the character Sumarah in the monologue Balada Sumarah by Tentrem Lestari, drawing on Slavoj Žižek's theory. The main focus of this study is to analyze external factors, moments of emptiness, and radical actions that occur in the process of changing the symbolic order experienced by Sumarah. The purpose of this study is to understand how external events, such as the social stigma and rejection she faces, shape her awareness and radical actions as an effort to liberate herself. The method used is a qualitative approach with literary analysis, which connects Žižek's theory on the symbolic order, emptiness, and the radicalization of the subject. The results of the study show that the change in the symbolic order experienced by Sumarah is influenced not only by external factors but also by moments of emptiness that give rise to a deep awareness that drives radical actions. In conclusion, the murder committed by Sumarah is a form of self-liberation from an oppressive social order. Recommendations for further research include exploring the application of Žižek's theory to literary characters, especially monologues, and the social implications of radical actions in a literary context.

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