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Komparatif Kotowaza Bahasa Jepang dan Bahasa Indonesia Berunsur Nama Hewan: Kajian Semantik Rani Arfianty
KIRYOKU Vol 7, No 1 (2023): Jurnal Kiryoku
Publisher : Vocational College of Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/kiryoku.v7i1.35-49

Abstract

Penelitian ini, menganalisis makna kotowaza yang berunsur nama hewan. Unsur pembentuk hewan dianalisis untuk mengaitkan makna kotowaza dengan kemiripan perilaku, sifat hewan itu sendiri sehingga dugaan penggunaan nama hewan tersebut pada kotowaza yang dimaksud. Penelitian ini menggunakan metode deskriptif kualitatif, analisisnya berupa penjelasan yang memudahkan pembaca untuk memahaminya. Sumber data adalah buku-buku peribahasa bahasa Jepang. Data yang diperoleh kemudian dianalisis dengan mencari padanan kotowaza pada peribahasa bahasa Indonesia. Analisis data menemukan sebanyak 22 data  kotowaza bahasa Jepang dan peribahasa bahasa Indonesia yang berpadanan makna konotasinya dan sebanyak 2 data berpadanan makna  konotasi dan denotasinya. Sebanyak 15 data kotowaza berkonotasi negatif (-) karena bermakna sindiran dan kritikan, sebanyak 7 data kotowaza berkonotasi positif (+), bermakna kebenaran ajaran hidup dan pemikiran pengetahuan hidup, dan sebanyak 1 kotowaza dapat berkonotasi positif maupun negatif (+/-) karena dapat bermakna sindiran maupun ajaran hidup, tergantung konteks pemakaiannya. Bentuk konotasi dan denotasi kotowaza bahasa Jepang dan kotowaza bahasa Indonesia. Kotowaza yang menggunakan unsur hewan ditinjau dari segi semantik memiliki makna yang hampir mirip, hanya saja hewan yang digunakan hanpir seluruhnya berbeda. Perbedaan unsur hewan yang digunakan ini tentunya berdasarkan kearifan lokal masing-masing negara yang berbeda hingga mempengaruhi unsur hewan yang muncul pada peribahasanya kedua bahasa.
Exploring Early Childhood Linguistic Intelligence Through English Language Learning Methods Gumarpi Rahis Pasaribu; Rani Arfianty; John Bunce
Innovations in Language Education and Literature Vol. 1 No. 2 (2024): DECEMBER 2024
Publisher : Universitas Sulawesi Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31605/ilere.v1i2.4337

Abstract

This study investigates the effectiveness of interactive learning methods; playing, singing, and storytelling in enhancing linguistic intelligence among early childhood learners in English language settings. Adopting a qualitative case study approach, data were collected through classroom observations, semi-structured interviews with teachers and parents, and field notes. The findings reveal that interactive methods significantly improve children's engagement, vocabulary acquisition, and ability to construct simple sentences. Activities such as singing and storytelling not only boost verbal responses but also build children's confidence in using English both in and outside the classroom. Parents observed enhanced communication skills and self-confidence at home. Additionally, these methods contributed to cognitive development, fostering critical thinking and creativity. The study concludes that interactive English learning activities are instrumental in fostering linguistic intelligence in early childhood while providing a strong foundation for future academic and communication skills. Recommendations for integrating these methods into preschool curricula are provided, highlighting their potential for global adaptation in early language education.
Representation of Honne and Tatemae in Drama “Cherry Magic Thirty Years of Virginity Can Make You A Wizard” Debora Saragih; Rani Arfianty; Meyland Tampubolon; Aura Zefanya Sitanggang
Mezurashii: Journal of Japanese Studies Vol. 7 No. 1 (2025): APRIL
Publisher : Japanese Department Faculty of Cultural Science Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/mezurashii.v7i1.12390

Abstract

ABSTRAK Studi ini menyelidiki interaksi rumit antara honne (perasaan sejati) dan tatemae (fasad sosial) seperti yang digambarkan dalam drama Jepang, "Cherry Magic." Dengan menganalisis karakter Adachi dan Kurosawa, penelitian ini mengeksplorasi bagaimana konsep-konsep budaya ini terwujud dalam hubungan interpersonal dalam konteks Jepang kontemporer. Studi ini menemukan bahwa sementara honne sering diungkapkan dalam suasana informal dan dengan hubungan dekat, tatemae umumnya digunakan dalam situasi formal atau ketika hubungan hierarkis terlibat. Penelitian ini berkontribusi pada pemahaman yang lebih dalam tentang dinamika sosial Jepang, menyoroti cara-cara bernuansa di mana individu menavigasi antara diri mereka yang autentik dan harapan masyarakat. Melalui analisis kualitatif drama, studi ini menawarkan wawasan tentang signifikansi budaya honne dan tatemae dalam membentuk interaksi interpersonal dalam masyarakat Jepang.
Analisis Pembalasan Tokoh Utama Moriguchi Yuko dalam Novel Confession karya Minato Kanae Aprilya Meta Hani; Rani Arfianty
Mezurashii: Journal of Japanese Studies Vol. 7 No. 1 (2025): APRIL
Publisher : Japanese Department Faculty of Cultural Science Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/mezurashii.v7i1.12413

Abstract

Novel karya Minato Kanae dengan judul “Confession” atau “Kokuhaku (告白)” dalam bahasa Jepang, adalah novel dengan tema balas dendam. Peneliti memusatkan fokus pada tokoh Moriguchi Yuko dalam kasus pembalasan dendamnya. Dengan metode penelitian Deskriptif Kualitatif, tujuan penelitian ini untuk menjabarkan latar belakang pembalasan Moriguchi Yuko kepada anak anak SMP yang telah membunuh anaknya, yaitu Manami. Novel Confession karya Minato Kanae juga menjadi sumber data utama dalam penelitian ini. Hasil analisis yang telah dilakukan, menunjukkan bahwa kasus balas dendam menjadi kunci utama dalam novel ini. Penggambaran tata cara penulisan novel, menggunakan narasi satu arah atau sudut pandang orang pertama, pada setiap bagan. Minao Kanae, menghadirkan cita rasa narasi baru, dengan menjabarkan setiap emosi karakter yang ada pada novel Confession. Namun, meskipun begitu, kunci novel terdapat pada karakter utama yaitu Moriguchi Yuko. Moriguchi Yuko digambarkan sebagai seorang guru SMP, dan seorang ibu tunggal yang sangat menyayangi anaknya, Manami. Semua berjalan dengan baik, sampai pada anaknya yaitu “Manami” meninggal dunia secara tidak wajar. Kemudian, mulailah berbagai macam kasus pembalasan dendam yang kompleks dan saling terikat satu sama lain, oleh Moriguchi Yuko sebagai dalang utama. Melalui novel ini, pembaca dapat mendapatkan banyak pesan moral yang berkaitan dengan Keadilan, Moralitas, dan Konsekuensi Psikologis. Kata kunci: Analisis Karakter, Minato Kanae, Confession, Moriguchi Yuko, Pembalasan Dendam The novel “Confession” (Kokuhaku, 告白) by Minato Kanae is a story with the theme of revenge. The researcher focuses on the character of Moriguchi Yuko in her case of revenge. Using a descriptive qualitative research method, the aim of this study is to elaborate on the background of Moriguchi Yuko’s revenge against the middle school children who killed her daughter, Manami. The novel *Confession* by Minato Kanae is also the primary source of data for this research. The analysis shows that the theme of revenge is a key element in the novel. The writing style of the novel uses a one-way narrative or first-person perspective for each section. Minato Kanae presents a new narrative flavor by describing the emotions of each character in *Confession*. However, despite this, the key to the novel lies in the main character, Moriguchi Yuko. Moriguchi Yuko is depicted as a middle school teacher and a single mother who deeply loves her daughter, Manami. Everything goes well until her daughter, Manami, dies in an unnatural way. Afterward, a series of complex and interconnected revenge cases begin, with Moriguchi Yuko as the mastermind. Through this novel, readers can gain many moral lessons related to Justice, Morality, and Psychological Consequences. Keywords: Character Analysis, Minato Kanae, Confession, Moriguchi Yuko, Revenge
MEANINGS AND IDENTITY SYMBOLS BEHIND DEATH: LINGUISTIC LANDSCAPE AREAS OF JAPANESE CEMETERY IN SUMATERA UTARA AND ACEH Adriana Hasibuan; Rani Arfianty
JALC : JOURNAL OF APPLIED LINGUISTIC AND STUDIES OF CULTURAL Vol. 3 No. 2 (2025): November
Publisher : Rahis Cendekia Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.65787/jalc.v3i2.635

Abstract

During the Japanese occupation of North Sumatra and Aceh, many Japanese soldiers and civilians died. Since Japanese people living in North Sumatra and Aceh did not have kamei (family name) and kamon (family symbol), they were buried in public cemeteries, such as Bukit Barisan Heroes Cemetery in Medan (TMPBB), Kerkhof Cemetery in Banda Aceh, and Japanese cemetery in Delitua, Deli Serdang district. Data were collected directly in the three cemeteries on the inscription texts of 65 headstones and texts on 14 signboards scattered in the cemetery with documentation techniques (photographs). The data totalled 367 texts, classified based on Chenoz & Gorter's (2007) Top-Down and Bottom-Up construction patterns to see the form and pattern of language use. Data analysis used Lechte's semiotic theory in Sobur (2017), text semiotics theory (Piliang: 2004), linguistic landscape theory (Landry and Bourhis: 1997) and language contestation: dominant and marginal languages were analysed with Bakhtin's theory (1981). The texts in the three burial areas are monolingual, bilingual and multilingual, namely Indonesian, Arabic, Japanese, English, Dutch and Acehnese. This indicates that Japanese burial areas are synonymous with symbols of language competence. At the TMPBB in Medan, Indonesian-Arabic is dominant, because the Japanese are Muslims and have become Indonesian citizens. Kerkhof Cemetery in Banda Aceh has four forms of language, namely Acehnese, Indonesian, Dutch and Japanese, and is dominated by Dutch graves. In the Japanese burial area in Delitua there are two forms of language, namely Japanese-Indonesian, and text written in Japanese characters. The use of language in these three Japanese burial areas is identical to the characteristics of religion, culture, social system, history, and locality. The texts also provide information messages in the form of identity, social status, prohibitions/commands, advice and sacredness. The symbols embodied in the linguistic landscape of Japanese funerals in Sumatra and Aceh are multilingual: Acehnese-Indonesian as a locality, Arabic as a symbol of Islamic religious entities, Japanese and Dutch as symbols of history and a dark colonial past, and English as a symbol of the religious tourism industry.
Idiom Bahasa Jepang yang Terbentuk dari Kata Iki: Japanese Idioms Formed from the Word Iki Syahban Danas; Rani Arfianty
Jurnal Pendidikan Bahasa Jepang Undiksha Vol. 12 No. 1 (2026): Japanese Linguistic and Language
Publisher : Undiksha Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jpbj.v12i1.103502

Abstract

Abstract Idiom is a phrase whose meaning cannot be understood just by looking at the meanings of the individual words in it. This article discusses the analysis of idioms formed from the word "Iki" in Japanese. The purpose of writing this research is to dig deeper into the understanding of the meaning of idioms in terms of their lexical and idiomatic meanings. The method used in this study is a qualitative descriptive method. The data used in this study are seven idioms formed from the word "Iki." The data source is the Shinkanzen Master vocabulary book for levels N2 and N1. The data collection technique used is library research with note-taking and data analysis techniques presented through descriptive presentation.The results of this study show that idioms formed from the word "Iki" have different meanings and uses depending on the situation and conditions, as well as the phrases that follow them, so that accuracy is needed in communicating both orally and in writing.
Strategi Pembelajaran Konjugasi Kata Kerja Bahasa Jepang pada Pembelajar Otodidak: Learning Strategies for Japanese Verb Conjugation in Self-Taught Learners Rani Arfianty; Gumarpi Rahis Pasaribu; Syahban Danas; Billy Joel
Jurnal Pendidikan Bahasa Jepang Undiksha Vol. 12 No. 1 (2026): Japanese Linguistic and Language
Publisher : Undiksha Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jpbj.v12i1.105733

Abstract

This study focuses on Japanese verb conjugation learning among beginner-level self-directed learners and to examine the relationship between learning strategies and conjugation accuracy. The research employed a descriptive quantitative approach combined with qualitative analysis involving three self-directed learners at approximately JLPT N5 level. Data were collected through a Likert-scale questionnaire on learning strategies and a conjugation test covering polite form (ます形), te-form (て形), past form (た形), negative form (ない形), and phonological changes in godan verbs. The findings indicate a positive tendency between structured learning strategies and higher conjugation accuracy. Learners who actively classified verbs, engaged in repeated practice, and performed self-correction achieved significantly higher test scores compared to those who relied primarily on exposure without systematic strategies. The most noticeable differences appeared in godan verb conjugation, which requires pattern recognition and phonological rule generalization. These results suggest that the quality of learning strategies plays a more crucial role than the amount of study time in developing a stable morphological system among self-directed Japanese language learners.
Representasi Ikigai dalam Anime Barakamon: The Representation of Ikigai in the Anime Barakamon Rani Arfianty; Ivana Hutagalung; Syifa Anggitha Hasiany Silalahi; Dhea Ananda Ashila; Jessia Sarah Simanjuntak
Jurnal Pendidikan Bahasa Jepang Undiksha Vol. 12 No. 2 (2026): Linguistic and Japanese Culture
Publisher : Undiksha Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jpbj.v12i2.109397

Abstract

This study examines how the concept of ikigai is represented in the anime Barakamon. Using a descriptive qualitative approach, the research analyzes various scenes and dialogues that portray the journey of the main character, Seishuu Handa, in discovering his true self after experiencing a career and emotional crisis. Data were collected through the identification of significant scenes, the transcription of dialogues, and thematic categorization based on the four main components of ikigai: personal enjoyment or interest, individual competence, contribution to society, and professional value potential. The findings reveal that Barakamon clearly depicts Handa's process of rebuilding his ikigai through his relationships with the villagers, self-reflection, and creative engagement in the art of calligraphy. Handa's changes in attitude and psychological development demonstrate that ikigai is dynamic, evolving through a series of experiences, failures, and social interactions. This study concludes that Barakamon provides a compelling representation of how ikigai emerges in everyday life while highlighting the relationship between Japanese cultural values and the contemporary search for meaning in life.
Onomatope Gijougo dalam Manga I Want to Eat Your Pancreas: Gijougo Onomatopoeia in the I Want To Eat Your Pancreas Manga Rani Arfianty; Viola Renata Br Togatorop; Amanda Marini Harahap; Jesica Emmenina Octaviani Br Tarigan
Jurnal Pendidikan Bahasa Jepang Undiksha Vol. 12 No. 2 (2026): Linguistic and Japanese Culture
Publisher : Undiksha Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jpbj.v12i2.109414

Abstract

Onomatopoeia is one of the distinctive features of the Japanese language that functions not only to imitate sounds but also to represent psychological states, emotions, and the inner experiences of characters. In manga, onomatopoeia serves as both a linguistic and a visual element that reinforces the conveyance of meaning. However, previous studies have predominantly focused on giongo (sound-imitating onomatopoeia), while research on gijōgo remains relatively limited. Therefore, this study aims to describe the forms, meanings, and semantic functions of gijōgo found in the manga I Want to Eat Your Pancreas by Yoru Sumino and Izumi Kirihara. This study employs a descriptive qualitative approach using the observation method (simak) and the non-participatory observation technique (Simak Bebas Libat Cakap—SBLC). The data source consists of all dialogues and onomatopoeic expressions found in the two volumes of I Want to Eat Your Pancreas. The data were collected, classified according to the categories of gijōgo, and analysed using a semantic approach while considering the narrative context and the visual elements of the manga. The findings reveal that gijōgo in the manga represents not only positive emotions, such as happiness, warmth, and excitement, through the onomatopoeic expressions ニコッ (niko) and わくわく (wakuwaku), but also negative emotions, including awkwardness, tension, anxiety, surprise, irritation, and hostility, through expressions such as しーん (shiin), ドクン (dokun), ビクッ (biku), イラッ (ira), and ギロッ (giro). The meanings of these onomatopoeic expressions are constructed through the interaction between their linguistic forms, conversational context, characters' facial expressions, and visual illustrations, thereby representing psychological states that are not always explicitly conveyed through dialogue. This study concludes that gijōgo in manga functions not only as a semantic device but also as a narrative device that contributes to characterisation, strengthens the atmosphere, and enables readers to gain a deeper understanding of the characters' emotional development.
GAIRAIGO PADA LANSKAP LINGUISTIK DI PULAU ISHIGAKIJIMA, JEPANG Gracia Agustina; Rani Arfianty; Naufal Hakim
Omiyage : Jurnal Bahasa dan Pembelajaran Bahasa Jepang Vol. 8 No. 2 (2025)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/omg.v8i2.969

Abstract

Gairaigo as foreign loanwords, have become increasingly prominent in Japan’s public spaces and reflect the interaction between global and local languages ad cultures. This study aims to analyze the forms, functions, and factors undelying the use of gairaigo on Ishigakijima Island, Ishigaki City. Data were collected using a qualitative method through observations of public signage and were analyzed based on the theoretical frameworks of linguistic landscape and sociolinguistics. The results indicate that some gairago have undergone shifts in pronunciation and word choice, although their functions and meanings without change. The adoption of gairaigo in this region is driven by three main factors: 1) the nuanced meanings of foreign words cannot be fully replaced by Japanese equivalents, (2) effectiveness and efficiency in conveying information, and (3) aesthetic value, which is perceived as more appealing and in harmony with the Japanese linguistic sensibility. These findings confirm that gairaigo function not only as a form of linguistic adaptation but also as a cultural integration that enriches public communication in Japan.