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All Journal Harmonia: Journal of Research and Education Patrawidya: Seri Penerbitan Penelitian Sejarah dan Budaya Indonesian Journal of Multidisciplinary Science Journal of Social Science Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Retina Jurnal Fotografi Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni Framing: Journal of Art, Film, Television, Animation, Games and Technology
I Nengah Wirakesuma, I Nengah
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Arts Humanities Chemistry Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Immunology & microbiology Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Physics Public Health Social Sciences Other

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Journal : Journal of Social Science

 1 
Natural Color Mangosteen Skin on Canvas Fabric Wirakesuma, I Nengah; Mudana, I Wayan
Journal of Social Science Vol. 5 No. 4 (2024): Journal of Social Science
Publisher : Syntax Corporation Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46799/jss.v5i4.893

Abstract

The process of creating art on canvas using natural colors from mangosteen peel represents a distinctive artistic endeavor. Mangosteen peel colors possess unique characteristics compared to synthetic ones. Across various dimensions, mangosteen peel colors tend to exhibit natural nuances such as light brown, brownish, reddish-purple, and blue. Painting with mangosteen peel entails a creative process that begins with harvesting the fruit from the garden. Spontaneously, upon splitting the mangosteen fruit into two equal parts, I decided to use the peel to make marks on the canvas. This technique involves spontaneous finger movements, gently, moderately, and sometimes forcefully pressing the canvas. The resulting color effects emerge naturally, correlating with the intensity of finger movements scraping the mangosteen peel on the canvas. The method of creating paintings using mangosteen peel is carried out spontaneously, following stages of art creation: existence, exploration, experimentation, realization, and evaluation. The realization of paintings using mangosteen peel reflects the dynamics of art creation, encompassing elements of visual arts such as light, point, line, space, plane, color, texture, and composition. The artworks produced are titled as expressions of color and line: Expression of Color and Line 1, Expression of Color and Line 2, Expression of Color and Line 3, and so forth. The use of mangosteen peel colors as an alternative medium in the process of creating paintings is driven by the necessity for creativity to achieve artworks of quality, significance, and harmonious value.
Banana Heart Sap Experiment Wirakesuma, I Nengah; Mudana, I Wayan; Kondra, I Wayan; Mustika, I Ketut; Sujana, I Wayan
Journal of Social Science Vol. 5 No. 5 (2024): Journal of Social Science
Publisher : Syntax Corporation Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46799/jss.v5i5.930

Abstract

A unique and interesting creative process using banana blossom sap as a medium. Banana flower sap has specific characteristics compared to other synthetic colors. Banana flower sap tends to display typical milky white, gray, light brown, yellowish-green, red and dark brown colors. Painting using banana blossoms starts from picking the banana blossom. Exploration of the technique of cutting the stem of the banana flower until the sap oozes out and drips onto the canvas. Since then I have been practicing spontaneously using banana sap, involving movements of my fingers, pressing the banana flower gently, medium and hard. The effect of the pressure of the banana flower sap produces natural colors, according to the intensity of the movement of the fingers on the canvas. The method used is carried out spontaneously, following the stages of the art creation process (E4): Existence, Exploration, Experimentation and Evaluation. Realization (E4) represents the existence of my creative process. Utilization of fine art elements such as light, point, line, space, plane, color, texture and composition. The resulting works of art include the following titles: Banana Sap Color 1, Banana Sap Color 2, Banana Sap Color 3, and so on. The use of banana blossom sap is driven by the need to express the soul in order to produce new works of art of high quality and have high aesthetic values
Nature Trofis and Young Artist's Light Painting at Penestanan Ubud Bali Mudana, I Wayan; Wirakesuma, I Nengah; Adi Sucipta, I Wayan; Mustika, I Ketut; Kondra, I Wayan
Journal of Social Science Vol. 5 No. 6 (2024): Journal of Social Science
Publisher : Syntax Corporation Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The purpose and purpose of this research is to find out that tropical nature rich in light effects can be explored as an idea to create paintings. When he lived in Penestanan Ubud Bali in the 1957s, he taught light painting techniques that drove the birth of Young Artist-style painting. The people of Penestanan initially did not respect the painting activities offered by Arie Smit, but driven by the concern of seeing firsthand the condition of the residents of Penestanan village, who were very poor and underdeveloped, then he felt called to liberate the younger generation of the Penestanan community from poverty economically but very culturally rich. To analyze the nature of trophies and paintings of young artists in Penestanan carefully and accurately, a qualitative method is used, imperially using a participatory approach, namely analyzing the works of painters educated by Arie Smit, such as: Soki, Cakra, and Dewa Kaka using a motivational, behavioral, and interaction approach. To depict identity, aesthetic experience, creative process, until it is realized into a painting of young artists is analyzed participatory. The results and discussions in an impermatic manner describe about; (1) Tropical and Campuhan nature as inspiration for light painting, (2) Light Painters, and (3) painting forms produced by the Penestanan people of Ubud. Conclusion; The realm of trophism and light can be explored into paintings by young artists. The young artist's painting style reflects the play of colors, light, lines, and decorative. Meanwhile, perspective is used to obtain gradations and display the impression of far and near. Findings; Light painting in the West and in the East (Bali) has a very distinctive difference. The identity of Western light painting emphasizes the impression, the painter must face a direct object that gives birth to an impressionist style of painting. Meanwhile, in Young Artist's paintings, light capture displays color, decoration, and bold lines. It is arranged with a gradation game so that from perspective to get a far and close impression
Co-Authors Agus Deddy Krisna Adi Saputra, I Putu Aryani, Ni Nyoman Ayu Suti Candrayana, Ida Bagus Dharma, I Made Aryswara Dinata, Putu Raka Narendra Drs. I Wayan Mudana,M.Si. . I Ketut Adi Sugita I Ketut Muka I Wayan Adnyana I Wayan Setem, I Wayan I Wayan Suardana I Wayan Sujana Kariana, I Nengah Kondra, I Wayan Mustika, I Ketut Nanda Darmayanta, Kadek Nindhia, Cokorda Istri Puspawati Nugroho, Adipura Satrio Pramono, Muhammad Faqih Soya Raharjo, Anis Rekha Bayutha , Ida Bagus Remawa, Anak Agung Gede Rai Ruta, I Made Saputra, Kadek Dwi Martha Sucipta, I Wayan Adi Supriyatini, Sri Tirta Ray , D.A. Tirta Ray, D.A Titihalawa, Dresser Julian Hendri Totton, Mary Louise Vanesa Martida, Vanesa