Article Per Year (5 Year)
p-Index From 2021 - 2026
0.817
P-Index
This Author published in this journals
All Journal Jurnal Onoma: Pendidikan, Bahasa, dan Sastra EPIGRAM (e-journal)
Dwika Muzakky Anan Taturia
Unknown Affiliation
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

Published : 4 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search
Journal : EPIGRAM (e-journal)

 1 
EKSPLORASI KUBURAN TEPI PANTAI DESA PLAWANGAN, KECAMATAN KRAGAN, KABUPATEN REMBANG, JAWA TENGAH: KAJIAN TOPONIMI Dwika Muzakky Anan Taturia; Multamia R.M.T. Lauder
EPIGRAM (e-journal) Vol 20 No 1 (2023): Epigram Volume 20 Nomor 1 Tahun 2023
Publisher : Politeknik Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32722/epi.v20i1.5540

Abstract

Since archaeological excavations were carried out from 1977 to 1993 at the Plawangan site located on the coastal community of Plawangan Village, archaeologists suspected that this site was once a necropolis (a burial place from the first century AD). This research aims to explore the public seaside cemeteries in Plawangan Village, Kragan District, Rembang Regency, Central Java based on their necronym pattern (naming of a cemetery). This research also seeks to reveal further the existence of public seaside cemeteries in Plawangan Village during modern times by examining the collective memories and meanings of local inhabitants for the names of cemeteries. In this research, the data were collected from interviews using the Cakap Semuka Method by applying Rekam Catat Techniques, namely Migit, Mbedhodo, and Pohlendeh cemeteries. By utilizing a qualitative approach and descriptive method, the writer analyzed seaside necronyms based on Nyström's Theory of Presuppositional Meanings, namely categorical, associative, and emotive meanings. Categorically, the seaside cemeteries of Plawangan Village were influenced by myth and flora categories. From the morphophonemic process, the forms of seaside necronym are pre-fixations, ellipsis, and verb phrases. Meanwhile, based on identification of associative and emotive meanings show interesting findings about the meanings and perceptions of nowadays society regarding the reasons why there are public cemeteries were located near the beach, such as: (1) choosing the location of a public cemeteries near beach because it follows the past burial methods archaeological sites in coastal sandy soil which are believed to be able to preserve bones longer than other types of soil, (2) traces of the spread of Islam, (3) myths in society, (4) loss of the haunted impression of each grave, and (5) the haul tradition of respected religious figures.
METAFORA BERANJAK DEWASA DALAM LIRIK LAGU “TAKUT” KARYA IDGITAF: KAJIAN LINGUISTIK KOGNITIF Anan Taturia, Dwika Muzakky; Wibiasty, Patricia Elsa Marchelia
Epigram Vol 21 No 2 (2024): Epigram Volume 21 Nomor 2 Tahun 2024
Publisher : Politeknik Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32722/epi.v21i2.7156

Abstract

This study aims to analyze the metaphor of "beranjak dewasa" in the song lyrics of “Takut” by IDGITAF. Utilizing the Conceptual Metaphor Theory by Lakoff and Johnson (1980), the structural metaphors in the song's lyrics were examined through the mapping of source and target domains, as well as their image schemas. This research employs a descriptive qualitative approach. Data analysis was conducted using the distributional method and advanced techniques for immediate constituent analysis, while data collection was carried out through the observation method with note-taking techniques. The analysis revealed five structural metaphors: (1) ambisiku bergejolak, (2) antusias tak karuan, (3) mimpi yang kukejar, (4) mimpi yang terkubur, dan (5) mengorbankan waktu tidur. The image schema depicted from these metaphors is existence. The metaphor of "beranjak dewasa" represents a process filled with enthusiasm, struggle, and sacrifice. This metaphor provides a depiction for today's youth who are transitioning into their 20s, a phase where they encounter a different world where expectations do not always align with dreams or aspirations. The findings of this study affirm the song's message that every young person will inevitably go through their youth and must prepare to enter adulthood.
Co-Authors Aal Inderajati Cicik Tri Jayanti Multamia RMT Lauder Nisa Hanum Mufida Patricia Elsa Marchelia Wibiasty Siti Rahajeng NH Zahro Rokhmawati