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All Journal Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang
Ni Luh Gede Meilantari
Program Studi Sastra Jepang Universitas Mahasaraswati Denpasar
Humanities Languange, Linguistic, Communication & Media

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FUNGSI SHUUJOSHI DIALEK KANSAI DALAM FILM SETOUTSUMI I Putu Wipayana; Ni Wayan Meidariani; Ni Luh Gede Meilantari
Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 1 No. 1 (2021): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang
Publisher : Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar

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Abstract

This research aims to determine and describe the types and functions of shuujoshi Kansai dialect contained in the Setoutsumi movie. This research is descriptive - qualitative. The data source used in this research is the dialogue in the Setoutsumi movie. Data were analyzed using theory of shuujoshi Kansai dialect proposed by Makiko, et al. This research used the Simak method with the advanced technique of noting as a method and data collection technique, by watching to the Setoutsumi movie, then taking note the dialogue that using shuujoshi Kansai dialect. Methods and data analysis techniques that using is descriptive qualitative methods. Then, it is presented using an informal method, which is presented in Indonesian language with more easier to understand. The results show that in the Setoutsumi movie there are three types of shuujoshi Kansai dialect, that is shuujoshi na which function to ask for approval. Shuujoshi ya function to make strong requests. As well as shuujoshi de serves to provide information.
AKTUALISASI DIRI TOKOH UTAMA MENJADI SEORANG GURU DALAM DRAMA GOKUSEN SEASON 1 Rosamaria Grace Vianda Hapsari; Wayan Nurita; Ni Luh Gede Meilantari
Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 1 No. 1 (2021): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang
Publisher : Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar

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Penelitian ini bertujuan untuk mengetahui aktualisasi diri tokoh utama yang bernama Yamaguchi Kumiko dalam drama Gokusen season 1 karya Kozueko Morimoto, menjadi seorang guru. Penelitian ini bersifat deskriptif kualitatif. Sumber data yang digunakan dalam penelitian ini adalah dialog yang terdapat pada drama Gokusen season 1. Teori yang digunakan yakni teori motivasi hierarki kebutuhan milik Abraham Harold Maslow. Penelitian ini menggunakan metode simak, dengan teknik lanjutan catat, sebagai metode dan teknik pengumpulan data. Selanjutnya hasil dari penelitian ini disajikan dengan menggunakan metode informal. Hasil dari penelitian ini adalah Kumiko memiliki 7 unsur kebutuhan aktualisasi diri yakni kebenaran, kebaikan, kesatuan, keunikan, penyelesaian, keriangan dan kegembiraan, kebermaknaan.
KONFLIK BATIN TOKOH SUZUHARA TOKO DALAM DORAMA MOTHER KARYA YUJI SAKAMOTO: KAJIAN PSIKOLOGI SASTRA I Nyoman Rifno Riyadi; Ni Wayan Meidariani; Ni Luh Gede Meilantari
Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 1 No. 1 (2021): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang
Publisher : Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar

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Abstract

This study aims to study and describe the inner conflicts of Suzuhra Toko’s Character in the drama Mother. This type of study is descriptive-qualitative. The data source used in this study is the drama Mother. The data obtained were analyzed using Kurt Lewin’s psychodynamic theory. The data collection methods and techniques in this study used the observation method with the advanced technique of taking notes, namely by listening to the drama Mother, then recording the dialogue that showed inner conflict. Methods and data analysis techniques using qualitative descriptive methods described by informal methods, namely descriptions of ordinary words in Indonesian that are easy to understand. The results showed that the Suzuhara Toko character experienced approach-approach conflict, avoidance-avoidance conflict, and approach-avoidance conflict.
STRUKTUR FILM TENSHI NO KOI Ni Putu Ayu Gita Septeadianti; Ni Luh Gede Meilantari; Ni Wayan Meidariani
Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 1 No. 1 (2021): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang
Publisher : Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar

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Abstract

Penelitian ini berjudul Struktur Film Tenshi no Koi Karya Sutradara Yuri Kanchiku. Penelitian ini bertujuan untuk menjelaskan unsur-unsur intrinsik pada film Tenshi No Koi karya sutradara Yuri Kanchiku. Teori yang digunakan dalam penelitian ini adalah pengertian unsur intrinsik dan bagian-bagian unsur intrinsik film. Data yang digunakan dalam penelitian ini sebanyak 39 data percakapan yang terdapat dalam film Tenshi no Koi karya sutradara Yuri Kanchiku. Metode dan teknik pengumpulan data yang digunakan dalam penelitian ini yaitu metode simak dengan teknik lanjutan catat. Metode dan teknik analisis data yang digunakan yaitu dianalisis menggunakan metode deskritif kualitatif. Sedangkan, metode dan teknik penyajian hasil analisis data menggunakan metode informal. Hasil penelitian menunjukan bahwa unsur-unsur intrinsik yang terdapat dalam film tenshi no koi yaitu: (1) Tema yaitu tema mayor dan tema minor. (2) Tokoh dan penokohan. (3) Plot yang berupa beberapa peristiwa adegan. (4) Latar berupa latar tempat dan latar sosial. (5) Sudut pandang pesona ketiga. (6) Moral menyangkut tentang persoalan yang berhubungan manusia dengan diri sendiri, hubungan manusia dengan manusia lain dan hubungan manusia dengan Tuhan-Nya.
ADAPTASI MASAKAN JEPANG DI INDONESIA PADA RESTORAN FRANCHISE MARUGAME UDON DAN HAKATA IKKOUSHA DI BALI Siti Ayu Ningsih; Ni Luh Gede Meilantari; Betty Aritonang
Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 1 No. 1 (2021): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang
Publisher : Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar

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Abstract

This research discusses the intercultural adaptation of Indonesia and Japan by Marugame Udon and Hakata Ikkousha restaurants in Indonesia, especially in Bali. This research uses the theory of Intercultural Adaptation (an Integrative Communication Theory) proposed by Young Yun Kim. Sources of data used in this research are interviews and questionnaires. The analysis in this research was carried out by using qualitative descriptive methods and using informal methods in presenting the data analysis. Based on the research results, it can be seen that differences in culture, religion, environment and people's tastes determine the acceptability of Japanese food in Indonesia. The majority of Indonesia's population is Muslim, therefore halal food an important thing in Indonesia. Marugame Udon and Hakata Ikkousha restaurants adapt to the surrounding environment by adjusting ingredients and spices and cutlery according to the tastes of the Indonesian people. The adaptation process made several menu differences between Marugame Seimen and Hakata Ikkousha restaurants in Japan and Marugame Udon and Hakata Ikkousha restaurants in Indonesia.
Co-Authors Betty Aritonang I Nyoman Rifno Riyadi I Putu Wipayana Ni Putu Ayu Gita Septeadianti Ni Wayan Meidariani Rosamaria Grace Vianda Hapsari Siti Ayu Ningsih Wayan Nurita