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Kesalahan Afiksasi dalam Caption Instagram @Infojember Edisi Oktober 2022 Alfi Khoiru An Nisa; Novi Auliana Putri; Imam Baehaqie; Rustono
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 6 No 1 (2023)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v6i1.576

Abstract

This study aims to describe affixation errors in the October 2022 edition of the Instagram @infojember social media caption. Qualitative research is the type of this research that uses a descriptive approach. The October 2022 edition of Instagram @infojember social media is the research data source. The data was used in the form of affixation errors that exist in the October 2022 edition of the @infojember caption. The reading and note-taking techniques were used in this research, namely by reading each caption critically; then, if it saw symptoms of affixation errors, it was recorded and grouped according to the indicators that had been made previously. The data analysis techniques by reducing data, presenting data, and drawing conclusions. The study's results found that there are still affixation errors in the October 2022 edition of Instagram @infojember social media, namely 15 errors, with details of 7 errors in prefix errors, 3 errors in suffix errors, and 5 errors in confix errors. The data found have the same types of errors, namely in the form of prefix omission, suffix omission, and confix omission.
REPRESENTASI PENGUSAHA TRANSPORTASI TERHADAP KEBIJAKAN PPKM DI MEDIA DARING: PERSPEKTIF ANALISIS WACANA KRITIS NORMAN FAIRCLOUGH Suntoro; Rustono; Wahyudi Joko Santoso
Fon: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 18 No 1 (2022)
Publisher : Pendidikan Bahasa dan Sastra Indonesia Universitas Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/hmby2h84

Abstract

Media memiliki kuasa untuk mengangkat citra kelompok tertentu dan memengaruhi masyarakat, salah satunya pada wacana representasi pengusaha transportasi akibat kebijakan PPKM. Tujuan penelitian ini adalah menganalisis wacana representasi pengusaha transportasi terhadap kebijakan PPKM dalam pemberitaan Murianews. Metode penelitian yang digunakan adalah kualitatif dengan model analisis wacana kritis Norman Fairclough. Teknik pengambilan data menggunakan dokumentasi. Analisis data dilakukan dalam tiga tahap yaitu deskripsi, interpretasi, dan eksplanasi. Hasil penelitian ini menunjukkan bahwa ada tiga representasi pengusaha transportasi terhadap kebijakan PPKM: (1) pengusaha transportasi menyatakan menyerah dengan adanya kebijakan PPKM yang diterapkan pemerintah, (2) pengusaha transportasi telah melakukan berbagai cara untuk bertahan di masa pandemi, dan (3) kebijakan relaksasi kredit yang dikeluarkan oleh pemerintah faktanya belum mampu membantu pengusaha transportasi.
AMBIGUITY IN THE STRUCTURE OF THE THREE STAND-UP COMEDIANS' RULE: A DISAMBIGUATING STIMULUS FOR HUMOR Elsara Khairun Nisa; Rustono; Tommi Yuniawan; Rahayu Pristiwati
English Review: Journal of English Education Vol. 14 No. 2 (2026)
Publisher : University of Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/englishreview.v14i2.218

Abstract

The phenomenon of stand-up comedy relies heavily on linguistic manipulation to generate laughter. While ambiguity has been studied in various humor contexts, no research has specifically examined how Indonesian stand-up comedians exploit ambiguity within the rule of three structure to trigger disambiguation and create humorous effects. This study aims to analyze the types of ambiguity (lexical, structural, and situational) used in the rule of three pattern, describe the linguistic strategies employed to build and resolve ambiguity, and examine how disambiguation contributes to humor. Using a qualitative descriptive-analytical approach, data were collected from stand-up comedy performances on YouTube, transcribed, and analyzed using relevance theory. The findings reveal that comedians deliberately construct initial expectations in the first two sequences before introducing ambiguity in the third sequence (punchline). This ambiguity forces audiences to disambiguate sociocultural concepts such as educational quality, social piety, and economic status, with successful disambiguation producing laughter. The study concludes that ambiguity in stand-up comedy functions as a precise stylistic instrument for deconstructing conventional logic and social norms. Future research should explore sociolinguistic dimensions affecting disambiguation speed across different audience backgrounds.