Article Per Year (5 Year)
p-Index From 2021 - 2026
1.152
P-Index
This Author published in this journals
All Journal Harmonia: Journal of Research and Education MUDRA Jurnal Seni Budaya Panggung Pantun: Jurnal Ilmiah Seni Budaya PARAGUNA : Jurnal Ilmiah Pengetahuan, Pemikiran dan Kajian Tentang Seni Karawitan Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Panggung
Arthur Supardan Nalan
ISBI Bandung
Religion Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

Published : 13 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 13 Documents
Search

 1   2 
KOMUNIKASI DALANG DALAM KONSEP MANDALA WIWAHA ASEP SUNANDAR SUNARYA Arthur Supardan Nalan
PANGGUNG Vol 22 No 3 (2012): Manifestasi Konsep, Estetika, dan Makna Seni dalam Keberbagaian Ekspresi
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v22i3.78

Abstract

AbstractThis study suggests the findings of field research on communication made by a puppeteer of Wayang Golek Purwa, Asep Sunandar Sunarya. This study is categorized into qualitative research with a phenomenological approach. The result of the study shows that Asep Sunandar Sunarya has performed his communication competencies as a communicative puppeteer. Communication competencies owned by Asep Sunandar Sunarya to the audience is based on his experience which is called the concept of Mandala Wiwaha. The concept of Mandala Wiwaha is a concept of technique, insight, message and audience mastery. The concept of Mandala Wiwaha has made Asep Sunandar Sunarya a famous puppeteer who posses his own “popularity" compared to the other puppeteers. Through this concept Asep Sunandar Sunarya puts the audience as an important part every time he conducts his performance. Keywords: puppeteer, communication, Mandala Wiwaha.
“Wayang Kreatif” Performance of Teater Koma and Its Audience Arthur Supardan Nalan
PANGGUNG Vol 27 No 3 (2017): Education, Creation, and Cultural Expression in Art
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v27i3.273

Abstract

ABSTRAK Teater Koma merupakan teater modern yang berhasil bertahan selama 40 tahun, dari tahun 1977 sampai sekarang. Perjalanan yang cukup panjang, mendudukkan Teater Koma sebagai teater yang mampu menyajikan pelbagai lakon teater, baik yang berasal dari para dramawan dan sastrawan dunia maupun yang hasil ciptaan sendiri oleh Riantiarno, sebagai pendiri utamanya. Salah satu kumpulan lakon ciptaan Riantiarno adalah lakon-lakon wayang yang dikemas dengan sebutan wayang kreatif. Pertunjukan wayang kreatif Teater Koma ini menjadi objek material yang dipilih untuk didekati dengan paradigma sosiologi seni dan komunikasi seni teater. Pendekatan yang digunakan adalah teori sosiologi seni dari Arnold Hauser dan teori komunikasi efektif dari Gudy Kunst. Adapun hasilnya dapat ditemukan bahwa Teater Koma sebagai teater rakyat perkotaan telah memberikan apresiasi seni kepada publiknya dengan menjalin relasi kepada publiknya melalui berbagai cara, termasuk dengan memanfaatkan media sosial, misalnya memesan tiket secara online. Selain itu, publiknya yang berasal dari segala lapisan masyarakat di Jakarta telah pula dihibur melalui humor-humor kritis yang terdapat dalam setiap pertunjukan wayang kreatif tersebut. Tindakan tersebut membawa interaksi yang berlangsung terus menerus dengan publiknya, sehingga membangun publik yang fanatik terhadap Teater Koma. Kata kunci: Teater Koma, teater rakyat perkotaan, wayang kreatif, publikABSTRACT Teater Koma is a modern theatre, which has been existing for 40 years since 1977 until today. The group has successfully performed various plays, both wri! en by the world playwrights and by Riantiarno himself as the main founder, an actor, and a play writer. Some of the Riantiarno’s plays are puppet plays called wayang kreatif (a creative puppet). The wayang kreatif performance of Teater Koma is the material object of this study, which is approached by the paradigm of the sociology of art and the communication of theatre arts, especialy by applying the theory of Arnorld Hauser’s sociology of art and Gudykunst’s effective communication theory. The result shows that Teater Koma as an urban folk theatre has been serving its audience with its variety shows promoted through diff erent media, including by utilizing social media, such as booking the ticket online to reach wider audiences. Moreover, its audiences come from diff erent levels of social classes in Jakarta, and they were entertained by sarcastic humors contained in the wayang kreatif performance. These activities maintain the continous interaction between the group and its audiences, so that the grup builds its loyal audiences. Keywords: Teater Koma, urban folk theatre, wayang kreatif, communication, audiences
Visual Identity Logo Collaboration Eiger 1989 x National Park Collection 2022 Taufiq, Muhammad; Nalan, Arthur Supardan; Iskandar, Andang
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 8 No. 2 (2023): Exploring Cultural Narratives and Artistic Expressions
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v8i2.2722

Abstract

Every brand in the industry competition increasingly creates unlimited choices. That way, every brand is always trying to find ways to connect emotionally with consumers. Through this research, we can find out how the visual identity communicated through the collaboration logo design of the Eiger 1989 x National Park Collection is connected with the message of meaning to be conveyed. The research method uses qualitative to facilitate the analysis process. The authors also use a four-stage approach to visual communication design research methods, including description, analysis, interpretation, and assessment. The findings based on the research that has been done are collaboration logos that, at first glance, seem to use headlines with taglines. After being analyzed as a whole, the collaboration logo was designed based on following the anatomy of the logo formation, besides that, there are overall visual elements that can represent brand identity and collaboration concepts. Logo design through good composition and the meaning of good communication messages will increase customer loyalty.
Co-Authors Andang Iskandar, Andang Asep Wadi Gustiyan Rachmadi I Gede Oka Surya Negara Muhammad Taufiq Ni Luh Sustiawati Rano Sumarno Suhendi Afryanto, Suhendi