Article Per Year (5 Year)
p-Index From 2020 - 2025
4.284
P-Index
This Author published in this journals
All Journal Nusa: Jurnal Ilmu Bahasa dan Sastra Lingua Scientia Journal Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Mozaik Humaniora International Journal of Science and Applied Science: Conference Series Jurnal Kajian Bahasa, Sastra dan Pengajaran (KIBASP) Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni JENTERA: Jurnal Kajian Sastra Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Nusantara Science and Technology Proceedings Komunika: Jurnal Dakwah dan Komunikasi Jumantara: Jurnal Manuskrip Nusantara Jurnal Kata : Penelitian tentang ilmu bahasa dan sastra Paradigma: Jurnal Kajian Budaya Wacana: Journal of the Humanities of Indonesia International Review of Humanities Studies Jurnal Kawistara Bhakti
Turita Indah Setyani
Program Studi Sastra Daerah Untuk Sastra Jawa Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Chemical Engineering, Chemistry & Bioengineering Chemistry Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Medicine & Pharmacology Physics Social Sciences Other

Published : 25 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 25 Documents
Search

 1   2   3 
MENITI SINKRETISME TEKS TANTU PANGGĚLARAN Setyani, Turita Indah
Jurnal Kawistara Vol 1, No 2 (2011)
Publisher : Sekolah Pascasarjana UGM

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (240.463 KB)

Abstract

Tantu Panggělaran (TP) is a work of literature that contains knowledge necessary for human beings to achieve perfection of living which is influenced by Javanese, Hindu (Shivaist), and Buddhist concepts. This research studies syncretism in the text of TP by using the theory of normative multiculturalism. The purpose of this research is to find out how syncretism occurred in people’s lives, as recorded in the text of TP. It is hoped this research can benefit the development of Javanese culture in general, and particularly Old Javanese culture from the late Majapahit era. The results show that TP is the implementation of cultural syncretism of Javanese, Hindu (Shivaist), and Buddhist cultures in a positive, mutualistic relationship.
MENITI SINKRETISME TEKS TANTU PANGGĚLARAN Turita Indah Setyani
Jurnal Kawistara Vol 1, No 2 (2011)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (240.463 KB) | DOI: 10.22146/kawistara.3914

Abstract

Tantu Panggělaran (TP) is a work of literature that contains knowledge necessary for human beings to achieve perfection of living which is influenced by Javanese, Hindu (Shivaist), and Buddhist concepts. This research studies syncretism in the text of TP by using the theory of normative multiculturalism. The purpose of this research is to find out how syncretism occurred in people’s lives, as recorded in the text of TP. It is hoped this research can benefit the development of Javanese culture in general, and particularly Old Javanese culture from the late Majapahit era. The results show that TP is the implementation of cultural syncretism of Javanese, Hindu (Shivaist), and Buddhist cultures in a positive, mutualistic relationship.
The Stereotypical Women and Empowered Women Narration in the Novel Bidadari Bermata Bening Dian Rizky Azhari; M. Yoesoef; Turita Indah Setyani
Nusantara Science and Technology Proceedings Multi-Conference Proceeding Series C
Publisher : Future Science

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.11594/nstp.2022.2612

Abstract

A cursory reading of the novel Bidadari Bermata Bening will give the impression that this novel voices the idea of empowered women. However, it turns out that there is also a strong narrative of stereotypical women in the text. Based on the explanation, this study aims to reveal why there are two such contradictory narratives in one text. This study uses an analysis of the narrative elements of the text based on Gerard Genette's theory, assisted by the theory of the power of discourse from Michel Foucault. The text is explored intrinsically, through analysis of characterizations, narrator's voice, and character’s focalization. Then by using discourse analysis, the text is analyzed to find out which discourses play in it and build ideological ideas. Based on the results of the analysis, it appears that the narrative of empowered women emerges through an omniscient narrator and is assisted by voices (focalization) from subordinate characters. Meanwhile, the narrative of stereotypical women emerges from the subjectivity of the women main character. Behind the contradictions of the two narratives, it appears that the discourse of Islamic values actually dominates the construction of ideas, both narratives of empowered women and stereotypical women. The text legitimizes both narratives by using religious arguments, in this case Islam. This can be interpreted as a text effort in propagating the discourse of Islamic women.
Mendiskusikan Definisi Sastra Islam dan Sastra Islami dalam Kesusastraan Indonesia Masa Kini Dian Rizky Azhari; M. Yoesoef; Turita Indah Setyani
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 5 No 4 (2022)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v5i4.518

Abstract

The use of the terminology of Islam Literature and Islamic Literature by literary academics and readers in Indonesia is still confusing. It is inseparable from the development of Islam in Indonesia after the New Order. At that time, publishers had a unilateral claim that their work was the work of Islam literature or Islamic literature. Based on that, this study aims to find the definition and characteristics of the terminology of Islam Literature and Islamic Literature. This study uses the dialectical method, which is a method that contrasts several different views on a problem, in this case, the definition of Islam Literature and Islamic Literature. To collect data, this study uses a literature study of experts' opinions, literary observers, data on literary works, and the development of Indonesian literature. The results of the discussion show that Islam literature refers to all literary works that are strictly based on the text of the holy book and hadith; while Islamic literature can be more fluid than Islamic literature, it does not have to be based on scriptures and hadith, but the values ​​contained in it must be still based on Islamic teachings.
Nuansa Patriarki dalam Praktik Konsep Sekufu di Dua Novel Karya Habiburrahman El Shirazy Dian Rizky Azhari; Mohamad Yoesoef; Turita Indah Setyani
Jurnal Kajian Bahasa, Sastra dan Pengajaran (KIBASP) Vol 6 No 1 (2022): Jurnal KIBASP (Kajian Bahasa, Sastra dan Pengajaran)
Publisher : Institut Penelitian Matematika, Komputer, Keperawatan, Pendidikan dan Ekonomi (IPM2KPE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31539/kibasp.v6i1.4633

Abstract

Penelitian ini bertujuan untuk mengungkap kehadiran nuansa patriarki di dalam penggunaan konsep sekufu dalam dua novel Habiburrahman El Shirazy berjudul Cinta Suci Zahrana(CSZ) dan Bidadari Bermata Bening(BBB). Penelitian ini menggunakan metode deskriptif analisis, yang menggunakan bantuan teori arena dan kuasa kapital dari Pierre Bourdieu untuk memetakan pertentangan modal dari masing-masing tokoh yang berkonflik. Selain itu, sebagai landasan teori untuk menganalisis keberadaan nuansa patriarki digunakan konsep peran gender dalam Islam dari Shihab dan Umar.Hasil penelitian menunjukkan bahwa gambaran konsep sekufu pada kedua teks tidak benar-benar mencerminkan kesetaraan di antara laki-laki dan perempuan. Simpulan penelitian ini yaitu tokoh perempuan digambarkan lebih berkualitas dari pada tokoh laki-laki di dalam kedua teks. Namun, kekurangan tokoh laki-lakitersebut ditutupi oleh teks dengan wacana patriarki, yaitu wacana nasab baik dan wacana tubuh perempuan (status perawan tua dan janda). Kata Kunci: Konsep sekufu, Patriarki, Peran gender dalam Islam
CULINARY AS A REPRESENTATION OF NATIONALISM IN THE NOVEL PULANG BY LEILA S. CHUDORI: MAKANAN SEBAGAI REPRESENTASI NASIONALISME DALAM NOVEL PULANG KARYA LEILA S. CHUDORI Jung Ju Roh; M Yoesoef; Turita Indah Setyani
Jurnal Kata Vol. 6 No. 2 (2022): Jurnal Kata : Penelitian tentang Ilmu Bahasa dan Sastra
Publisher : LLDIKTI Wilayah X

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (442.804 KB) | DOI: 10.22216/kata.v6i2.860

Abstract

This study uses the novel Pulang by Leila S. Chudori with the aim of dismantling the representation of nationalism depicted through food in literary works. This study uses a qualitative descriptive research method with a gastrocritical approach, a research paradigm to analyze culinary literature and semiotics to uncover signs in the text. The results of this study reveal that there are 2 types of food found in the narrative of the novel, namely spices and food. Both types of food are symbols as representations of nationalism described by the characters. Then, the fluid fabric in the narrative structure of this novel presents ideological issues related to a sense of ownership, love for the homeland, and an identity that is maintained by the exiled characters and other characters through food.
Isolasi Perempuan dalam Cerpen “Kata-kata dan Cermin” Karya W. Sanavero (2019) Adinda Zahra Laxmitha; Turita Indah Setyani
Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 16, No 4: November 2021
Publisher : Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/nusa.16.4.325-339

Abstract

Penelitian ini berusaha mengidentifikasi makna dari pengasingan tokoh perempuan cerpen“Kata-kata dan Cermin” (2019). Cerpen “Kata-kata dan Cermin” mengonfigurasikan posisi perempuan yang menginternalisasi nilai-nilai konstruksi masyarakat. Penginternalisasian nilai-nilai konstruksi tersebut mengakibatkan tokoh perempuan berada di garis kekaburan antara keberadaan dan ketidakberadaan. Penginternalisasian nilai-nilai tersebut juga mempengaruhi tokoh cerpen yang teropresi. Tokoh cerpen sebagai perempuan tidak merasa bahwa dirinya ditindas oleh lingkungan, justru menganggap pengopresian tersebut adalah sebuah hal wajar dan perlu diterima. Keberbedaannya malah dia anggap sebagai suatu kesalahan dan kondisi tersebut mempengaruhi identitasnya. Artikel ini akan menelisik proses kreatif tokoh perempuan dalam menerima keberadaanya sebagai perempuan yang jauh dari nilai-nilai  patriarki. Penelitian ini menggunakan pendekatan semiotik Barthes dan pendekatan kritik sastra feminis eksistensialis dari Simone de Beauvoir. Hasil penelitian ini menemukan bahwa pengisolasian digambarkan dalam “Kata-kata dan Cermin” karya Sanavero sebagai suatu  ruang negosiasi untuk perempuan mendapati dirinya sebagai subjek yang terkekang dan akhirnya menemukan keberadaanya sebagai subjek kreatif.
Pirasat dan Kitab Taj As Salatin: Tinjauan Poskolonialisme pada Ilmu Fisiognomi Haekal Rheza Afandi; Turita Indah Setyani
Jumantara: Jurnal Manuskrip Nusantara Vol 14, No 1 (2023): Juni
Publisher : Perpustakaan Nasional RI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37014/jumantara.v14i1.3332

Abstract

Traces of the past can be seen in Pirasat and Taj As Salatin which show the attitude of locals towards foreign nations. This study aims to reveal the resistance of the locals as reflected in the two texts to add information about the history of the colonial period in Indonesia. This study will use a literature comparison method with a postcolonial review as the main instrument in reviewing the resistance of locals to the invaders in the Pirasat and Taj As Salatin. The form of resistance is shown by the locals by giving bad descriptions of people with the physical shape or form of the invaders, like blue eyes (embarrassing) and yellow hair (not virtuous). The mention of these body parts refers to Europeans as evidenced by the presentation of the distribution of blue eyes and yellow hair which are very common in that region. The results of the research from the two texts show that the locals have shown passive-aggressive resistance as seen from the physical mention of the invaders who although not explicitly stated as colonizers, it is certain that there can be no locals with that physical description.
RECEPTION COMPARISON ON PHYSIOGNOMY SCIENCE PIRASAT TOWARDS PIRASAT CHAPTERS OF SERAT TAJUSSALATIN AND FIRASAT CHAPTER OF TAJ AS SALATIN Afandi, Haekal Rheza; Setyani, Turita Indah
International Review of Humanities Studies Vol. 8, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Pirasat (hereinafter referred to as PR) is a Javanese manuscript derived from Taj As Salatin (hereinafter referred to as TAS). A sentence was discovered at the beginning of the PR text that informs the manuscript was produced by scriber after hearing TAS text. PR research aims to reveal the path of PR derivation from TAS as an attempt to add on knowledge related to the history of the text. The method used in PR research is comparative literature to review the receptions that emerge from the manuscript that has been done philologically. Derivation of PR is showing that the text was translated directly from TAS, not through an adapted TAS text that was known in Javanese literature, called Serat Tajussalatin (hereinafter referred to as ST). PR has different characteristics that even though it is a translated text, it has been found that PR has different variations of eye physiognomy section, this made PR that had the most variative eye section compared to TAS and ST. PR is a Javanese manuscript from TAS which only contains the 19th chapter of the text, although PR is translated from TAS, PR shows the creativity of the author which is shown by how different section that has been obtained from TAS was added. This is evidence of the response that has been given by the scriber who has heard the text.
LONG-STANDING NARRATIVE OF INDONESIAN ISLAMIC WOMEN IN FOUR NOVELS BY HABIBURRAHMAN EL SHIRAZY Azhari, Dian Rizky; Yoesoef, M.; Setyani, Turita Indah
International Review of Humanities Studies Vol. 8, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Discussions about Islamic women have been buzzing in Indonesia after the collapse of the New Order. Its presence directly contradicts the narratives of women that were influenced by western thought, such as liberalism and secularism, as well as by global islamization movement from the Middle East. The conflicts that arose were about the role of women in the public sphere, women's independence, women's bodies and sexuality. This study aims to find similarities between ideas about Islamic women and the practice of Islamic women's discourse in Indonesian society. This study uses an intrinsic study method and a sociology of literature approach to reveal the relationship of the text to social conditions in society. The result shows that the depiction of Islamic women in the four texts is the same as the practice of Islamic women's discourse that existed in Islamic societies even before Indonesia's independence. It is considered as a writing-back movement by Habiburrahman El Shirazy to propagate the majority version of Islamic values in Indonesia.
Co-Authors Adinda Zahra Laxmitha Afandi, Haekal Rheza Agus Aris Munandar Agus Aris Munandar Azhari, Dian Rizky Deny Yudo Wahyudi Diki Febrianto Dwi Rahmawanto Haekal Rheza Afandi Halimah Ratna Rusyidah Haryanti, Novi Diah I Made Suparta Jessica Boru Nababan Jung Ju Roh Lily Tjahjandari M Yoesoef M. Yoesoef M. Yoesoef M. Yoesoef M. Yoesoef Mamlahatun Buduroh Mohamad Yoesoef Muhammad Bilal Radhitya Prahasya Muhammad Heno Wijayanto Mu’jizah, Mu’jizah Paulus Aditya Christianto Permana, R. Cecep Eka Priscila Fitriasih Limbong Pudjiastuti, Titik Raharjo, Rias Antho Rahmi Roh Jung Ju Rusyidah, Halimah Ratna Saparudin, Endin Suharjo, Rias Suwargono, Eko Wijayanto, Muhammad Heno Yoesoef, M. Yudhistira, Naufal Anggito Zuhdi, Muhammad Luthfi Zulyeno, Bastian