Dwi Rahmawanto
Program Studi Sastra Daerah Untuk Sastra Jawa FIB UI, Indonesia

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PANDANGAN ORANG JAWA TERHADAP KETAMPANAN DI DALAM KORPUS BAHASA JAWA Enggartias Larasati; Novika Stri Wrihatni; Dwi Rahmawanto
Cross-border Vol. 6 No. 2 (2023): JULI-DESEMBER
Publisher : Lembaga Penelitian Dan Pengabdian Masyarakat Institut Agama Islam Sultan Muhammad Syafiuddin Sambas Kalimantan Barat

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This research aimed to discover the concept of the word handsomeness in the perspective of Javanese people. The concept could be discovered by understanding the meaning of the word bagus based on its usage in the society. The data utilized to discover the meaning of bagus was obtained from the Javanese corpus in the corpus web application at https://korpus.ui.ac.id/. In the corpus web application, there is a data in which Javanese is utilized both from the oral and written sources since 1950 until 2010, approximately four million words. The meaning of bagus was discovered through collocation of the word’s meaning with another words. It refers to the concept of semantic preference. The words related with the word “bagus” was categorized based on the category of UCREL Semantic Analysis System (USAS). The research discovered that the word bagus is not only associated with a man with certain level of maturity, but also applies for kids and babies. Moreover, bagus is also associated with objects, animals, thoughts, personality, beliefs, and politeness. It discovers a new understanding to the concept of the word bagus in the Javanese society which is previously associated with the physical condition or a man’s look.
THE PHILOSOPHY OF SPIRITS PURIFICATION IN THE RITUAL ENTAS-ENTAS IN WONOTORO VILLAGE AS THE IDENTITY OF THE TENGGER COMMUNITY Setyani, Turita Indah; Pudjiastuti, Titik; Suharjo, Rias; Buduroh, Mamlahatun; Mu’jizah, Mu’jizah; Rahmawanto, Dwi
International Review of Humanities Studies Vol. 9, No. 2
Publisher : UI Scholars Hub

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This paper examines the Ritual Entas-entas as a purification ceremony for spirits in Wonotoro Village, Tengger. The ritual originates from a manuscript believed to aid in purifying the spirits of deceased family members. This ritual has been passed down orally. However, the manuscript serving as the reference for the ritual can no longer be traced. The issue is, how the sustainability of the Ritual Entas-entas in Wonotoro Village, Tengger? The research aims to demonstrate that the Tengger community possesses a collective memory strength and high adherence to traditional rules as part of everyday religious practice. The research utilizes ethnographic methodology along with the theory of collective memory from the Javanese religious perspective to address the problem and validate the research objectives. Initial findings indicate that: 1) The Ritual Entas-entas in Wonotoro Village is an oral tradition derived from written tradition; 2) The Ritual Entas-entas is a collective memory highly believed to possess the power to facilitate the purification of one's spirit to return to the Almighty Creator, thus it is deemed essential; 3) The Tengger community demonstrates a high level of devotion to the Almighty Creator. From these findings, it can be concluded that the Tengger community, particularly in Wonotoro Village, retains relevant ethnoscience to this day.
“GUE LO”: FORM OF ADDRESS AS A STRATEGY FOR NEGOTIATING CULTURAL IDENTITY Rahmawanto, Dwi
International Review of Humanities Studies Vol. 10, No. 2
Publisher : UI Scholars Hub

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This study examines the relationship between language choice, especially the use of the form of address gue lo, and the disclosure of the cultural identity of Javanese students at Universitas Indonesia. This study adopts a descriptive mixed-methods approach, combining quantitative and qualitative data collected through a survey of 52 Javanese student respondents. The results indicate that most respondents used the form of address gue lo when interacting with peers from outside Java, whereas alternative forms were more commonly used with other Javanese students. Correlation tests revealed a negative relationship between the intensity of gue lo usage and the desire to express cultural identity. That is, the higher the desire to show Javanese identity, the less frequently gue lo was used. The findings imply that language choice serves both as an adaptation strategy and a means of asserting identity in multicultural interactions. These findings can be used as a basis for further research to explore the relationship between language as a form of representation and its influence on social dynamics within diverse societies such as Indonesia.
SERAT YUSUF: SASTRA ISLAM POPULER DI JAWA TIMUR Pudjiastuti, Titik; Buduroh, Mamlahatun; Mu’jizah, Mu’jizah; Suharjo, Rias; Setyani, Turita Indah; Rahmawanto, Dwi
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 2
Publisher : UI Scholars Hub

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Serat Yusup is one of the popular Islamic literary works in Java, especially in East Java. This literary work is a handwritten ancient manuscript written in the form of tembang macapat, in Javanese language, and using Pegon or Javanese script. Serat Yusup which create by the students (santri) is inspired by Surah Yusuf, the 12th Surah of the Quran. As a literary work, its story differs significantly from its inspirational text, and there are so many of it. In relation to this, the question arises: what are the reasons behind the creation of Serat Yusup and why is it highly favored by the Muslim community in East Java? This article aims to uncover the popularity of Serat Yusup in East Java. The primary data source for this article is ancient manuscripts; therefore, the appropriate method to study it is philology. From the discussion of its content, it is estimated that there are three reasons for the adaptation of Serat Yusup: it represents Islamic teachings, Javanese culture, and human ideals. In conclusion, Serat Yusup was composed in the form of Javanese Islamic literary work not only for aesthetic fulfilment and creative expression of its student creators but also to spread Islam in East Java.
PENGETAHUAN BERSAMA SEBAGAI UNSUR PEMBANGUN HUMOR PADA <em>STAND UP COMEDY</em> Fauzy, Miftah; Wrihatni, Novika Stri; Rahmawanto, Dwi
Multikultura Vol. 4, No. 1
Publisher : UI Scholars Hub

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Penelitian ini menjelaskan pengetahuan bersama sebagai pembangun humor pada Stand Up Comedy (SUC) yang dilakukan oleh komika Deddy Gigis, Sega, dan Wawan Saktiawan. Pemilihan topik penelitian ini dilatarbelakangi oleh ditemukannya efek lucu yang disebabkan oleh aspek di luar bahasa. Pada penelitian sebelumnya, efek lucu dipengaruhi oleh gaya bahasa. Oleh sebab itu, penelitian ini bertujuan untuk menjelaskan peran pengetahuan bersama pada SUC. Metode yang digunakan pada penelitian ini adalah metode deskriptif kualitatif. Data yang digunakan berupa ujaran yang menghasilkan efek lucu karena pengetahuan bersama dengan sumber data lisan pada pertunjukkan Stand Up Comedy (SUC) oleh Deddy Gigis, Sega, dan Wawan Saktiawan yang tayang di jaringan televisi bernama JTV, tetapi diunggah di YouTube dengan akun bernama Khatulistiwa. Analisis data menggunakan teori tindak ilokusi. Hasil penelitian ini menunjukkan bahwa humor dengan menghadirkan pengetahuan bersama dibangun dengan cara 1) menghadirkan konteks lain pada pengetahuan bersama, 2) menyelewengkan pengetahuan bersama, dan 3) mengomentari pengetahuan bersama. Kesimpulan pada penelitian ini menunjukkan bahwa dalam menyampaikan humor Stand Up Comedy (SUC), daya ilokusi tidak hanya terealisasi oleh wacana atau kata-kata, tetapi juga dengan menghadirkan pengetahuan bersama bersamaan dengan wacana yang disampaikan.