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All Journal KREDO : Jurnal Ilmiah Bahasa dan Sastra Caraka : Jurnal Ilmu Kebahasaan, Kesastraan, dan Pembelajarannya Pena Literasi Jurnal Onoma: Pendidikan, Bahasa, dan Sastra INDONESIA: Jurnal Pembelajaran Bahasa dan Sastra Indonesia SENTRI: Jurnal Riset Ilmiah Jurnal Bastra (Bahasa dan Sastra)
Dicky Rachmat Pauji
Universitas Nasional
Aerospace Engineering Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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ARKETIPE TOKOH UTAMA DALAM NOVEL MAHIKA KARYA AYA: KAJIAN PSIKOLOGI ANALITIK CARL GUSTAV JUNG Evitriana Anggraeni; Dicky Rachmat Pauji; Iskandarsyah Siregar
INDONESIA: Jurnal Pembelajaran Bahasa dan Sastra Indonesia Volume 4 Number 3 October 2023
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/indonesia.v4i3.48187

Abstract

This study aims to identify and classify categories of personality archetypes and to analyze the layers of personality archetypes found and described in the main characters in Mahika novel by Aya. The theory used in this study is Carl Gustav Jung's analytic psychology theory to understand several layers of personality archetypes using the descriptive qualitative method. The data source used is Mahika novel by Aya in the form of narrative texts and character dialogues that describe the personality archetypes of the main characters. The data were obtained using library techniques, reading, and taking notes. The results of the study show that four layers of personality archetypes are reflected in the characters Dara, Aksa, and Deehan as the main characters in the novel. The archetypes include persona, shadow, anima or animus, and the self.
PERILAKU TOKOH SONJA DALAM NOVEL KELAB DALAM SWALAYAN KARYA ABI ARDIANDA Ahmad Febryan Wahyudin; Dicky Rachmat Pauji; Waslam
Jurnal Bastra (Bahasa dan Sastra) Vol. 8 No. 4 (2023): JURNAL BASTRA EDISI OKTOBER 2023
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v8i4.249

Abstract

Tujuan dari penelitian ini adalah untuk mengidentifikasi stimulus yang didapat karakter Sonja, respon yang nyata, dan dampak yang dihasilkan. Metodologi penelitian ini adalah psikologi sastra. Metode pengumpulan data menggunakan metode analisis sastra, yang meliputi pengumpulan semua informasi dalam bentuk fragmen kalimat dan paragraf sejalan dengan analisis psikologis behaviorisme Skinner dalam novel Kelab Dalam Swalayan karya Abi Ardianda dan mengklasifikasikan informasi tersebut ke dalam aspek stimulus, respons, dan efek. Psikologi behaviorisme Skinner berfokus pada rangsangan dan reaksi yang berdampak pada individu sebagai akibat dari lingkungan mereka. Hasil yang ditemukan dalam penelitian ini adalah: 1) Stimulasi yang diberikan kepada karakter Sonja, yang berusaha mempengaruhi perilaku Sonja dalam kehidupan sehari-hari. 2) Respon yang berbeda terhadap stimulus mulai muncul. Respons baik dan negatif hadir dalam respons yang ditampilkan. 3) Dampak yang dialami karakter Sonja, menyebabkan dia mengalami perubahan perilaku.
Konflik Intrapsikis Tokoh Anna dalam Novel Represi Karya Fakhrisina Amalia Hilya Nur Syifa; Dicky Rachmat Pauji; Arju Susanto
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 10 No. 4 (2024)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/onoma.v10i4.4201

Abstract

Konflik Intrapsikis adalah konflik yang terjadi berasal dari hubungannya dengan orang lain, di mana hal itu menjadi bagian dari sistem keyakinan pada dirinya. Penelitian ini berisi mengenai konflik intrapsikis yang dialami tokoh Anna dalam novel Represi. Metode penelitian kualitatif diterapkan dalam penelitian ini, dan teknik simak-catat diterapkan untuk pengumpulan data, di mana novel Represimenjadi objek penelitiannya. Hasil pembahasan yang dapat dijabarkan secara sederhana adalah penelitian ini diperoleh 18 data, di antaranya 3 data Diri Rendah, 4 data Diri Nyata, 2 data Diri Aktual, dan 9 data Diri Ideal
Dinamika “Friendzone” pada tokoh utama dalam novel Friendzone karya Vanesa Marcella Stevi Pusvita Sari; Dicky Rachmat Pauji; Arju Susanto
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 11 No. 1 (2025)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/onoma.v11i1.4940

Abstract

Penelitian ini bertujuan untuk memahami kondisi emosional dan psikologis yang timbul akibat ketidakseimbangan hubungan persahabatan Abel dan David yang terjebak friendzone. Penelitian ini menganalisis dinamika hubungan Friendzone terhadap tokoh utama dalam novel Friendzone karya Vanesa Marcella dengan menggunakan pendekatan psikologi sastra. Analisis ini menggunakan teori Triangular Theory Of Love oleh Robert Sternberg dan teori psikologi humanistik oleh Carl Rogers, serta menggunakan metode deskripsi kualitatif dan teknik baca catat. Hasil analisis menunjukan tokoh utama, Abel mengalami konflik emosional yang ditimbulkan oleh ketidaksesuaian eskspetasinya yang ingin memiliki hubungan romantis dengan David dan realita bahwa David hanya menganggapnya sebagai teman. Ketidaksesuaian ini diperkeruh dengan kebutuhan Abel akan penerimaan positif dari David, yang membuat Abel terus berada dalam hubungan itu meskipun penuh rasa sakit. Pada akhirnya, Abel berada dititik penerimaan diri dan mulai fokus pada dirinya sendiri dan mencari kebahagiannya sendiri, dia tidak lagi pada hubungan yang tidak seimbang.
Kepercayaan Jawa dalam Bingkai Realisme Magis pada Novel Gong Nyai Gandrung karya Sekar Ayu Asmara Puteri Najlah Meylani; Dicky Rachmat Pauji; Nisrina Rona Nabilah
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 11 No. 1 (2025)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/onoma.v11i1.4941

Abstract

Penelitian ini bertujuan mendeskripsikan karakteristik realisme magis dan kepercayaan Jawa dalam novel Gong Nyai Gandrung karya Sekar Ayu Asmara. Beragam ekspresi budaya di Indonesia menyebabkan tumbuhnya kepercayaan magis di masyarakat ditambah adanya ritual dan upacara yang melibatkan unsur magis yang memperkuat keyakinan seseorang. Oleh karena itu, fokus penelitian ini menemukan kepercayaan Jawa yang terbingkai di dalam realisme magis. Pemilihan topik ini diteliti sebab di dalam novel ditemukan karakteristik realisme magis maka dari itu teori yang digunakan adalah Wendy B. Faris. Peneliti menerapkan metode kualitatif sehingga dapat mendeskripsikan dan menginterpretasikan data-data tertulis yang tertuang di dalam sumber data yaitu berupa prosa. Hasil yang diperoleh dalam penelitian ini menunjukkan keberadaan karakteristik realisme magis, yaitu unsur yang tak tereduksi, dunia yang fenomenal, kenyataan yang bercampur magis, keraguan-raguan yang menggangu, dan kekacauan terhadap waktu, ruang, dan identitas. Narasi realisme magis yang terdapat di dalam novel ini mengandung kepercayaan Jawa yang didominasi oleh benda magis, kepercayaan terhadap leluhur, ritual, dan kepercayaan tradisional yang berhubungan dengan upacara pernikahan adat Jawa.
KEPRIBADIAN TOKOH UTAMA DALAM NOVEL AWAN-AWAN DI ATAS KEPALA KITA KARYA MIRANDA MALONKA Mutia Rahmawati; Dicky Rachmat Pauji; Kurnia Rachmawati
INDONESIA: Jurnal Pembelajaran Bahasa dan Sastra Indonesia Volume 4 Number 3 October 2023
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/indonesia.v4i3.48133

Abstract

This study aims to describe and analyze the main character's personality structure, namely the id, ego, and superego. This study uses a descriptive-qualitative approach to produce data in the form of words and sentences that can be described structurally according to the theory of literary psychology. The source of the data used is the novel Awan-Awan di Atas Kepala Kita using library techniques, notes, and documents. The results of the research show that the id, ego, and superego are the main characters personality components, Ben and Kay. In the two main characters, aspects of Ben's ego personality appear due to the urge of the id trying to control himself, and aspects of Ben's superego are controlled by conscience. Meanwhile, aspects of Kay's ego personality emerged because of the id drive, which overshadowed realistic principles, and Kay's superego aspects were controlled by the existence of ego drives. The strongest aspect of Ben's personality, is the controlling ego, and in Kay's personality, the id aspect dominates.
REPRESENTASI KETIMPANGAN GENDER DALAM NASKAH DRAMA PENYALIN CAHAYA KAJIAN FEMINISME INTERSEKSIONAL: Representation of Gender Inequality and Social Class in the Drama Script of the Copy of Light: A Study of Intersectional Feminism Elisabeth Eunike; Nisrina Rona Nabilah; Dicky Rachmat Pauji
CARAKA Vol 12 No 2 (2026): JUNE
Publisher : Universitas Sarjanawiyata Tamansiswa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30738/caraka.v12i2.22096

Abstract

Penelitian ini bertujuan menganalisis representasi ketimpangan gender serta interseksionalitas antara gender dan kelas sosial dalam naskah drama Penyalin Cahaya karya Wregas Bhanuteja. Naskah ini mengisahkan Sur, mahasiswi korban kekerasan seksual di kampus yang menghadapi tekanan sosial dan institusional ketika memperjuangkan keadilan. Penelitian menggunakan pendekatan kualitatif deskriptif dengan metode analisis teks, dengan data berupa dialog dan adegan yang relevan. Analisis dilakukan menggunakan teori feminisme interseksional Kimberlé Crenshaw dan teori representasi Stuart Hall. Hasil penelitian menunjukkan bahwa ketimpangan gender direpresentasikan melalui praktik victim blaming, dominasi institusi kampus, pembungkaman suara korban, serta perlindungan terhadap pelaku laki-laki. Selain itu, pengalaman Sur memperlihatkan bahwa ketertindasan tidak hanya bersumber dari gender, tetapi juga diperkuat oleh posisi kelas sosialnya yang rentan. Dengan demikian, ketimpangan dalam naskah bekerja secara interseksional melalui relasi kuasa yang saling bertumpang tindih dan mempertegas kritik terhadap struktur sosial yang tidak berpihak pada korban.
Yovi Birawanto's Creative Process and Social Life in the Creation of Musical Works Putri Nesha Ryuko; Kurnia Rachmawati; Dicky Rachmat Pauji
SENTRI: Jurnal Riset Ilmiah Vol. 5 No. 1 (2026): SENTRI : Jurnal Riset Ilmiah, Januari 2026
Publisher : LPPM Institut Pendidikan Nusantara Global

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55681/sentri.v5i1.5609

Abstract

This study examines the creative process and social background of Indonesian independent musician Yovi Birawanto in producing his musical works. Music, particularly song lyrics, is not merely an aesthetic expression but also a medium that reflects the artist’s interaction with social realities. This research aims to describe how Yovi’s social experiences influence his creative process, to explain the stages of creativity involved, and to identify the dominant social themes represented in his songwriting. Employing a qualitative approach, the study utilizes in-depth interviews, lyric analysis, and live performance observation. The findings reveal that Yovi’s creative works emerge from collective and contextual experiences rather than personal sentimentalism. His songwriting is strongly influenced by shared emotional realities, such as human vulnerability, existential anxiety, and the need for emotional space within contemporary social life. These themes are articulated through reflective and metaphorical language that resonates with broader public experiences. Furthermore, the creative process follows four integrated stages: preparation through idea collection based on social observation, incubation within moments of reflective silence, illumination marked by the sudden emergence of musical or lyrical ideas, and verification through collaborative refinement with the band. Performance observation confirms that live performance functions as the final phase of verification, enabling emotional dialogue between the artist and the audience. In conclusion, Yovi Birawanto’s musical works operate as a form of social discourse in which creativity becomes a dialogic interaction between the artist, social environment, and listeners, positioning independent music as a meaningful medium of popular literary expression.
Ketidakadilan Gender dan Bentuk Perlawanan Tokoh Perempuan dalam Novel Malam Seribu Jahanam: Kajian Feminisme Khofifah Rahmah; Kurnia Rachmawati; Dicky Rachmat Pauji
SENTRI: Jurnal Riset Ilmiah Vol. 5 No. 2 (2026): SENTRI : Jurnal Riset Ilmiah, Februari 2026
Publisher : LPPM Institut Pendidikan Nusantara Global

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55681/sentri.v5i2.5632

Abstract

This study examines gender injustice and forms of resistance in Malam Seribu Jahanam by Intan Paramaditha using feminist literary criticism and Mansour Fakih’s framework of gender injustice. The research is motivated by the persistence of gender inequality in Indonesian society as reflected in literary works. It aims to identify forms of gender injustice and analyze how female characters respond to patriarchal domination. Unlike previous studies that primarily focus on women’s oppression, this research highlights the representation of gender minorities beyond the male–female binary, particularly trans women, who are marginalized through moral stigma, social exclusion, and rejection from religious and social spaces. This perspective broadens feminist literary analysis by incorporating a more inclusive understanding of gender injustice. The study employs a qualitative descriptive method through close reading and thematic categorization of data. The findings reveal that gender injustice appears in interconnected forms, including marginalization, subordination, stereotyping, violence, and unequal workloads. However, female characters are portrayed not merely as victims but as agents who negotiate identity, assert autonomy, and resist patriarchal control.
Beban Sosial dan Tekanan Peran Tokoh Kaluna dalam Novel Home Sweet Loan Helennisa Febrya; Kurnia Rachmawati; Dicky Rachmat Pauji
SENTRI: Jurnal Riset Ilmiah Vol. 5 No. 2 (2026): SENTRI : Jurnal Riset Ilmiah, Februari 2026
Publisher : LPPM Institut Pendidikan Nusantara Global

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55681/sentri.v5i2.5847

Abstract

This study examines the social burden and role pressure experienced by the character Kaluna in Almira Bastari's work entitled Home Sweet Loan. The problems that arise are caused by an imbalance in the social roles that Kaluna must perform as a member of the sandwich generation, who has responsibilities not only for her personal needs but also for the demands of her family and social environment. The gap between social reality and cultural expectations reflects the structural pressures that influence the character's actions and decisions. The purpose of this study is to describe the social burdens and gender role pressures experienced by the character, as well as to interpret their social meaning from a literary sociology perspective. The method used in this study is descriptive qualitative with observation and recording techniques to collect data in the form of relevant quotations from the novel text. The findings of this study show that Kaluna faces pressures related to economics, family demands, and gender expectations that require her to perform roles in both the domestic and public spheres simultaneously. Gender role pressure arises through the demand to appear as an ideal woman, while social burdens arise from financial responsibilities and expectations of an unbalanced role. In conclusion, the novel Home Sweet Loan depicts the complexity of the lives of young women from the urban middle class who are trapped in demanding social structures, providing a realistic picture of social burdens and role pressures in modern society.
Co-Authors Aenun Azizah Afifah Ayu Lathifah Ahmad Febryan Wahyudin Arju Susanto Elisabeth Eunike Evitriana Anggraeni Helennisa Febrya Hilya Nur Syifa Iskandarsyah Siregar Khofifah Rahmah Kurnia Rachmawati Miranda Putri Madina Lubis Mutia Rahmawati Nisrina Rona Nabilah Puteri Najlah Meylani Putri Nesha Ryuko Stevi Pusvita Sari Waslam