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All Journal Jurnal Ilmiah Kanderang Tingang Moestopo International Review on Social, Humanities, and Sciences (MIRSHuS) Electronic Journal of Education, Social Economics and Technology Innovative: Journal Of Social Science Research Jurnal Pengabdian Masyarakat Bangsa Jurnal Keislaman
Abdul Azis
Universitas Budi Luhur
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Analisis Semantik: Nilai Persahabatan antara Piko dan Ucup melalui Dialog Film Mencuri Raden Saleh Reza Pahlevi Ginting; Abdul Azis
Jurnal Ilmiah Kanderang Tingang Vol 14 No 2 (2023): Jurnal Ilmiah Kanderang Tingang
Publisher : FKIP Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37304/jikt.v14i2.243

Abstract

Mencuri Raden Saleh is a film that tells the story of the lives of young people. It starts with Piko (Iqbaal Ramadhan), an art student who is struggling to find money to support himself and trying to free his father who is in prison. Researchers use semantic meaning which is a part of linguistics that examines meaning or significance (Parera, 2004). The value of friendship is mutual understanding between individuals, understanding all things that are liked, hated, needed, as well as the elements that make up a feeling that requires each individual to trust each other, help each other, and work together to develop common goals (Pangle in Julia, 2021). Researchers used qualitative methods in analyzing data and descriptive methods in presenting research data. The technique used in data collection is the Talk Free Involvement Listening Technique (Zaim, 2014). Based on the results of data analysis, it can be concluded, namely 1) dominant semantic meaning can be carried out, namely emotive and ideational meanings, 2) friendship values ​​that arise, namely mutual support, mutual trust, and responsibility for the difficulties experienced by the two friends , and 3) this research can also be a reference in understanding the value of friendship for students and used as research material that can be developed in social life.
Makna Kepahlawanan dalam Tayangan ‘CNN Indonesia Heroes’ di CNN Indonesia Tv: Sebuah Analisis Resepsi Abdul Azis; Azka Prasetyo; Reza Pahlevi Ginting
Innovative: Journal Of Social Science Research Vol. 3 No. 4 (2023): Innovative: Journal Of Social Science Research
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/innovative.v3i4.3992

Abstract

Penelitian ini bertujuan untuk mengetahui pemaknaan pemirsa televisi terhadap pesan yang disampaikan terkait unsur kepahlawanan dalam tayangan CNN Indonesia Heroes episode Metamorfosis Penjaga Habitat Kupu-Kupu dan Cerita Sang Penutur Dongeng. CNN Indonesia Heroes dipilih karena program acara ini menjadi bagian dari sedikit tayangan televisi yang mengusung tema-tema kepahlawanan saat ini. Penelitian ini menggunakan pendekatan kualitatif, dengan metode analisis resepsi encoding-decoding Stuart Hall yang digunakan untuk melihat pemaknaan dari para informan. Ada tiga posisi pemaknaan dalam analisis resepsi yakni posisi dominan hegemoni, negosiasi dan oposisi. Wawancara mendalam digunakan sebagai metode pengumpulan data terhadap lima informan dengan beraneka ragam latar belakang sosio kultural. Dari hasil penelitian ditemukan pemaknaan yang berbeda-beda dari para informan dalam memaknai pesan unsur kepahlawanan dalam tayangan CNN Indonesia Heroes episode Metamorfosis Penjaga Habitat Kupu-Kupu dan Cerita Sang Penutur Dongeng ini. Beragamnya posisi pemaknaan tersebut didasari oleh sejumlah faktor, seperti latar belakang tingkat pendidikan dan pekerjaan para informan. Informan berlatar belakang pendidikan strata pascasarjana cenderung lebih kritis memaknainya. Kesimpulan dari penelitian ini adalah mayoritas pemaknaan dari para informan berada pada pemaknaan dominan hegemoni. Bagi para informan, tayangan CNN Indonesia Heroes ini memang mengusung nilai dan makna kepahlawanan, dan hal ini sejalan dengan pesan yang ingin disampaikan oleh pembuat program acara ini
Penayangan Video Klip Lagu Populer sebagai Aplikasi Project Based Learning Mata Kuliah Drama Ginting, Reza Pahlevi; Mahsa, Masithah; Syahriandi, Syahriandi; Radhiah, Radhiah; Trisfayani, Trisfayani; Rasyimah, Rasyimah; Azis, Abdul
Jurnal Pengabdian Masyarakat Bangsa Vol. 2 No. 5 (2024): Juli
Publisher : Amirul Bangun Bangsa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59837/jpmba.v2i5.1068

Abstract

PjBL adalah proyek yang kompleks dan realistis yang harus diselesaikan oleh mahasiswa. Proyek ini harus relevan dengan minat dan kebutuhan mahasiswa, serta memungkinkan mereka untuk menerapkan pengetahuan dan keterampilan yang telah dipelajari di kelas. Dalam proses pembuatan video klip, para mahasiswa mata kuliah Drama dapat belajar bagaimana memahami dan menganalisis makna lagu, dan bagaimana menerjemahkan makna tersebut ke dalam bentuk visual yang menarik. Pelaksanaan pembuatan Video Klip lagu juga disesuaikan dengan program PjBL (Project Based Learning) yang diterapkan oleh Prodi Pendidikan Bahasa Indonesia, FKIP, Universitas Malikussaleh. Kegiatan penayangan Video Klip Lagu Populer dilakukan pada Kamis, 27 Juni 2024, pukul 14.30 WIB. Acara ini dilaksanakan di Lobi A Gedung Fakultas Keguruan dan Ilmu Pendidikan, Universitas Malikussaleh. Pembuatan video klip lagu populer dapat dijadikan sebagai hasil akhir dari mata kuliah Drama yang menerapkan Project Based Learning (PjBL). Hal ini dibuktikan dengan adanya rangkaian unsur drama yang dimasukkan dalam video klip tersebut.
Analisis Resepsi Identitas Keindonesiaan Dalam Tayangan Indonesia Punya Cerita Di Trans TV Azis, Abdul; Ginting, Reza Pahlevi
Jurnal Ilmiah Kanderang Tingang Vol 15 No 2 (2024): Jurnal Ilmiah Kanderang Tingang
Publisher : FKIP Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37304/jikt.v15i2.335

Abstract

This study explores audience interpretations of the television program "Indonesia Punya Cerita" on Trans TV in relation to issues of Indonesian identity in television broadcasts. "Indonesia Punya Cerita" was selected because it is one of the few television shows that not only caters to market demands but also promotes themes of nationalism and Indonesian identity. Additionally, the show’s unique packaging style distinguishes it from other similar programs. This research employs a qualitative approach, utilizing in-depth interviews to collect data from informants with diverse socio-cultural backgrounds. The information gathered is analyzed using Stuart Hall’s Encoding-Decoding Reception Analysis Method, which categorizes audience interpretations into three positions: dominant hegemonic, negotiated, and oppositional. In reception analysis, the audience is seen as part of Interpretative Communities that are actively engaged in perceiving messages and producing meanings, thereby being active Producers of Meaning. The results reveal diverse interpretations among informants; however, most informants adopt an oppositional stance in interpreting the program. Interestingly, the oppositional interpretations are not limited to informants with postgraduate educational backgrounds but also include those with secondary education. For the informants, "Indonesia Punya Cerita" is merely a television show without significant impact.
Resepsi Khalayak Tentang Kebangkitan Sepak Bola Nasional Dalam Konten Youtube Bung Binder Dan Bung Ropan Azis, Abdul; Utami, Sinta Dwi
Jurnal Ilmiah Kanderang Tingang Vol 16 No 2 (2025): Jurnal Ilmiah Kanderang Tingang
Publisher : FKIP Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37304/jikt.v16i2.403

Abstract

This study aims to understand how audiences interpret the narrative of the revival of national football built by Content Creator Bung Binder and Bung Ropan on the YouTube platform. This research uses a qualitative approach with Stuart Hall's encoding decoding model reception analysis method. This method is used as an analysis instrument to map the audience's meaning position, namely dominant-hegemonic, negotiation, and opposition positions. The results showed that the narrative of the revival of national football built by Bung Binder and Bung Ropan was accepted with various meanings by the audience. The majority of informants are in a negotiation position, where they accept the narrative of the revival of national football built by Bung Binder and Bung Ropan, but remain critical of opinions or views that do not match their personal judgment. Other research results show that content creators Bung Binder and Bung Ropan play an important role in building the narrative of the rise of national football through their content on the YouTube platform.
SATIRE NEWS AND GENERATION Z RECEPTION ON MEET NITE LIVE METRO TV Utami, Sinta Dwi; Azis, Abdul
Moestopo International Review on Social, Humanities, and Sciences Vol. 5 No. 2 (2025)
Publisher : Universitas prof. Dr. Moestopo (Beragama)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32509/mirshus.v5i2.133

Abstract

This study examines how satirical discourse is constructed in television news and how Generation Z interprets it, focusing on Meet Nite Live, a MetroTV program that combines journalism with comedy. The program adopts a casual yet sharp style, embedding socio-political critique within humorous conversations to capture younger audiences. Using Fairclough’s Critical Discourse Analysis and Stuart Hall’s Reception Analysis, this research examines the relationship between the satire production and audience interpretation. Data were collected through program text analysis and in-depth interviews with Generation Z respondents. Findings reveal that Meet Nite Live employs informal language and satire to present critique in a non-confrontational manner, making sensitive issues more accessible and relatable. All respondents occupy a negotiated position: they acknowledge the substance of the critique but critically assess its delivery and entertainment value. This confirms that Generation Z functions as an active and discerning audience. Moreover, platform and algorithmic gatekeeping significantly shape the program’s reach, as short-form content on YouTube Shorts and TikTok often serves as the entry point for young viewers. The study concludes that satire sustains media relevance, fosters critical literacy, and strengthens democratic engagement. Meet Nite Live exemplifies how mainstream media can adapt to digital logics while maintaining socio-political issues.
Audience Perception of the YouTube Content Gocek BungTowel Azis, Abdul; Utami, Sinta Dwi; Avis, Ridho; Armaylia, Ester
Electronic Journal of Education, Social Economics and Technology Vol 5, No 2 (2024)
Publisher : SAINTIS Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33122/ejeset.v5i2.223

Abstract

This study aims to examine how the audience perceives Bung Towel's content about Shin Tae-yong/STY and the Indonesian National Football Team on the YouTube channel Gocek BungTowel, from the perspective of the Uses and Gratifications theory. The appeal of the Gocek BungTowel content lies in the fact that its content is dominated by Bung Towel's criticisms of STY and Indonesian football. The research subjects are five informants who closely follow news about STY and Indonesian football,but come from diverse backgrounds. This diversity in background leads to varying perceptions of the Gocek BungTowel YouTube content. The study uses a qualitative approach with Miles and Huberman’s interactive model to analyze the data. The findings indicate that the Gocek BungTowel content successfully influences the audience in three main aspects of the Uses and Gratifications theory. The content provides a more critical perspective on Indonesian football. In addition, it raises a wide range of emotions from the audience, ranging from satisfaction to discomfort, and encourages the audience to engage more deeply in discussions about Indonesian football. This study also reveals that the main motives driving the audience to access Gocek BungTowel content are to gain new insights into Indonesian football and to seek entertainment.
An Expressive Analysis of Tulus' Song "Gajah" Lyrics Using a Pragmatic Framework Ginting, Reza Pahlevi; Azis, Abdul; Ginting, Mutia Suri
Electronic Journal of Education, Social Economics and Technology Vol 5, No 2 (2024)
Publisher : SAINTIS Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33122/ejeset.v5i2.192

Abstract

This study analyzes the linguistic and emotional layers of Tulus' song “Gajah”, focusing on speech acts and implicature in the lyrics and their connection to themes of self-acceptance, social stigma, and identity transformation. Utilizing a qualitative descriptive approach, the research combines expressive and pragmatic critique methodologies to explore how the lyrics communicate personal experiences and emotions. The primary data consists of the song's lyrics and supplementary interviews, articles, and reviews about the song’s creation. By employing documentation, observation, and textual analysis, the study examines various speech acts—representative, directive, expressive, declarative, and commissive- and contextual meanings. The analysis shows that Tulus effectively uses language to convey personal and societal experiences, mainly focusing on how childhood ridicule based on his physical appearance evolves into a message of empowerment and acceptance. Furthermore, the study uncovers implicit meanings (implicature) embedded in the lyrics, illustrating the shift of social stigma into a symbol of strength and pride. The findings suggest that Tulus' lyrics represent a personal journey toward self-acceptance and address broader societal issues, urging listeners to reinterpret mockery as a form of hidden praise. By integrating speech act theory and pragmatic implicature analysis, this study demonstrates how “Gajah” is a powerful vehicle for emotional expression and social critique, ultimately conveying a message of solidarity and personal transformation.
Analisis Framing cnnindonesia.com Dan detik.com Dalam Pemberitaan Konflik Palestina-Israel Pasca Tewasnya Ismail Haniyeh Utami, Sinta Dwi; Azis, Abdul; Pranawukir, Iswahyu
Jurnal Keislaman Vol. 7 No. 2 (2024): Jurnal Keislaman
Publisher : Sekolah Tinggi Agama Islam Taruna Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54298/jk.v7i2.271

Abstract

The conflict between Palestine and Israel, triggered by Hamas' attack on Israel on October 7, 2023, is still ongoing. Although there were some mediation and negotiations, there was no agreement between Palestine and Israel. On July 31, 2024, Hamas leader Ismail Haniyeh was killed allegedly by Israel. The death of Ismail Haniyeh had some impacts on Palestinian-Israeli peace efforts. This issue attracts media attention, including cnnindonesia.com and detik.com. This research aims to find out the framing of cnnindonesia.com and detik.com in reporting the Palestinian-Israeli conflict, especially after the death of Ismail Haniyeh. Although these two media belong to the same group, Transmedia, each media has a different news construction. Using the framing analysis theory of Zhongdang Pan and Gerald M. Kosicky, this research examines the news published on both media on July 31, 2024. By examining four structural dimensions, namely syntax, script, thematic, and rhetorical, the results of this study show that there are different framing in news construction. A firm pro-Palestinian stance is shown by cnnindonesia.com while detik.com tries to take a more neutral stance. More comprehensive coverage with a global perspective is also presented by cnnindonesia.com while detik.com presents balanced coverage from both the Palestinian and Israeli sides.
Motives of Audiences Watching Buya Yahya's Islamic Content on Al-Bahjah TV's YouTube Channel: Uses and Gratification Theory Analysis Abdul Azis; Reza Pahlevi Ginting
Electronic Journal of Education, Social Economics and Technology Vol 6, No 2 (2025)
Publisher : SAINTIS Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33122/ejeset.v6i2.602

Abstract

This study aims to identify and understand the audience’s motives by watching Buya Yahya’s Islamic content on the Al-Bahjah TV YouTube channel using the Uses and Gratification Theory as an analytical framework. This theory explains that audiences actively choose media to fulfill specific needs. In this research, viewers' motives are categorized based on five types of needs that media can satisfy, as proposed by Katz, Gurevitch, and Haas: cognitive needs, affective needs, personal integrative needs, social integrative needs, and tension release. This study employs a descriptive qualitative method with data collection techniques including observation and in-depth interviews with three informants from diverse backgrounds to those who watches Buya Yahya’s Islamic content on the Al-Bahjah TV YouTube channel. Data were analyzed using the interactive model by Miles and Huberman, regarding data reduction, data display, and conclusion drawing. Thus, shows that the motives for watching Buya Yahya’s Islamic content are based on the five types of needs: cognitive, affective, personal integrative, social integrative, and tension release. However, the main motives are fulfilling cognitive needs, affective needs, social integrative needs, and tension release. Although the motive to fulfill personal integrative needs was present, it was not dominant nor considered a primary motive. The study also shows that Buya Yahya’s Islamic content on Al-Bahjah TV’s YouTube channel provides audiences with an in depth understanding of Islam, delivers a positive emotional impact, and offers inspiration and spiritual motivation.
Co-Authors Armaylia, Ester Avis, Ridho Azka Prasetyo Ginting, Mutia Suri Iswahyu Pranawukir Mahsa, Masithah Radhiah, Radhiah Rasyimah Rasyimah Reza Pahlevi Ginting Sinta Dwi Utami Syahriandi Syahriandi