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<![CDATA[MAKNA RUANG JALAN DI KOTA LAMA KUPANG MENURUT PENGGUNA RUANG PEDAGANG INFORMAL DAN FORMAL (The significance of the space of kota lama Kupang street according to the informal and formal street vendors) ]]>
<![CDATA[Mberu, Yuliana Bhara]]>;
<![CDATA[Purbadi, Yohanes Djarot]]>
<![CDATA[ ARTEKS Jurnal Teknik Arsitektur Vol 3, No 1 (2018) ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira, Kupang ]]>
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DOI: 10.30822/artk.v3i1.161
<![CDATA[The Space at Soekarno Street and Siliwangi Sreet in the Kota Lama Kupang area has existed since the establishment of Kupang city. Since then, this space has developed into a trading area and played important role as economic and social interaction instrument in the life of the people. The long-lasting activities and usage of the space by users, especially by the informal and formal traders indicate how they give meaning to the space. Finding the meaning of street space of Kota Lama will be benefitial in encouraging development sustainability and in contributing thoughts to the parties responsible for the continuing life at Kota Lama Kupang. The aim of this research was to find out the meanings of street space of Soekarno and Siliwangi Streets at Kota Lama Kupang and the underlying terms according to the space users of informal and formal sellers. The research employed qualitative approach with inductive analysis method. The informants were 24 informal sellers and four formal sellers who have been at the space for more than 15 years. The finding of the research was the depth knowledge about the meaning of space according to the informal and formal sellers and the concept underlying their existence. There were two concepts of meanings of the space found, namely living survival and local life unity (community). Both concepts were supported by six themes, namely theme of economy, kinship, togetherness, bonding with the place, gender and annual event. It was concluded that the meaning of Space Street at Kota Lama Kupang was categorized as local meaning. Keywords: meaning of street space, space users, kota lama, Kupang]]>
<![CDATA[PEMETAAN TEMA: UPAYA MENEMUKAN PELUANG BARU PENELITIAN PEDAGANG KAKI LIMA (PKL ]]>
<![CDATA[Pranata, Albertus Adhipuspa]]>;
<![CDATA[Purbadi, Yohanes Djarot]]>
<![CDATA[ Jurnal Arsitektur Komposisi Vol 13, No 2 (2020): Jurnal Arsitektur Komposisi ]]>
Publisher : <![CDATA[Universitas Atma Jaya Yogyakarta ]]>
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DOI: 10.24002/jars.v13i2.3404
<![CDATA[The purpose of this article is to find and formulate new research opportunities for street vendors (PKL). Street vendors have become an integral part of urban space and life in Indonesia and various cities in the world. Many types of research have been done on street vendors and spread in scientific journal articles. The object of this research is a scientific journal article that contains street vending research themes in Indonesia and abroad. The method used is the search and mapping of research themes about street vendors purposively, gathering information in scientific journal articles, and systematizing to obtain key ideas in formulating a map of PKL research opportunities. As a result, there are many opportunities in the form of themes and research focus on street vendors found, especially related to the interests of public space. Opportunities for the theme of street vendors research related to key ideas of food and non-food street vendors, migrant street vendors, night and day  street vendors, permanent street vendors, and  specifically focused on  targets regarding characteristics, transformation, and attachment of places among street vendors.]]>
<![CDATA[ARCHITECTURAL ACCULTURATION: ISLAMIC AND JAVANESE SPIRITUAL ELEMENTS IN SUMUR GUMULING DESIGN AT TAMANSARI, YOGYAKARTA ]]>
<![CDATA[Savitri, Pradianti Lexa]]>;
<![CDATA[Purbadi, Yohanes Djarot]]>;
<![CDATA[Sumardiyanto, Bonifasius]]>
<![CDATA[ Jurnal Arsitektur Komposisi Vol 13, No 2 (2020): Jurnal Arsitektur Komposisi ]]>
Publisher : <![CDATA[Universitas Atma Jaya Yogyakarta ]]>
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DOI: 10.24002/jars.v13i2.3399
<![CDATA[This paper aims to reveal the existence of Islamic and Javanese elements in the spatial structure and form of the Sumur Gumuling Design in Tamansari, Yogyakarta. The Sumur Gumuling in Tamansari Yogyakarta, all this time, is known as a mosque facility for the Sultan of Yogyakarta, located within Tamansari, which functions as a recreation area and fortress. The unique design of Sumur Gumuling is that there is a well in the middle and surrounded by circular buildings. The question is how the existence of Islamic and Javanese elements in the design of the Sumur Gumuling. Qualitative and interpretive-based research is supported by methods of field observation and literature study as well as interviews with local resource persons. The result found the existence of spiritual elements and Islamic architecture mixed with the spiritual elements of Kejawen in the Sumur Gumuling Design in Tamansari, Yogyakarta. The mixing of spiritual elements of Islam and Kejawen in the Sumur Gumuling design shows the concept of Architectural Acculturation that underlies the design.]]>
<![CDATA[STIMULASI DAN ADAPTASI PADA KEDAI KOPI: Kajian Dua Kedai Kopi di Yogyakarta ]]>
<![CDATA[Setyaningfebry, Florentina Untung]]>;
<![CDATA[Purbadi, Yohanes Djarot]]>
<![CDATA[ Jurnal Arsitektur Komposisi Vol 14, No 1 (2020): Jurnal Arsitektur Komposisi ]]>
Publisher : <![CDATA[Universitas Atma Jaya Yogyakarta ]]>
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DOI: 10.24002/jars.v14i1.3411
<![CDATA[This study aims to reveal patterns of stimulation and adaptation in coffee shops in Yogyakarta. The concept of stimulation and adaptation is a concept that moves humans to organize themselves in space, so that the use of space is maximized and of high quality. A coffee shop is one of the public facilities that is growing and in demand by young people in the city of Yogyakarta. The interior and exterior design of the coffee shop influences visitors in using the space. Each design element becomes a stimulus that plays a role in the adaptation process of visitors. Thus, the concept of stimulus and adaptation occurring in coffee shops is important to disclose as input for the design of public facilities. The research used qualitative research methods, namely behavioral observation and literature study. The study compared two coffee shops to find patterns of stimulus and adaptation in coffee shops as a youth public facility. The literature review method is used to find standard areas for socializing and learning. The results found that stimulation and adaptation in two coffee shops in Yogyakarta occurred in the interior and exterior spaces. The seating layout is an important stimulus and is supported by other design elements.]]>
<![CDATA[Identification and Orientation on Spatial Arrangement of Wajo Traditional Village, Keo Tengah, Nagekeo Regency ]]>
<![CDATA[Lake, Reginaldo Christophori]]>;
<![CDATA[Purbadi, Yohanes Djarot]]>;
<![CDATA[Harmans, Herman Florianus]]>
<![CDATA[ Local Wisdom Jurnal Ilmiah Kajian Kearifan Lokal Vol. 12 No. 1 (2020): January 2020 ]]>
Publisher : <![CDATA[University of Merdeka Malang ]]>
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DOI: 10.26905/lw.v12i1.3581
<![CDATA[The purpose of this paper is to describe the uniqueness of spatial arrangement of Wajo traditional villages in Nagekeo district, which is designed based on local wisdom. Traditional settlements in Indonesia have a spatial concept that has the potential to become the basis of contemporary architecture. The spatial arrangement of traditional settlements of Wajo village is interesting to disclose the principle and its constituent elements as one of Indonesia's architectural properties that maintaining local culture. The problem under study is the dominant (important) aspects underlying the spatial concept of traditional village settlements Wajo custom. The method used is to study literature in various writings on the spatial layout phenomenon of traditional settlements, as well as the elaboration of physical theories (structuring principles) and non-physical theories (identification and orientation) to find the dominant relationships that form the spatial layout of the Wajo traditional village. The analysis is based on Schulz's phenomenological paradigm and Salura's design principle theory. From the results of the analysis, it was found that the spatial concept of the Wajo traditional village is a relation of the perception of the surrounding environment, site, shape, figure and natural-cultural cycle influenced by dominant factors namely the top-down orientation (sacred and profane) and physical adaptation of the topography of the place, as well as elements binding (datum) in the form of tribal order (the existence of mosalaki), cultural symbols (customs), and spiritual (ancestors). DOI: https://doi.org/10.26905/lw.v12i1.3581  ]]>
<![CDATA[Konsep Kampung-Wisata Sejahtera, Kreatif, Cerdas dan Lestari Berkelanjutan: Kasus Studi di Karangwaru Riverside, Yogyakarta ]]>
<![CDATA[Yohanes Djarot Purbadi]]>;
<![CDATA[Reginaldo Christophori Lake]]>
<![CDATA[ EMARA: Indonesian Journal of Architecture Vol. 5 No. 1 (2019): EIJA | August ~ October 2019 Edition ]]>
Publisher : <![CDATA[Universitas Islam Negeri Sunan Ampel Surabaya ]]>
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DOI: 10.29080/eija.v5i1.641
<![CDATA[Pariwisata merupakan salah satu model dalam strategi pembangunan yang semakin banyak digunakan. Pariwisata berbasis masyarakat dan ekonomi kreatif merupakan trend konsep yang diyakini mampu menyejahterakan masyarakat dan melestarikan lingkungan. Desa wisata berkembang di Daerah Istimewa Yogyakarta sejak tahun 2010 dan terus meningkat jumlahnya. Pada sisi lain, kampung-kampung-wisata juga tumbuh di kawasan perkotaan dan perdesaan sejalan dengan pertumbuhan desa-desa wisata. Karangwaru Riverside terletak di Kalurahan Karangwaru sejak tahun 2012 telah dikenal sebagai destinasi wisata baru di Yogyakarta, sebagai ruang publik yang memanfaatkan sungai dan kawasan sekitar sungai. Idealnya, konsep kampung-wisata berbasis masyarakat dan potensi lokal menjadi dasar pengembangan Karangwaru Riverside sebagai kampung-wisata yang hijau, lestari, sejahtera berkelanjutan. Permasalahan yang dikaji adalah bagaimana konsep pengembangan Karangwaru Riverside yang berbasis masyarakat dan potensi lokal untuk menciptakan kemakmuran masyarakat dan kelestarian lingkungan secara berkelanjutan. Tujuan tulisan adalah merumuskan konsep pengembangan kawasan tepian sungai berbasis potensi lokal, ekonomi kreatif dan ekonomi digital pada kasus Karangwaru Riverside. Penelitian ini menggunakan metode observasi lapangan, wawancara dan studi pustaka tentang kampung-wisata, ekonomi kreatif dan pembangunan pariwisata hijau lestari. Hasilnya, Karangwaru Riverside sebagai kampung-kota berpotensi dikembangkan lebih maju dengan konsep kampung-wisata berbasis pada potensi lokal, partisipasi masyarakat, ekonomi kreatif, pembangunan hijau ramah lingkungan dan didukung ekonomi digital.]]>
<![CDATA[Kearifan Kaenbaun sebagai dasar konseptual pada tata spasial arsitektur permukiman suku Dawan di desa Kaenbaun ]]>
<![CDATA[Yohanes Djarot Purbadi]]>;
<![CDATA[Achmad Djunaedi]]>;
<![CDATA[Sudaryono]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 3 No 2 (2019): ARTEKS : Jurnal Teknik Arsitektur | Januari 2019 ~ Juni 2019 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v3i2.71
<![CDATA[The Research based on an intercultural contact approach is significant to study the traditional settlements and to support the preservation of local culture-based architecture in Indonesia. The Kaenbaun village inhabited by Dawan tribes is a vernacular village and organized based on local resources (physical-natural, technological, economic, social and cultural) fully. It is believed that even the ancestral spirits were involved in structuring settlements and the process of village life. The Kaenbaun's culture is a mixture of Dawan culture and the faith and dogma of the Catholic church which form Kaenbaun's wisdom and underlie the behavior of citizens and the spatial layout of Kaenbaun's settlements. The study was conducted by using field observation guided by Husserlian phenomenological paradigm. The data were processed based on inductive-qualitative thinking by using the field notes taken from field research activities in 2004 to 2010. Data were also supplemented by actual information gathered in 2010-2018 through digital media. The result showed that the local wisdom of Kaenbaun (Kaenbaun's wisdom) emerged from the Dawan culture with the acculturation of Catholic faith and dogma becoming a guideline for the behavior of citizens and the spatial structure of the Kaenbaun village settlement architecture. The Kaenbaun's wisdom is the concept of Kaenbaun's ideal life where humans live in harmony with their fellow humans, harmony with nature, blessed by their ancestors and blessed by God. © 2019 Yohanes Djarot Purbadi, Achmad Djunaedi, Sudaryono]]>
<![CDATA[The persistence and spatial transformations of traditional Joglo house according to hamemayu hayuning bawana philosophy ]]>
<![CDATA[Brigitta Michelle]]>;
<![CDATA[Yohanes Djarot Purbadi]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 6 No 3 (2021): ARTEKS : Jurnal Teknik Arsitektur | September 2021 ~ Desember 2021 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v6i3.882
<![CDATA[This research aimed to explain the conceptual persistence of spatial transformations in the Joglo house nDalem Puspodiningratan based on Hamemayu Hayuning Bawana philosophy. This philosophy is the public wisdom directed towards maintaining a harmonious relationship between humans and each other, nature, and God. This philosophy is applied in several dimensions of the Javanese life such as the architecture which is meaningfully designed. Moreover, the Hamemayu Hayuning Bawana is observed to be playing an important role in the spatial configuration of the traditional Joglo house. It is important to note that nDalem Puspodiningratan is a traditional Joglo house with a well-maintained condition and which undergoes a spatial transformation due to the inhabitation of alternating families. This research was, therefore, conducted using visual observation and documentation, literature review, interviews, graphic method, and comparison to explore the Joglo transformation data and background. The results showed the Joglo nDalem Puspodiningratan persisted in preserving the Hamemayu Hayuning Bawana's philosophical principles despite the spatial transformations. Meanwhile, the transformations discovered to be violating the traditional house rules are believed to be reducing the Hamemayu Hayuning Bawana practice while those observed to be following the rules maintain the practice. There is a need for further research on the transformations of traditional buildings in other cases of the traditional Javanese architecture to show the existence of spatial transformations and conceptual persistence related to Hamemayu Hayuning Bawana.]]>
<![CDATA[FENOMENA THE SACRED PUBLIC SPACE BERDASARKAN TEORI LEFEBVRE “THE PRODUCTION OF SPACE” STUDI KASUS: RUANG PUBLIK KOTA LARANTUKA SEBAGAI CITRA KOTA REINHA ROSARI ]]>
<![CDATA[Reginaldo Christophori Lake]]>;
<![CDATA[Yohanes Basuki Dwisusanto]]>;
<![CDATA[Yohanes Djarot Purbadi]]>;
<![CDATA[Fransiscus Xaverius Eddy Arinto]]>
<![CDATA[ Jurnal Arsitektur ARCADE Vol 4, No 2 (2020): Jurnal arsitektur ARCADE Juli 2020 ]]>
Publisher : <![CDATA[Prodi Arsitektur UNIVERSITAS KEBANGSAAN ]]>
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DOI: 10.31848/arcade.v4i2.452
<![CDATA[Citra kota menjadi gerbang awal mengenal sejarah, budaya, ekonomi dan sosial suatu kota. Namun, sebagian besar citra kota terbatas hanya mengikuti trend kota-kota modern tanpa melihat sejarah awal terbentuknya kota tersebut. Penelitian ini bertujuan untuk menjelaskan penerapan konsep produksi ruang publik sebagai citra kota. Sejalan dengan tujuan tersebut, Kota Larantuka dipilih sebagai studi kasus. Teori Lefebvre “The Production of Space” dan elemen primer kota digunakan untuk membaca isu dari studi kasus, kemudian interpretasi diperoleh dari analisis deskriptif. Penelitian ini melengkapi penelitian yang ada tentang ritual Semana Sancta dan ruang publik kota, dengan mengeksplorasi isu penelitian secara mendalam pada kasus studi. Diharapkan bahwa proses perancangan citra kota dan ruang publik kota terwujud dari meaningful; responsive; dan democratic. Hasil penelitian ini juga dapat menjadi referensi bagi para pemangku kebijakan dan pelestarian arsitektur, serta masyarakat awam.Kata Kunci: Citra Kota Reinha Rosari, Ruang publik sakral, Semana Sancta Larantuka]]>
<![CDATA[Kesinambungan dan Perbedaan Rumah Sumba di Dalam dan di Luar Praingu ]]>
<![CDATA[Yohanes Djarot Purbadi]]>;
<![CDATA[B. Sumardiyanto]]>;
<![CDATA[Vincentia Reni Vitasurya]]>
<![CDATA[ ARCHIHUMANUM Vol 1 No 1 (2023): April ]]>
Publisher : <![CDATA[CV. Gio Architect ]]>
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DOI: 10.59810/archimane.v1i1.4
<![CDATA[The Sumba house is characterized by traditional architecture on the island of Sumba, some of which have changed from their original characteristics and some others have retained their original characteristics. If you compare the Sumba houses in praingu (traditional villages) with the houses of Sumbanese people in cities or along roads that are characterized by modern or contemporary houses, the differences in characteristics are easy to see. It is different if the houses with Sumba architectural characteristics outside Praingu are compared to those inside Praingu. There are interesting things to say. They look the same, but have significant differences. This paper aims to describe the continuity and different of Sumba houses with traditional Sumba architecture in Anakalang compared to the original Sumba houses located in Praingu Galubakul. The focus of this research is to look at the continuity and differences in the form-function-meaning aspects of traditional Sumba houses within praingu and outside praingu. This research was produced through a qualitative research process based on a phenomenological-husserlian approach, using field observation and in-depth interview methods. The case is the Sumba house in Anakalang which is outside Praingu (Galubakul) and the owner is bound by Sumba culture. There is continuity and different in the Sumba house in Anakalang. Form and meaning continue to be continuous, but there is a change in the function of the building. Continuity occurs due to aspects of adherence to tradition, while changes occur in the addition of new functions, changing functions and deleting functions due to the establishment of a modern lifestyle. The religious (spiritual) aspect of the homeowners related to the Marapu belief and fear of praingu integration is a determining factor for the continuity of the form and meaning of the architecture of the Sumba house. Modern lifestyle is a determining factor in changing the center room from the status of a sacred space to a profane space.]]>
