Article Per Year (5 Year)
p-Index From 2021 - 2026
2.286
P-Index
This Author published in this journals
All Journal Abdimas Talenta : Jurnal Pengabdian Kepada Masyarakat NUSANTARA : Jurnal Ilmu Pengetahuan Sosial Sorai: Jurnal Pengkajian dan Penciptaan Musik Greget Journal of Education, Humaniora and Social Sciences (JEHSS) PERSPEKTIF Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Jurnal Pendidikan dan Penciptaan Seni Sibatik Journal : Jurnal Ilmiah Bidang Sosial, Ekonomi, Budaya, Teknologi, Dan Pendidikan Jurnal Mebang Proceeding International Conference on Malay Identity
Hutajulu, Rithaony
Universitas Sumatera Utara
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

Published : 14 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 14 Documents
Search

 1   2 
The Musical Form of the Gondang Borogong Ensemble among the Malay Community in Tangun Village, Rokan Hulu Regency, Riau Regina Lastiarma Br Sinaga; Rithaony Hutajulu; Vanesia Amelia Sebayang
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 18 No. 2 (2025): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research focuses on the musical form of the Gondang Borogong ensemble within the Malay community of Tangun Village, Bangun Purba District, Rokan Hulu Regency, Riau Province. The purpose of this study is to describe the musical form of Gondang Borogong. The method used in this study is a qualitative-ethnographic method to examine the musical form of the Gondang Borogong ensemble within the Malay community of Tangun Village. The ethnographic approach allows for a holistic understanding of the musical structure, social function, and cultural significance of this music. The Gondang Borogong ensemble consists of several main instruments: gongs, calempongs, and drums. In its presentation, this art is generally performed at joyful events such as thanksgiving, weddings, and welcoming important guests, which are usually accompanied by martial arts (silek) performances. The repertoire commonly performed by this ensemble includes Sasatu, Duo-duo, Tigo-tigo, Kukubiek, Tulak Serantau, Orang Kayo Belimau, and Taktuntun.
Deskripsi Teknik Pembuatan dan Permainan Aramba dan Faritia oleh Bapak Faozisökhi Laia di Sanggar Museum Pusaka Nias di Kota Gunungsitoli Berlin Charinpatrio Laia; Rithaony Hutajulu; Hubari Gulo
PERSPEKTIF Vol. 15 No. 1 (2026): PERSPEKTIF January
Publisher : Universitas Medan Area

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31289/perspektif.v15i1.16581

Abstract

Penelitian ini bertujuan mendeskripsikan teknik pembuatan dan permainan instrumen musik tradisional Nias, Aramba dan Faritia, sebagaimana dipraktikkan oleh Faozisökhi Laia di Sanggar Museum Pusaka Nias, Gunungsitoli. Kedua instrumen ini berperan penting dalam budaya Nias sebagai pengiring upacara adat, pesta pernikahan, serta sarana komunikasi musikal dalam konteks sosial. Penelitian bersifat kualitatif-deskriptif dengan metode observasi partisipatif, wawancara mendalam, observasi lapangan, dan dokumentasi. Analisis data dilakukan melalui reduksi, penyajian, dan penarikan kesimpulan dengan kerangka etnomusikologi, menggunakan teori Khasima Shusumu tentang aspek fisik instrumen, Bruno Nettl terkait analisis dan transkripsi permainan, Curt Sach & Hornbostel mengenai klasifikasi instrumen, serta Alan P. Merriam tentang perilaku musikal. Hasil penelitian menunjukkan Aramba dan Faritia berakar dari instrumen Tutuhao serta mengandung nilai budaya dan simbolik. Proses pembuatannya mencakup keterampilan tradisional dengan tahapan pemanasan, pembentukan ragi-ragi, mamatö, pembentukan hagu, hingga penyempurnaan. Teknik permainan Aramba dilakukan dengan menggantungnya, memukul bagian hagu sambil bergerak layaknya menari, sedangkan Faritia dimainkan dua orang secara berhadapan dengan nada rendah dan tinggi yang berpola ritmis.
PERKEMBANGAN TATAK MOCCAK PADA MASYARAKAT SUKU PAKPAK Agnesti Sinaga; Rithaony Hutajulu; Hubarry Gulo
Greget: Jurnal Kreativitas dan Studi Tari Vol. 24 No. 2 (2025): KEBERAGAMAN KARYA TARI SEBAGAI EKSPRESI SIMBOLIK
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v24i2.7280

Abstract

Tatak Moccak is a Pakpak tribal martial art that is taken from the history and lifestyle of the ancestors of the Pakpak tribe, who in the past lived nomadically in the middle of the wilderness. The research method used is a qualitative method with several approaches, including data collection through fieldwork, interviews, observations, documentation, and laboratory work. The approach used is a historical approach that will reveal the origins and development of Tatak Moccak. The results obtained from this study are that Tatak Moccak is an integral part of the lifestyle of the Pakpak people who are nomadic in the mountains and forests, functioning as an essential skill for self-protection from natural and external threats, as well as training a strong and agile physique. Over time and cultural changes, the development of Tatak Moccak is classified into three main aspects, namely the cultural aspect, the entertainment aspect and the championship aspect. The dancer's costume is predominantly black with a red and white headband accent and ulos sibolang on the waist, as well as the use of Hau Era-era properties, machetes, and sticks, not only support the visuals of the performance but are also full of meaning of identity and strength in Pakpak culture.
Kajian dan Peran Musik dalam Perayaan Paskah di GBI Keluarga Besar Medan Plaza Alethea Manuela Parrangan; Rithaony Hutajulu; Hubari Gulo
Journal of Education, Humaniora and Social Sciences (JEHSS) Vol 8, No 3 (2026): Journal of Education, Humaniora and Social Sciences (JEHSS), Februari
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jehss.v8i3.2948

Abstract

This study examines the role of music in the National Easter Celebration at GBI Keluarga Besar Medan Plaza through a qualititative descriptive approach. The objectives of this study are: (1) to explain the worship order in the National Easter Celebration service; (2) to determine the function of music as a liturgical tool; (3) to determine the musical structure. In examining the role of music in the National Easter Celebration at the GBI Keluarga Besar Medan Plaza, the researcher used a descriptive qualitative approach. When collecting data, the researcher used observation, interview, and documentation methods. The results of the study show that music in the National Easter Celebration service at the GBI Keluarga Besar Medan Plaza has complex functions, including expressive, communicative, normative, symbolic, and integrative. Musical elements are arranged to create a flow of worship that is emotionally and spiritually touching. In conclusion, music in the National Easter Celebration at the GBI Keluarga Besar Medan Plaza is not merely a complement, but becomes a means of uniting congregations from various backgrounds, a medium of spiritual communication, and a vessel for expressing faith that deepens the meaning of worship collectively
Co-Authors Agnesti Sinaga Alethea Manuela Parrangan Arifninetrirosa Berlin Charinpatrio Laia Edi Sumarno Gulo, Hubari Heristina Dewi, Heristina Hubarry Gulo L. Sholikhah, Rahmatika N.B. Sinulingga, Egi Nayla Nayla Azzahra Piere Steven Randall Sitepu Rahmatika Luthfiana Sholikhah Regina Lastiarma Br Sinaga Rodo Andreas Panjaitan Roventus Simamora, Swingly Sebayang, Vanesia Amelia Sitopu, Sapna Situmorang, Daniel Adjinegara Sujatmoko, Koko Yoe Anto Ginting