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All Journal Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan DESKOVI : Art and Design Journal Border: Jurnal Arsitektur IKONIK : Jurnal Seni dan Desain Jurnal Arsitektur TERRACOTTA Heritage of Nusantara: International Journal of Religious Literature and Heritage SINEKTIKA: Jurnal Arsitektur
Aji Sofiana Putri
Institut Seni Budaya Indonesia Aceh
Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Engineering Environmental Science Social Sciences

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Pre-Islamic and Islamic Influences of Taman Ghairah Aceh Muhammad Naufal Fadhil; Aji Sofiana Putri; Julie Nichols
Heritage of Nusantara: International Journal of Religious Literature and Heritage Vol. 11 No. 2 (2022): HERITAGE OF NUSANTARA
Publisher : Center for Research and Development of Religious Literature and Heritage

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2202.87 KB) | DOI: 10.31291/hn.v11i2.664

Abstract

According to the manuscript of Bustanussalatin by Nuruddin Ar Raniry, in 1637 Sultan Iskandar Thani built a private royal garden called Taman Ghairah (Ghairah Garden). The seventeenth-century garden of Aceh still holds some questions because most of its objects are no longer found in Banda Aceh. Three buildings such as: Gunongan, Kandang and Pintô Khôp which are close to the former Sultan’s palace, are believed to be the remains of the garden. This present study is architectural research that incorporates direct observation and semiotic study on the garden simulation. The simulation is based on the Bustanussalatin manuscript. It is found that the existence of several symbols carry out meanings which relate to the influences of Islamic and pre-Islamic cultures in the past. Meru, tree of life, lotus, and banjaran sari may have derived from pre-Islamic culture, while the river, mosque and floral symbols indicate the presence of Islamic influence. This article underlines that Taman Ghairah has Islamic and Pre-Islamic cultural influences, reflecting the convergence of diverse backgrounds in Acehnese culture
ACEH'S OLD MOSQUES: RECONCILING OLD AND NEW ARCHITECTURE Aji Sofiana Putri; Muhammad Naufal Fadhil
Heritage of Nusantara: International Journal of Religious Literature and Heritage Vol. 12 No. 2 (2023): HERITAGE OF NUSANTARA
Publisher : Center for Research and Development of Religious Literature and Heritage

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31291/hn.v12i2.732

Abstract

The growth of congregation activities in Aceh's old mosques has contributed to the area expansion of the old mosques. This article examines three case studies of old mosques in Aceh that represent three scenarios of spatial expansion, including:  mihrab extension integrated into the old mosque, side expansion attached to the old building, and expansion by adding a new mosque building. Three old mosques under study were Teungku Di Anjong Mosque in Banda Aceh, the Asal Penampaan Mosque in Gayo Lues, and the Gunong Kleng Mosque in West Aceh. This paper aims to analyze the mosque's spatial connection from three architectural aspects:  (1) Pattern of Additional Area, (2) Functionality and Other Features, (3) The Architectural Forms and Materiality of the old and new mosques. A qualitative study was employed through the analysis of architectural and visual images of the three mosques. The study found that adding new spaces to the three mosques significantly divides old and new mosques. The main function of the mosque as a place of worship intertwines with its function as a center of cultural activities as found in the old and new spaces. Furthermore, the old mosque architecture influenced modern mosques, although not completely. The old form harmonized with new materials to reconcile with contemporary construction methods.
KONSEP SUSUNAN RUANG DAN RAGAM VITRIN PADA PAMERAN TEMPORER NASKAH FILOLOGIKA Muhammad Naufal Fadhil; Aji Sofiana Putri; Nisa Putri Rachmadani; Zuhrahmi DE
DESKOVI : Art and Design Journal Vol. 7 No. 1 (2024): JUNI 2024
Publisher : Universitas Maarif Hasyim Latif

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51804/deskovi.v7i1.14846

Abstract

Museum Aceh pada Bulan Agustus hingga September 2023 mengadakan sebuah pameran temporer yang bertajuk “Rahasia Peradaban dalam Aksara”. Pameran ini mengangkat koleksi filologika (naskah kuno) sebagai objek pamer. Naskah-naskah tersebut terdiri dari ayat suci Al-Qur’an, kitab ajaran Islam, sejarah dan mantra-mantra masa lalu yang sebagian besar ditulis dalam kaligrafi Arab berbahasa Melayu. Dengan menggunakan pendekatan deskriptif kualitatif, penelitian ini mengkaji susunan ruang dalam perspektif arsitektur dan desain interior, pada pameran koleksi filologikan yang memuat konten sakral. Selain itu, studi ini juga bertujuan untuk mengkaji bagaimana ragam vitrin yang melindungi naskah-naskah filologika tersebut. Penelitian ini menemukan bahwa dalam suatu ruang pameran tanpa pembatas yang masif, terdapat area-area dengan fungsi yang berbeda-beda. Selain itu, terbentuk hubungan antar area dalam pameran yang dihasilkan dari susunan konten pameran berdasarkan geografis asal koleksi dan pengurutan koleksi berdasarkan waktu. Untuk melindungi naskah dan menyampaikan informasi filologika, pameran ini juga mengembangkan ragam jenis vitrin yang terdiri dari box tertutup transparan dan panel lepas. From August to September 2023, Museum Aceh held a temporary exhibition entitled "Rahasia Peradaban dalam Aksara." The exhibition highlights the collection of philology (ancient manuscripts) as the object of the exhibition. The manuscripts consist of Qur'anic verses, Islamic scriptures, history, and past mantras, most of which are written in Arabic calligraphy in Malay. By using a qualitative descriptive methodology, this study investigates the spatial configuration of philological collections containing religious material within the context of interior design and architecture. In addition, this study also aims to investigate how various vitrines can protect the manuscripts containing the Qur'an, religious books, and mantras. This study indicated that exhibition spaces without enormous walls have diverse uses. Additionally, the arrangement of exhibition content according to the geographical origin of the collection and the chronological categorization of the collection established the relationship between regions. To conserve the manuscripts and provide philological information, the exhibition introduced a set of vitrines made out of transparent closed boxes and loose panels  
Perancangan Board Game Sebagai Media Edukasi Pembelajaran Bahasa Aksara Simalungun untuk Siswa Sekolah Dasar Arivia Sri Handayani; Muhammad Ghifari; Aji Sofiana Putri
IKONIK : Jurnal Seni dan Desain Vol. 6 No. 02 (2024): JULI 2024
Publisher : LPPM Universitas Maarif Hasyim Latif

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51804/ijsd.v6i02.16636

Abstract

Simalungun merupakan sub Suku Batak yang memiliki aksara tersendiri, yaitu Aksara Simalungun yang disebut juga dengan surat batak atau surat sapuluh siah. Dalam menjaga kelestariannya, Bahasa Aksara Simalungun diterapkan sebagai muatan lokal dalam mata pelajaran Sekolah Dasar. Namun, dikarenakan kurangnya penggunaan Bahasa Simalungun di lingkungan menjadi faktor penyebab siswa mengalami kesulitan dalam mengingat dan memahami ketika proses pembelajaran. Perancangan ini bertujuan untuk mengembangkan media pembelajaran dengan metode permainan sehingga siswa mampu mengingat dan memahami pembelajaran Bahasa Aksara Simalungun. Metode perancangan ini menggunakan metode design thinking (Empathy, Define, Ideate, Design/Prototype,Test) dengan analisis data 5W+1H. Hasil dari perancangan ini ialah board game yang digunakan sebagai media edukasi pembelajaran Bahasa Aksara Simalungun.
Citra Perdagangan Informal di Simpang Tujuh Ulee Kareng Banda Aceh Putri, Aji Sofiana; Fadhil, Muhammad Naufal
Jurnal Arsitektur TERRACOTTA Vol 4, No 3 (2023)
Publisher : Itenas, Institut Teknologi Nasional Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26760/terracotta.v4i3.9189

Abstract

Simpang Tujuh Ulee Kareng merupakan salah satu persimpangan yang cukup ramai di Kota Banda Aceh. Persimpangan ini memiliki aktifitas perdagangan informal yaitu street vendors di ketujuh ruas jalan yang bertemu, Jalan T. Iskandar – Cot Iri, Jalan Jurong Dagang, Jalan T. Iskandar – Simpang BPKP, Jalan Kebun Raja, Jalan Masjid Tuha, Jalan Lamreung, dan Jalan Lamgapang. Penelitian arsitektural ini bertujuan untuk menganalisis tipe dan tipologi street vendors yang hadir pada ketujuh ruas jalan dan merumuskan konsep citra visual perdagangan informal yang hadir di kawasan tersebut. Untuk menemukan citra visual, penelitian ini menggunakan metode deskriptif kualitatif melalui analisis visual hasil dokumentasi fotografi survey lapangan. Hasil analisis visual perdagangan informal pada ketujuh ruas jalan menunjukkan adanya tujuh citra yang berbeda. Citra tersebut dipengaruhi oleh tipe dan tipologi street vendors, seperti detached/unfixed, detached/semi-fixed, detached/fixed, adjacent/unfixed, adjacent/semi-fixed, dan adjacent/fixed. Citra perdagangan informal yang berbeda juga dipengaruhi oleh konteks kawasan seperti keberadaan pasar dan sentra kedai kopi.
Framing Architectural Identity of Aceh After Two Contemporary Events Muhammad Naufal Fadhil; Aji Sofiana Putri
Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan Vol 22, No 2 (2024): Arsitektura: Jurnal Ilmiah Arsitektur dan Lingkungan Binaan
Publisher : Universitas Sebelas Maret Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/arst.v22i2.84449

Abstract

Socio-political conditions in a region have a substantial impact on architectural identity. Two contemporary events in Aceh: the 2004 tsunami and the Free Aceh Movement and the Republic of Indonesia conflict, impacted socio-political circumstances and architectural identities. This study revisits the architecture after those two contemporary events in Aceh by examining the socio-political processes and dynamics underlying its architectural representations. The research incorporates literature, theoretical data, and Aceh's architectural and urban history. This research also ties socio-political data to architectural phenomena after the two contemporary events. This research frames two main periods of architectural history after two contemporary events, namely Post-Tsunami 2004 and Post-Conflict. In the post-tsunami 2004 period, there are three architectural phenomena:  the shifting perspective of safe and vulnerable places, the new 'Tsunami' typology, and the revival of the old typology. While in the post-conflict period, there are also three architectural phenomena: the search for Islamic architecture, the return of regionalism, and architecture anomalies.
REINVENTING MAJAPAHIT STYLE IN ACEH SULTANATE ARCHITECTURE Fadhil, Muhammad Naufal; Putri, Aji Sofiana
Border: Jurnal Arsitektur Vol. 7 No. 1 (2025): JUNE 2025
Publisher : Department of Architecture, Faculty of Architecture and Design, Universitas Pembangunan Nasional "Veteran" Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article analyses the impact of the Majapahit architectural style on the Sultanate of Aceh, drawing inspiration from the 'Majapahit Style' as defined within Balinese architecture. Studies of Aceh Sultanate Architecture reveal features resembling the Majapahit Style, suggesting a cultural and historical connection. This study examines the historical context and compares architectural and urban typologies in Majapahit and Aceh through a literature review and analysis of artefacts. It identifies two key typologies demonstrating Majapahit influence: Religious Structures and Royal Urban Landscapes. This analysis critiques the conventional narratives that categorise architectural history into discrete religious periods (Hindu, Buddhist, or Islamic), highlighting the interconnections and varied histories in architecture and urban planning. The findings highlight the significance of acknowledging the cross-cultural influences that have shaped Aceh's built environment, challenging simplistic classifications based on religion or culture. This research illustrates the persistent impact of Majapahit architectural traditions on the Sultanate of Aceh particularly in the adoption of Meru-style mosques and urban planning approaches. The study emphasises the relationship between culture and religion influencing architectural expression, promoting a more profound comprehension of Aceh's built environment.
Exploring The Spatial Mechanism of Income Generation Space in Oyster Seeker Village, Banda Aceh Putri, Aji Sofiana; Fadhil, Muhammad Naufal
Sinektika: Jurnal Arsitektur Vol 22, No 2: Juli 2025
Publisher : Universitas Muhammadiyah Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23917/sinektika.v22i2.7087

Abstract

The oyster seeker community in Alue Naga relies on the coastal environment for finding, cultivating, harvesting, processing, and selling oysters. The spatial dynamics of interaction among humans, oysters, and the coastal environment that generates income for the oyster-seeking community remains thoroughly underexplored. This study investigates the spatial mechanisms of income-generating spaces created by oyster seeker activities in Alue Naga, Banda Aceh, Indonesia. The research aims to explore the spatial patterns formed by the activities and practices of oyster seekers that contribute to their daily income. This study employs a design-driven research method, utilising a qualitative approach shaped by design thinking, spatial sensitivity, and a thorough architectural understanding using meaning from interviews and on-site observations. The research indicates that income-generating activities in Alue Naga oyster seeker village are established through three different spatial mechanisms: 1) the utilisation of land and water border areas, 2) the use of time and domestic space as components in the income-generating process, and 3) social aspects as the engine of spatial mechanism to generate income. This research also reveals that coastal environments can generate spatial mechanisms that shape income-generating spaces for coastal communities, which should be considered when designing spaces, architecture, and urban contexts.
Co-Authors Arivia Sri Handayani Julie Nichols Muhammad Ghifari Muhammad Naufal Fadhil Nisa Putri Rachmadani Zuhrahmi DE